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Gordon Newton
“Six Prints 1972” Hand Printed Black & White Lithographs

1972

$12,000List Price

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Rare Albright Knox museum poster (hand signed and inscribed to renowned curator)
By Dan Flavin
Located in New York, NY
Dan Flavin Dan Flavin at Albright Knox Gallery (hand signed and inscribed to renowned curator) Offset Lithograph. Hand signed and inscribed by Dan Flavin 18 × 22 inches Provenance: Estate of artist and collector Rick Collar Unframed Uniquely inscribed and hand signed 1972 Dan Flavin exhibition poster from his Albright Knox exhibition. Dan Flavin hand signs and inscribes it to Paulus Hendrik Hefting, the curator of the Neue Nationalgalerie in Berlin. The inscription reads: "Best regards and best wishes to you especially in "diagrams and drawings". What Flavin is referring to is the important exhibition also in 1972, "Diagrams & Drawings" curated by Hefting, at the Rijksmuseum Kröller-Müller (Netherlands), which featured Carl Andre, Christo, Walter De Maria, Dan Flavin, Michael Heizer, Don Judd, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Richard Serra, Robert Smithson. An extremely rare signed poster with a unique inscription to a major European curator referencing an historic Minimalist exhibition in the early 1970s. We may not see the likes of something like this anytime soon! Dan Flavin Biography From 1963, when he conceived the diagonal of May 25, 1963 (to Constantin Brancusi), a single gold fluorescent lamp installed diagonally on the wall, until his death in 1996, Dan Flavin (1933-1996) produced a singularly consistent and prodigious body of work that utilized commercially available fluorescent lamps to create installations (or “situations,” as he preferred to call them) of light and color. Through these light constructions, Flavin was able to establish and redefine space. Flavin’s first solo exhibitions were held at the Judson Gallery in 1961 and the Green Gallery in 1964, both in New York. His first European exhibition was in 1966 at Galerie Rudolf Zwirner in Cologne, Germany; and in 1969, the National Gallery of Canada, Ottawa, organized his first major museum retrospective. His work was included in a number of key early exhibitions of Minimal art in the 1960s, among them Black, White, and Gray (Wadsworth Atheneum Museum of Art, Hartford, Connecticut, 1964); Primary Structures (The Jewish Museum, New York, 1966); and Minimal Art (Gemeentemuseum, The Hague, 1968). Flavin’s work would continue to be presented internationally over the course of the pursuant decades at venues including the St. Louis Art Museum, Missouri (1973); Kunsthalle Basel (1975); Museum Boymans-van Beuningen, Rotterdam (1975); Stedelijk Museum, Amsterdam (1986); and the Solomon R. Guggenheim Museum, New York (1992), among others. A major museum retrospective devoted to Flavin’s work was organized, in cooperation with the Estate of Dan Flavin, by the Dia Art Foundation in association with the National Gallery of Art, Washington, DC, where it was first on view in 2004. The exhibition traveled from 2005 to 2007 to the Modern Art Museum of Fort Worth, Texas; Museum of Contemporary Art, Chicago; Hayward Gallery, London; Musée d’Art Moderne de la Ville de Paris...
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Kimber Smith, Abstract Expressionist Geometric Abstraction signed/n lithograph
By Kimber Smith
Located in New York, NY
KIMBER SMITH Untitled Abstract Expressionist Geometric Abstraction, 1967 Lithograph on Rives paper 25 × 19 3/5 inches Signed in silver...
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John Chamberlain at Leo Castelli Gallery, vintage 1970s offset lithograph poster
By John Chamberlain
Located in New York, NY
JOHN CHAMBERLAIN Leo Castelli Invitation, 1976 Offset Lithograph invitation 21 1/2 × 16 inches Unframed This rare vintage offset lithograph invitat...
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Untitled (Fresh Air School) /// Contemporary Abstract Expressionist Walasse Ting
By Walasse Ting
Located in Saint Augustine, FL
Artist: Walasse Ting (Chinese-American, 1929-2010) Title: "Untitled (Fresh Air School)" Portfolio: Fresh Air School *Unsigned edition Year: 1972 Medium: Original Lithograph on white ...
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Red sun
By Zao Wou-Ki
Located in Paris, FR
Lithograph, 1950 Handsigned by the artist in pencil Artist proof Edition : 200 Publisher : Guilde Internationale de la gravure (Paris) Printer : Desjobert (Paris) Catalog : [Agerup 41] 48.00 cm. x 34.00 cm. 18.9 in. x 13.39 in. (paper) Vellum paper The red sun...
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$11,266
H 18.9 in W 13.39 in
Damiers verts
By Sonia Delaunay
Located in Paris, FR
Lithograph, 1968 Handsigned by the artist in pencil and annotated EA Artist proof 65.50 cm. x 50.00 cm. 25.79 in. x 19.69 in. (paper) 42.99 cm. x 34.50 cm. 16.93 in. x 13.58 in. ...
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$4,506
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The purple bird
By Georges Braque
Located in Paris, FR
Lithograph, 1960 Handsigned by the artist in pencil and numbered 6/30 Publisher : Maeght (Paris) Printer : Maeght (Paris) Catalog : [Vallier n°145] 28.00 cm. x 38.00 cm. 11.02 in. x...
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The purple bird
$4,506
H 11.03 in W 14.97 in
Untitled
By Sam Francis
Located in New York, NY
A very good impression of this scarce color lithograph on Rives BFK. Signed and numbered 13/50 in pencil by Francis. Published by Editions Daniel Papierski, Paris. From "Papierski Po...
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Untitled
