Garo Zareh Antreasian

untitled

1980

Neon Intaglio Etching, c. 1970 Signed, titled and numbered in pencil Edition: 99 (76/99) Image size: 7 1/2 x 7 1/2 inches Sheet size: 22 x 17 inches Condition: Excellent Carlos Dávil...

Linocut, printed on yellow wove paper Unsigned as is usual From: XXe Siecle, Volume 13, 1959 Published by G. San Lazzaro for A. Maeght, Paris Printed by...

Signed, dated, titled and number Edition: 25 (1/25), never fully realized Provenance: Estate of the artist Etching, engraving and color aquatint Sheet: 10 5/8 x 13 1/2"; Image...

Signed, dated, titled and numbered in pencil Edition: 100 Provenance: Estate of the artist By descent Sheet: 20 1/8 x 20 1/8"; Image size: 17 x 17"

Untitled (Undertow Variant) Etching and aquatint printed in colors Signed and numbered in pencil (see photos) Edition: 30 (9/30) see photo Condition: Excellent Image: 7 7/8 x 7" She...

The Season's Encounter Signed, dated and numbered in the lower margin Edition: 20 (16/20) Signed, dated and numbered in the lower margin Condition: Mint, f...

Includes a Certificate of Authenticity

Sol LeWitt (1928-2007) is an important contributor to the 20th century's most cerebral "isms" notably minimalism and conceptual art. Many of his works were created from elaborate a...

Menashe Kadishman was born in Tel-Aviv in 1932. He is a Graduate of St. Martin's School of Art, University of London Studies with Anthony Caro, Reg Butler. From 1947 to 1950, Kadish...

M. Peter Piening was born on March 14, 1908 in Grabow, Germany. He began his education at a private school in Italy, studied at the Jesuit school of Kloster Ettal in Bavaria, and attended the German Stettin Gymnasium, where he graduated in 1926. Between 1926 and 1928 Piening studied design at the Bauhaus in Dessau, Germany. There he was taught by multiple famous twentieth-century artists, including Joseph Albers, Paul Klee and Mies van der Rohe. After receiving his master’s degree from the Bauhaus in 1929, Piening enrolled at the University of Berlin and obtained his PhD in philosophy in 1931. Piening spent his early career free-lancing as an illustrator and artist for various publishing companies, eventually settling in Paris to work for Condé-Nast’s French publication of Vogue. In 1934 he moved to the United States to work in Condé-Nast’s New York City office. For the next two decades, Piening worked for many important advertising agencies and magazine publishers, including the N. W. Ayer and J. Walker Thompson agencies and Life and Fortune magazines. As art director for Life in the 1930s and for Fortune in the 1940s, Piening completely redesigned the layout of each magazine. He also redesigned the layouts for thirty-four other major American magazines, including Town & Country and Cosmopolitan. Through his design work, Piening had a great impact on the American public, although the millions who encountered his work most likely never knew his name. Between 1934 and 1964, Piening designed over sixty logos and trademarks for internationally-known products and companies. His most widely-recognized logo may have been the three interlocking rings of Ballantine beer. Piening’s other trademark designs include the Lincoln Zephyr...

Menashe Kadishman was born in Tel-Aviv in 1932. He is a Graduate of St. Martin's School of Art, University of London Studies with Anthony Caro, Reg Butler. From 1947 to 1950, Kadish...

M. Peter Piening was born on March 14, 1908 in Grabow, Germany. He began his education at a private school in Italy, studied at the Jesuit school of Kloster Ettal in Bavaria, and attended the German Stettin Gymnasium, where he graduated in 1926. Between 1926 and 1928 Piening studied design at the Bauhaus in Dessau, Germany. There he was taught by multiple famous twentieth-century artists, including Joseph Albers, Paul Klee and Mies van der Rohe. After receiving his master’s degree from the Bauhaus in 1929, Piening enrolled at the University of Berlin and obtained his PhD in philosophy in 1931. Piening spent his early career free-lancing as an illustrator and artist for various publishing companies, eventually settling in Paris to work for Condé-Nast’s French publication of Vogue. In 1934 he moved to the United States to work in Condé-Nast’s New York City office. For the next two decades, Piening worked for many important advertising agencies and magazine publishers, including the N. W. Ayer and J. Walker Thompson agencies and Life and Fortune magazines. As art director for Life in the 1930s and for Fortune in the 1940s, Piening completely redesigned the layout of each magazine. He also redesigned the layouts for thirty-four other major American magazines, including Town & Country and Cosmopolitan. Through his design work, Piening had a great impact on the American public, although the millions who encountered his work most likely never knew his name. Between 1934 and 1964, Piening designed over sixty logos and trademarks for internationally-known products and companies. His most widely-recognized logo may have been the three interlocking rings of Ballantine beer. Piening’s other trademark designs include the Lincoln Zephyr...