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Gareth Jones
Gareth Jones, Diamond - Signed Print, Abstract Art, Contemporary Art

1999/2000

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  • Gareth Jones, Diamond - Signed Print, Abstract Art, Contemporary Art
    Located in Hamburg, DE
    Gareth Jones (British, b. 1965) Diamond, 1999/2000 Medium: Offset lithograph Dimensions: 26 x 21 cm Edition of 100: Hand-signed, numbered and dated in pencil Condition: Excellent
    Category

    20th Century Abstract Geometric Abstract Prints

    Materials

    Offset

  • Sol LeWitt, Sixteen Geometric Figures with Lines in Two Directions (Red)
    By Sol LeWitt
    Located in Hamburg, DE
    Sol LeWitt (American, 1928-2007) Sixteen Geometric Figures with Lines in Two Directions (Inside Figure Horizontal, Outside Figure Vertical), Plate #03, 1983 Series: from The Four Sid...
    Category

    20th Century Abstract Geometric Abstract Prints

    Materials

    Screen

  • François Morellet, Trames: Portfolio of 8 Signed Screenprints, Abstract Art
    By Francois Morellet
    Located in Hamburg, DE
    François Morellet (French, 1926-2016) Trames Portfolio, 1965 Medium: 8 screenprints on cardboard Dimensions: 62 × 62 cm (24 2/5 × 24 2/5 in) Edition of 125: Each serigraph hand signe...
    Category

    20th Century Abstract Geometric Abstract Prints

    Materials

    Screen

  • Carmen Herrera, Untitled (Red and White), Abstract Art, Minimalism, Signed Print
    By Carmen Herrera
    Located in Hamburg, DE
    Carmen Herrera (Cuban, b. 1915) Untitled (Red and White), 2011 Medium: Lithograph on wove paper Dimensions: 11 1/2 × 8 in (29.3 × 20.3 cm) Edition of 500: Signed, numbered, and dated...
    Category

    21st Century and Contemporary Abstract Geometric Abstract Prints

    Materials

    Paper, Lithograph

  • Sarah Morris, London - Signed Print, Geometric Abstraction, Hand-Signed
    By Sarah Morris
    Located in Hamburg, DE
    Sarah Morris (American, born 1967) London, 2012 Medium: Digital print on rag paper with glaze Dimensions: 38 x 30 cm (14 15/16 x 11 13/16 in) Edition of 200: Hand-signed and numbered...
    Category

    21st Century and Contemporary Abstract Geometric Abstract Prints

    Materials

    Digital

  • Blue on Yellow, Silkscreen, Abstract Art, Minimalism, 20th Century
    By Rupprecht Geiger
    Located in Hamburg, DE
    Rupprecht Geiger (German, 1908-2009) Blue on Yellow (from "Colour in the Round"), 1969 Silkscreen in colours, on cardboard Dimensions: 28 × 26 in (71 × 66 cm) Edition of 95: Hand sig...
    Category

    1960s Abstract Geometric Abstract Prints

    Materials

    Screen

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    Located in New York, NY
    Dan Flavin Dan Flavin at Albright Knox Gallery (hand signed and inscribed to renowned curator) Offset Lithograph. Hand signed and inscribed by Dan Flavin 18 × 22 inches Provenance: Estate of artist and collector Rick Collar Unframed Uniquely inscribed and hand signed 1972 Dan Flavin exhibition poster from his Albright Knox exhibition. Dan Flavin hand signs and inscribes it to Paulus Hendrik Hefting, the curator of the Neue Nationalgalerie in Berlin. The inscription reads: "Best regards and best wishes to you especially in "diagrams and drawings". What Flavin is referring to is the important exhibition also in 1972, "Diagrams & Drawings" curated by Hefting, at the Rijksmuseum Kröller-Müller (Netherlands), which featured Carl Andre, Christo, Walter De Maria, Dan Flavin, Michael Heizer, Don Judd, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Richard Serra, Robert Smithson. An extremely rare signed poster with a unique inscription to a major European curator referencing an historic Minimalist exhibition in the early 1970s. We may not see the likes of something like this anytime soon! Dan Flavin Biography From 1963, when he conceived the diagonal of May 25, 1963 (to Constantin Brancusi), a single gold fluorescent lamp installed diagonally on the wall, until his death in 1996, Dan Flavin (1933-1996) produced a singularly consistent and prodigious body of work that utilized commercially available fluorescent lamps to create installations (or “situations,” as he preferred to call them) of light and color. Through these light constructions, Flavin was able to establish and redefine space. Flavin’s first solo exhibitions were held at the Judson Gallery in 1961 and the Green Gallery in 1964, both in New York. His first European exhibition was in 1966 at Galerie Rudolf Zwirner in Cologne, Germany; and in 1969, the National Gallery of Canada, Ottawa, organized his first major museum retrospective. His work was included in a number of key early exhibitions of Minimal art in the 1960s, among them Black, White, and Gray (Wadsworth Atheneum Museum of Art, Hartford, Connecticut, 1964); Primary Structures (The Jewish Museum, New York, 1966); and Minimal Art (Gemeentemuseum, The Hague, 1968). Flavin’s work would continue to be presented internationally over the course of the pursuant decades at venues including the St. Louis Art Museum, Missouri (1973); Kunsthalle Basel (1975); Museum Boymans-van Beuningen, Rotterdam (1975); Stedelijk Museum, Amsterdam (1986); and the Solomon R. Guggenheim Museum, New York (1992), among others. A major museum retrospective devoted to Flavin’s work was organized, in cooperation with the Estate of Dan Flavin, by the Dia Art Foundation in association with the National Gallery of Art, Washington, DC, where it was first on view in 2004. The exhibition traveled from 2005 to 2007 to the Modern Art Museum of Fort Worth, Texas; Museum of Contemporary Art, Chicago; Hayward Gallery, London; Musée d’Art Moderne de la Ville de Paris...
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    1970s Abstract Geometric Abstract Prints

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    Pencil, Lithograph, Offset

  • "KVTNO7_02" Abstract Print 23" x 23" Edition of 50 by DOT
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    "KVTNO7_01" Abstract Print 23" x 23" Edition of 50 by DOT Print. Signed and numbered by the artist. ABOUT THE ARTIST: By compiling concepts from multiple philosophies, DOT’s Art...
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  • Bruce Nauman at Leo Castelli
    By Bruce Nauman
    Located in New York, NY
    Bruce Nauman Bruce Nauman at Leo Castelli, 1978 Offset Lithograph Poster 18 1/4 × 36 inches Unframed This Bruce Nauman poster was created on the occasion of his exhibition at the Leo...
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