$5,000
H 30 in W 22 in
London UK exhibition offset lithograph poster Hand signed by Frank Stella Framed
By Frank Stella
Located in New York, NY
Frank Stella Frank Stella Prints 1980 - 2008 (Hand Signed), 2008 Offset Lithograph Hand signed and dated on the front, in innk with inscription that read...
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Royal Academy of Arts, London UK offset lithograph (Hand Signed by Frank Stella)
By Frank Stella
Located in New York, NY
Frank Stella Frank Stella, Royal Academy of Arts (Hand Signed), 2000 Offset Lithograph poster on thin Boldly hand signed and dated by Frank Stella in ink on the front 29 3/4 x 20 inches Unframed Accompanied by Certificate of Guarantee issued by Alpha 137 Gallery This Frank Stella poster...
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Robert Natkin Abstract Lithograph Signed Numbered
By Robert Natkin
Located in Detroit, MI
SALE ONE WEEK ONLY Soft pastel colors in floating smudges lay between and around lyrical abstract geometric and organic forms giving a diaphanous color and shape harmony to the work...
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Piero Dorazio Lithograph Abstract Geometric Quadrilateral Polygon
By Piero Dorazio
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The work is a Lithograph, not numbered, but signed and dated by the artist, Piero Dorazio. The print has an intense color field with a strong linear element being composed of quadril...
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Jean Dubuffet Lithograph Art Brut "I. Traces grotesques"
By Jean Dubuffet
Located in Detroit, MI
SALE ONE WEEK ONLY "I. Traces grotesques" is an Artist’s Proof Lithograph. “Proofs” are either pulled or printed, and the artist has the option to work out the color and quality issues as they come out of the process. The only real difference between the two is the restricted quantity of prints bearing the AP designation and not the quality of the print. This lithograph is signed and titled by the artist, Jean Dubuffet, which indicates his complete satisfaction with the print. It is from 1958 and a perfect example of his style, “Art Brut.” His idealistic approach to aesthetics embraced what is called “low art”, art by non-academically trained artists. It is sometimes referred to as “outsider art.” He did study briefly at the Academie Julian, Paris, but eventually followed his own aesthetics which eschewed traditional standard of beauty in favor of what he believed to be a more authentic and humanistic approach to image-making. This lithograph expresses the beauty he found in the meandering spontaneous black line. Jean Dubuffet began painting at the age of seventeen and studied briefly at the Academie Julian, Paris. He painted off and on for the next 20 years. It was not until 1942 in the midst of WWII in France that he began the work which has distinguished him as an outstanding innovator in postwar Europe. It is said of his work that “he looked to the margins of the everyday – the art of prisoners, psychics, the uneducated, and the institutionalized – to liberate his own creativity and coining the term ‘Art Brut’.” Art Brut is a French term that translates as ‘raw art’, to describe art such as graffiti or naïve art which is made outside the academic tradition of fine art. His paintings from the early forties in brightly colored oils were soon followed by works in which he employed such unorthodox materials as cement, plaster, tar and asphalt-scraped, craved and cut and drawn upon with a rudimentary, spontaneous line. Dubuffet worked in France and exhibited from the early forties on. He was included in the 1946 Pierre Matisse...
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Giuseppe Capogrossi Iconic Comb Design "Superficie 324" Serigrafia
By Giuseppe Capogrossi
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"Superficie 324" is a 1988 screen print (serigraph) of a 1959 painting by Capogrossi. This is one of his famous "comb" or "fork" works that he perfected in the 1950s and continued to create for the remainder of his life. The blocks of primary red and yellow colors give a bright, joyful feel and contrast to the strong bold black that was Capogrossi's consistent color for the "combs". With no allegorical, psychological, or symbolic meanings, these structural elements could be assembled and connected in countless variations. Intricate and insistent, Capogrossi's signs determined the construction of the pictorial surface. This piece is identified along one side: Giuseppe Capogrossi By SIAE 1988 Silvio Zamorani Editor Via Saccarelli, 9 10144 Torino Italy Tel. (39)(11) 4730554 Progetto Grafico (Graphic Project): Studio Walter Benjamin. Serigrafia (Screen Print): BISI Torino. Capogrossi was born in Rome. After obtaining a degree in law in 1923–1924, he decided to study painting with Felice Carena at Accademia di Belle Arti di Roma. In 1927 Capogrossi embarked on a formative trip to Paris together with fellow artists and acquaintances Fausto Pirandello, Corrado Cagli and Emanuele Cavalli...
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Joyce T. Nagel Collagraph "Grid Melt" Deep Rich Colors Signed Dated
Located in Detroit, MI
"Grid Melt" is one of the monoprints that Joyce Nagel so enjoyed creating. Being a monoprint makes this piece totally unique and unlike any of the other pi...
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Joyce T. Nagel Monoprint Abstract "Dropout" Signed Dated
Located in Detroit, MI
"Dropout" is one of the monoprints that Joyce Nagel so enjoyed creating. This monoprint is a one-off abstract print. The arrangement of shapes and colors p...
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