Giulio Turcato

Abstract Composition - Lithograph and Screen Print by Giulio Turcato - 1973

1973

Abstract Composition is an Original screen print realized by Plinio Mesciulam in 1973. Very good condition on a white cardboard. Hand-signed and numbered by the artist on the lower...

Abstract Composition is an Original screen print realized by Plinio Mesciulam in 1973. Very good condition on a black cardboard. Hand-signed and numbered by the artist on the lower...

Structure N.1 is an original artwork realized by Carmelo Cappello in 1986. Colored screen print on cardboard. The print is Hand-signed and dated in pencil on the lower right. Numbe...

Abstract Composition is an Original Screen Print realized by Plinio Mesciulam in 1973. Very good condition on a white cardboard. Hand-signed and numbered by the artist on the lower...

Structure N.3 is an original artwork realized by Carmelo Cappello in 1986. Colored screen print on paper. The print is Hand-signed and dated in pencil on the lower right. Numbered ...

Abstract Composition is an Original screen print realized by Plinio Mesciulam in 1973. Very good condition on a white cardboard. Hand-signed and numbered by the artist on the lower...

Robert Motherwell, American (1915 - 1991) Lincoln Center's Mostly Mozart Festival, 25th Anniversary. Lithograph, Edition of 800, unsigned and unnumber...

"Redness of Red" Lithograph Screenprint Collage Contemporary Abstract Abex 1/100 Redness of Red by Robert Burns Motherwell (1915-1991) Lithograph Scree...

These colorful, exuberant and expressionistic works depict a series of hand-drawn Miami beach and tourism postcards in various states of permutation and collapse, at times curling in on themselves and dissolving into glorious, saturated scribbles, the final piece printed with shimmering silver in twenty nine colors. The Arles reference (inspiration for much of Van Gogh's work, and home at various points to Picasso, Gaugin, and Jacques Réattu) reveals Morley's penchant for art history reference in his art. Malcolm Morley, Arles/Miami, 1973. A portfolio of five lithographs. All stones and plates were drawn by the artist and the editions pulled at the Shorewood Atelier in New York. Each edition consists of 150 lithographs on Arches paper plus 25 Artist's Proofs on Rives BFK paper. Portfolio 63/150. Shorewood Atelier. Each lithograph is signed and numbered in pencil by the artist. A copy of this portfolio is in the collection of MoMa, New York, Yale University Art Gallery, Connecticut, Harvard Art Museums, Boston, Minneapolis Institute of Art Collection, Minneapolis, and Brooklyn Museum, Brooklyn. "MIAMI SILVER" - Twenty-one colors printed from five stones and one plate. 23¼" × 34. "MIAMI POSTCARD...

Created in 1974, this lithograph and screenprint on Arches paper is hand signed and dated by Frank Stella (Massachusetts, 1936 - ) in pencil in the lower right margin and is numbered...

Frank Stella (Whitney Museum Exhibited) Shards IVA (Axsom 151), 1982 Lithograph & Silkscreen on Arches Cover Paper (Whitney Museum exhibition label verso of frame) 45 1/2 × 39 1/4 inches Edition 40/49 Signed on the front and numbered from the edition of 49. There were also 10 Artist's Proofs Frame included: held in original vintage frame with original labels Publisher: St. Petersburg Press, New York Special opportunity to acquire Whitney Museum exhibited and catalogued Frank Stella work - with original Whitney Museum label. (How cool is that?) Indeed, this is the very work that was featured at the monumental 1983 print retrospective at the Whitney Museum of 20th Century master artist-scholar Frank Stella. This work bears the original Whitney museum and Richard Gray...

Claire Seidl Description Without Place (Hand Signed), 1986 Lithograph and silkscreen. Hand signed, dated and numbered from the edition of 65 by the artist. 28 × 38 1/2 inches Unfram...