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Guenther Uecker
Nagelbuch Suite, Set of 4 Prints, Abstract Art, Zero, Minimalism

1971

$5,842.20List Price

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Gareth Jones, Diamond - Signed Print, Abstract Art, Contemporary Art
Located in Hamburg, DE
Gareth Jones (British, b. 1965) Diamond, 1999/2000 Medium: Offset lithograph Dimensions: 26 x 21 cm Edition of 100: Hand-signed, numbered and dated in pencil Condition: Excellent
Category

20th Century Abstract Geometric Abstract Prints

Materials

Offset

Paris-Moscou 1900-1930, Centre Pompidou: Original Exhibition Poster from 1979
By Roman Cieslewicz
Located in Hamburg, DE
Vintage poster for the exhibition "Paris-Moscou 1900-1930" at Centre Pompidou from 31 May - 5 November 1979 in Paris. Designed by Roman Cieslewicz (French/Polish, 1930 - 1996).
Category

20th Century Abstract Abstract Prints

Materials

Offset

Dan Flavin, Untitled (Triptych): 3 Aquatint Prints, Abstract Art, Minimalism
By Dan Flavin
Located in Hamburg, DE
Dan Flavin (American, 1933-1996) Untitled (Triptych), 1996-98 Medium: Set of three aquatints on handmade rag paper Dimensions: each 50 x 40 cm (19.75 x 15.75 in) Edition of 60: Each ...
Category

Late 20th Century Abstract Abstract Prints

Materials

Aquatint

Günther Förg, Hora - Etching, 1999, Abstract Art, Minimalism, Signed Print
By Günther Förg
Located in Hamburg, DE
Günther Förg (German, 1952-2013) Hora, 1999 Medium: Etching on rag paper Dimensions: 82 x 63 cm (32 x 24.75 in) Edition of 99 + 12 AP: Hand-signed and numbered Condition: Mint
Category

21st Century and Contemporary Abstract Abstract Prints

Materials

Etching

Arnulf Rainer, Gelbes Meer - 1997, Signed Etching, Abstract Print
By Arnulf Rainer
Located in Hamburg, DE
Arnulf Rainer (Austrian, born 1929) Gelbes Meer, 1997 Medium: Etching on grey wove paper Dimensions: 50 x 65 cm Edition of 35: Hand-signed and numbered Condition: Excellent
Category

20th Century Abstract Abstract Prints

Materials

Etching

André Butzer, Untitled - Etching on wove paper, Signed Print, Contemporary Art
Located in Hamburg, DE
André Butzer (German, b. 1973) Untitled (Smileys), 2019/2022 Medium: Etching in colors on wove paper Dimensions: 43 x 33 cm Edition of 15: Hand-signed, numbered and dated in pencil C...
Category

21st Century and Contemporary Abstract Abstract Prints

Materials

Etching

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Charlie Davies, Winter winds, Contemporary Limited Edition Botanical Prints
By Charlie Davies
Located in Deddington, GB
Charlie Davies Winter winds Original botanical etching Soft ground etching on paper Image Size: 35 cm x 35 cm x 1 cm Sheet/Canvas Size: 50 cm x 50 cm x 1 c...
Category

21st Century and Contemporary Abstract Impressionist Abstract Prints

Materials

Paper, Etching

Bruce Nauman at Leo Castelli
By Bruce Nauman
Located in New York, NY
Bruce Nauman Bruce Nauman at Leo Castelli, 1978 Offset Lithograph Poster 18 1/4 × 36 inches Unframed This Bruce Nauman poster was created on the occasion of his exhibition at the Leo...
Category

