Splitter, Abstract Art, Zero Group, Minimalism
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 5
Guenther UeckerSplitter, Abstract Art, Zero Group, Minimalism1991
1991
About the Item
- Creator:Guenther Uecker (1930, German)
- Creation Year:1991
- Dimensions:Height: 11.82 in (30 cm)Width: 16.54 in (42 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Hamburg, DE
- Reference Number:1stDibs: LU70436605812
Guenther Uecker
Uecker was born in Wendorf, Mecklenburg. Uecker began his artistic education in 1949 when he took up studies at Wismar. He then went to the art school in Berlin-Weißensee and in 1955 to Düsseldorf, where he studied under Otto Pankok at the Kunstakademie Düsseldorf. In 1956 he began using nails in his art. In addition to numerous Gruppo Zero exhibitions, Uecker has participated in many other exhibitions, including documenta 4, Kassel, Germany (1968), the Venice Biennale (1970), and numerous solos shows, including one at the Kunsthalle Düsseldorf (1983), a retrospective at the Kunsthalle der Hypo-Kulturstiftung, Munich (1990), and another solo show at the Ulmer Museum, Ulm, Germany (2010). He had his first solo exhibition in the United States at the Howard Wise Gallery on West 57th Street, showing important work such as the kinetic New York Dancer I (1966). He designed the scenery for Richard Wagner's Lohengrin at Bayreuth (1979–82). Uecker met the group ZERO with Heinz Mack and Otto Piene in 1960, artists who propagated a new beginning of art in opposition to the German Informel. He occupied himself with the medium of light, studied optical phenomena, series of structures and the realms of oscillation that actively integrate the viewer and enable him to influence the visual process by kinetic or manual interference. Uecker, Mack and Piene began working together in joint studios at the Stedelijk Museum in Amsterdam in 1962 and installed a 'Salon de Lumière' at the Palais des Beaux-Arts in Paris. Other 'light salons' followed in Krefeld and in Frankfurt. Since 1966, after the group ZERO dissolved and a last joint exhibition, Uecker increasingly used nails as an artistic means of expression—a material that, until today, stands in the centre of his oeuvre. At the beginning of the 1960s he began hammering nails into pieces of furniture, musical instruments and household objects, and then he began combining nails with the theme of light, creating his series of light nails and kinetic nails and other works. a-x Zero Garden from 1966, in the collection of the Honolulu Museum of Art, demonstrates his use of nails to create the illusion of movement. Light and electricity continued to be one of the main subjects and natural materials such as sand and water were included in his installations, resulting in an interaction of the different elements to create a sensation of light, space, movement and time. Uecker's work can be found in the collections of major institutions worldwide, among them: the ZERO foundation and Museum Kunst Palast, Düsseldorf; Calderara Foundation Collection, Milan; Courtauld Institute of Art, (London); Honolulu Museum of Art, Studio Esseci (Padua, Italy), Stedelijk Museum, Amsterdam, Van Abbemuseum (Eindhoven, Netherlands), Von der Heydt-Museum (Wuppertal, Germany); Museum of Modern Art, New York; Art Institute of Chicago, Chicago; Museum of Contemporary Art, Los Angeles; Centre Pompidou, Paris; Peggy Guggenheim Collection, Venice the Ulster Museum, Belfast; and the Walker Art Center, Minnesota.
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2017
1stDibs seller since 2017
166 sales on 1stDibs
Typical response time: 14 hours
More From This SellerView All
- Günther Uecker, Splitter - Signed Print, Abstract Art, Zero Group, MinimalismBy Guenther UeckerLocated in Hamburg, DEGünther Uecker (German, born 1930) Splitter, 1991 Medium: Lithograph on wove paper Dimensions: 30 x 42 cm Edition of 200: Hand-signed an numbered in pencil Condition: ExcellentCategory
20th Century Abstract Abstract Prints
MaterialsLithograph
- Frank Bowling, Benjamin Run - Contemporary Art, Abstract Art, Signed PrintBy Frank BowlingLocated in Hamburg, DESir Frank Bowling OBE, RA (b. 1934, in British Guiana) Benjamin Run, 2020 Medium: Lithograph on paper Dimensions: 76 x 49.5 cm Edition of 40: Signed and numbered by hand Condition: MintCategory
21st Century and Contemporary Abstract Abstract Prints
MaterialsLithograph
- Fred Sandback, Untitled (1979.03): Signed Lithograph, Abstract Print, MinimalismBy Fred SandbackLocated in Hamburg, DEFred Sandback, (1943-2003) Untitled, 1979 Medium: Lithograph on Japanese paper Dimensions: 35.9 x 35.9 cm Edition of 35: Hand-signed, numbered and dated in pencil Publisher: Edition ...Category
20th Century Abstract Abstract Prints
MaterialsLithograph
- John Baldessari, Two Assemblages (with R, O, Y, G, B, V Opaque) - Signed PrintBy John BaldessariLocated in Hamburg, DEJohn Baldessari (American, 1931-2020) Two Assemblages (with R, O, Y, G, B, V Opaque), 2003 Medium: Lithograph and screen print on vellum Dimensions: 61.6 x 91.5 cm Edition of 50: Han...Category
