Bagdad I (P09) - Richter, Contemporary, 21st Century, C Print, Brushstrokes

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Gerhard Richter
Bagdad I (P09) - Richter, Contemporary, 21st Century, C Print, Brushstrokes
2014

About the Item

Gerhard Richter, (P09) Bagdad I C-Print on aluminum Edition of 500 Published by HENI 50 x 40 cm (19.6 x 15.7 in) Numbered, accompanied by Certificate of Authenticity In mint condition, as acquired from the publisher Editions form an important part of Gerhard Richter's œuvre. From 1965 onwards he has produced prints, photographs, oil paintings, artist's books, multiples and posters in edition as they offer the artist a chance to explore creative possibilities in especially diverse and experimental ways. Lately, Richter was increasingly focused on his Abstract Paintings. Based on Gerhard Richter´s Flow paintings, which were created by capturing poured enamel paints on a glass surface, these editions are chromatographic prints of high-resolution photographs of the originals, mounted on aluminium. The artist refers to them as "facsimile objects", even if they proceed indeed from the Flow paintings, this series distinguishes from the originals in some aspects: in some cases they are presented differently by the artist; in others, they represent the only version of paintings that no longer exist. This exclusive series was released by Serpentine Galleries. “Theory has nothing to do with a work of art. Pictures which are interpretable, and which contain a meaning, are bad pictures. A picture presents itself as the Unmanageable, the Illogical, the Meaningless. It demonstrates the endless multiplicity of aspects; it takes away our certainty, because it deprives a thing of its meaning and its name.„ —Gerhard Richter "Theory has nothing to do with a work of art. Pictures which are interpretable, and which contain a meaning, are bad pictures. A picture presents itself as the Unmanageable, the Illogical, the Meaningless. It demonstrates the endless multiplicity of aspects; it takes away our certainty, because it deprives a thing of its meaning and its name." — Gerhard Richter Lately, Richter was increasingly focused on his Abstract Paintings. Based on Gerhard Richter´s Flow paintings, which were created by capturing poured enamel paints on a glass surface, these editions are chromatographic prints of high-resolution photographs of the originals, mounted on aluminum. The artist refers to them as "facsimile objects", as, even if they proceed indeed from the Flow paintings, this series distinguishes from the originals in some aspects: in some cases, they are presented differently by the artist; in others, they represent the only version of paintings that no longer exist. This exclusive series was released by Serpentine Galleries. GERHARD RICHTER Born on February 9th, 1932, in Dresden, Germany, Richter was raised during the Second World War becoming an artist in Eastern Germany and escaping Communism in 1961. His life has followed a series of historical events whose memories are kept alive through his work. "Of course, my landscapes are not only beautiful or nostalgic, with a Romantic or classical suggestion of lost Paradises, but above all 'untruthful'; and by 'untruthful' I mean the glorifying way we look at nature." —Gerhard Richter From the beginning, Richter explored different paths simultaneously, alternating between the abstract and the figurative, developing a profusion of themes, mediums, and techniques. Deeply affected by the Second World War, he made forays into his own memory as well as that of Germany. History continuing as the dominant theme, he worked from photographs: from an annihilated Dresden, to the Baader-Meinhof gang, to the twin towers of the World Trade Center. Ever unpredictable, Richter has found inspiration in the classic Italian Grand Masters such as Titian (Annunciation after Titian) and painted an immense multi-coloured checkerboard (Colour Chart). When the artist, who has never adhered to any particular convention, fashion, or trend, embarked on his most abstract series (Abstract Paintings), his innovative; overturning buckets of colour that he proceeded to crush onto ten-meter square canvases.

Creator:
Gerhard Richter (1932, German)
Creation Year:
2014
Dimensions:
Height: 19.69 in (50 cm)Width: 15.75 in (40 cm)
More Editions & Sizes:
Edition of 500Price: $17,245
Medium:
C Print
Movement & Style:
Contemporary
Period:
2010-
Condition:
Gallery Location:
Zug, CH
Reference Number:
1stDibs: LU1562210021372

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