1970s Abstract Abstract Prints

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Lithograph, Offset

Rare Albright Knox museum poster (hand signed and inscribed to renowned curator)
By Dan Flavin
Located in New York, NY
Dan Flavin Dan Flavin at Albright Knox Gallery (hand signed and inscribed to renowned curator) Offset Lithograph. Hand signed and inscribed by Dan Flavin 18 × 22 inches Provenance: Estate of artist and collector Rick Collar Unframed Uniquely inscribed and hand signed 1972 Dan Flavin exhibition poster from his Albright Knox exhibition. Dan Flavin hand signs and inscribes it to Paulus Hendrik Hefting, the curator of the Neue Nationalgalerie in Berlin. The inscription reads: "Best regards and best wishes to you especially in "diagrams and drawings". What Flavin is referring to is the important exhibition also in 1972, "Diagrams & Drawings" curated by Hefting, at the Rijksmuseum Kröller-Müller (Netherlands), which featured Carl Andre, Christo, Walter De Maria, Dan Flavin, Michael Heizer, Don Judd, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Richard Serra, Robert Smithson. An extremely rare signed poster with a unique inscription to a major European curator referencing an historic Minimalist exhibition in the early 1970s. We may not see the likes of something like this anytime soon! Dan Flavin Biography From 1963, when he conceived the diagonal of May 25, 1963 (to Constantin Brancusi), a single gold fluorescent lamp installed diagonally on the wall, until his death in 1996, Dan Flavin (1933-1996) produced a singularly consistent and prodigious body of work that utilized commercially available fluorescent lamps to create installations (or “situations,” as he preferred to call them) of light and color. Through these light constructions, Flavin was able to establish and redefine space. Flavin’s first solo exhibitions were held at the Judson Gallery in 1961 and the Green Gallery in 1964, both in New York. His first European exhibition was in 1966 at Galerie Rudolf Zwirner in Cologne, Germany; and in 1969, the National Gallery of Canada, Ottawa, organized his first major museum retrospective. His work was included in a number of key early exhibitions of Minimal art in the 1960s, among them Black, White, and Gray (Wadsworth Atheneum Museum of Art, Hartford, Connecticut, 1964); Primary Structures (The Jewish Museum, New York, 1966); and Minimal Art (Gemeentemuseum, The Hague, 1968). Flavin’s work would continue to be presented internationally over the course of the pursuant decades at venues including the St. Louis Art Museum, Missouri (1973); Kunsthalle Basel (1975); Museum Boymans-van Beuningen, Rotterdam (1975); Stedelijk Museum, Amsterdam (1986); and the Solomon R. Guggenheim Museum, New York (1992), among others. A major museum retrospective devoted to Flavin’s work was organized, in cooperation with the Estate of Dan Flavin, by the Dia Art Foundation in association with the National Gallery of Art, Washington, DC, where it was first on view in 2004. The exhibition traveled from 2005 to 2007 to the Modern Art Museum of Fort Worth, Texas; Museum of Contemporary Art, Chicago; Hayward Gallery, London; Musée d’Art Moderne de la Ville de Paris...
Category

1970s Abstract Geometric Abstract Prints

Materials

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Room
By Sean Scully
Located in New York, NY
While known primarily for his large-scale abstract paintings, comprised of vertical and horizontal bands, tessellating blocks and geometrical forms comprised of gradated and shifting...
Category

1980s Abstract Abstract Prints

Materials

Etching

Artist and Model Howard Hodgkin abstracted orange and black watercolor gouache
By Howard Hodgkin
Located in New York, NY
Large black and marigold orange abstract interior scene of a bust in front of a window with fingerprints and painterly brushstrokes. Rich color and texture ideal for hanging in minimalist, contemporary and modern living spaces. Signed by the artist with initials, dated 1980, and numbered lower center in red crayon. Soft-ground etching with hand coloring on Stoneridge mould-made etching paper. This print is one of a group of soft-ground etchings (Artist and Model, Artist and Model (in green and yellow), Those…Plants). The two versions of Artist and Model are printed from the same plates, but in different colors. In this iteration, marigold orange contrasts beautifully with rich black ink. Seen in all three prints is a bust in silhouette before a window. Artist and Model is a surprising name, as Hodgkin never painted or drew from a model. Howard Hodgkin was introduced to the etching technique used in Artist and Model at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s. Catalogue reference: Elizabeth Knowles...
Category

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Materials

Watercolor, Gouache, Etching

Howard Hodgkin Late Afternoon in the Museum of Modern Art abstract black white
By Howard Hodgkin
Located in New York, NY
Abstract black, white and tan print of interior scene with dots, lines, shadow and painted brushstroke texture. Ideal for display in minimalist, modern and contemporary spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, expressionist, and abstract. Late Afternoon in the Museum of Modern Art by Howard Hodgkin. Soft-ground etching on buff BFK Rives mould-made paper. Edition 100: this impression 36/100. Signed by the artist, numbered 36/100, and dated 79 lower center in red crayon. Printed from the same plate as Early Evening in the Museum of Modern Art. Published by Petersburg Press. This print depicts an abstracted scene, perhaps a sculpture in front of a window in the Museum of Modern Art, Oxford, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Hodgkin used his hand as a mark-making tool, combining these textures with loose and urgent brushwork. Howard Hodgkin was introduced to the etching technique used in Late Afternoon in the Museum of Modern Art at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s. Part of a series of four prints reflecting on a visit to the Museum...
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