21st Century and Contemporary Abstract Abstract Prints
MaterialsLithograph, Screen
- John Baldessari: Two Assemblages (with R, O, Y, G, B, V Transparent), SignedBy John BaldessariLocated in Hamburg, DEJohn Baldessari (American, 1931-2020) Two Assemblages (with R, O, Y, G, B, V Transparent), 2003 Medium: Lithograph and screen print on vellum Dimensions: 61.6 x 91.5 cm Edition of 50...Category
21st Century and Contemporary Abstract Abstract Prints
MaterialsLithograph
- Frank Stella, Sidi Ifni (from Hommage à Picasso) - Signed Print, MinimalismBy Frank StellaLocated in Hamburg, DEFrank Stella (American, b. 1936) Sidi Ifni (from Hommage à Picasso), 1973 Medium: Lithograph in colors, on wove paper Dimensions: 22 × 30 in (55.8 × 76.2 cm) Edition of 90 + XXX + 15...Category
20th Century Abstract Abstract Prints
MaterialsLithograph
You May Also Like
- Bruce Nauman at Leo CastelliBy Bruce NaumanLocated in New York, NYBruce Nauman Bruce Nauman at Leo Castelli, 1978 Offset Lithograph Poster 18 1/4 × 36 inches Unframed This Bruce Nauman poster was created on the occasion of his exhibition at the Leo...Category
1970s Abstract Abstract Prints
MaterialsLithograph, Offset
- Interior abstract 1973 lithograph by Duncan GrantBy Duncan GrantLocated in London, GBTo see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Duncan Grant (1885 - 1978) Interior (1973) Lithograph 36 x 30 cm (paper size 77 x 57 cm) Signed 'Grant' and numbered 9/90 in pencil; part of the Penwith Portfolio. Published by Penwith Galleries, St Ives in 1973 with works by Barbara Hepworth, Henry Moore, Peter Lanyon, Alan Davie, Merlyn Evans, John Piper, Ben Nicholson, Robert Adams, Bernard Leach, Michael Rothenstein, and F E McWilliam...Category
1970s Abstract Abstract Prints
MaterialsLithograph
- Rare Albright Knox museum poster (hand signed and inscribed to renowned curator)By Dan FlavinLocated in New York, NYDan Flavin Dan Flavin at Albright Knox Gallery (hand signed and inscribed to renowned curator) Offset Lithograph. Hand signed and inscribed by Dan Flavin 18 × 22 inches Provenance: Estate of artist and collector Rick Collar Unframed Uniquely inscribed and hand signed 1972 Dan Flavin exhibition poster from his Albright Knox exhibition. Dan Flavin hand signs and inscribes it to Paulus Hendrik Hefting, the curator of the Neue Nationalgalerie in Berlin. The inscription reads: "Best regards and best wishes to you especially in "diagrams and drawings". What Flavin is referring to is the important exhibition also in 1972, "Diagrams & Drawings" curated by Hefting, at the Rijksmuseum Kröller-Müller (Netherlands), which featured Carl Andre, Christo, Walter De Maria, Dan Flavin, Michael Heizer, Don Judd, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Richard Serra, Robert Smithson. An extremely rare signed poster with a unique inscription to a major European curator referencing an historic Minimalist exhibition in the early 1970s. We may not see the likes of something like this anytime soon! Dan Flavin Biography From 1963, when he conceived the diagonal of May 25, 1963 (to Constantin Brancusi), a single gold fluorescent lamp installed diagonally on the wall, until his death in 1996, Dan Flavin (1933-1996) produced a singularly consistent and prodigious body of work that utilized commercially available fluorescent lamps to create installations (or “situations,” as he preferred to call them) of light and color. Through these light constructions, Flavin was able to establish and redefine space. Flavin’s first solo exhibitions were held at the Judson Gallery in 1961 and the Green Gallery in 1964, both in New York. His first European exhibition was in 1966 at Galerie Rudolf Zwirner in Cologne, Germany; and in 1969, the National Gallery of Canada, Ottawa, organized his first major museum retrospective. His work was included in a number of key early exhibitions of Minimal art in the 1960s, among them Black, White, and Gray (Wadsworth Atheneum Museum of Art, Hartford, Connecticut, 1964); Primary Structures (The Jewish Museum, New York, 1966); and Minimal Art (Gemeentemuseum, The Hague, 1968). Flavin’s work would continue to be presented internationally over the course of the pursuant decades at venues including the St. Louis Art Museum, Missouri (1973); Kunsthalle Basel (1975); Museum Boymans-van Beuningen, Rotterdam (1975); Stedelijk Museum, Amsterdam (1986); and the Solomon R. Guggenheim Museum, New York (1992), among others. A major museum retrospective devoted to Flavin’s work was organized, in cooperation with the Estate of Dan Flavin, by the Dia Art Foundation in association with the National Gallery of Art, Washington, DC, where it was first on view in 2004. The exhibition traveled from 2005 to 2007 to the Modern Art Museum of Fort Worth, Texas; Museum of Contemporary Art, Chicago; Hayward Gallery, London; Musée d’Art Moderne de la Ville de Paris...Category
1970s Abstract Geometric Abstract Prints
MaterialsPencil, Lithograph, Offset
- 23/100, 1974. Paper, lithograph, 43x65 cmBy Gudmund OlsenLocated in Riga, LV23/100, 1974. Paper, lithograph, 43x65 cmCategory
Late 20th Century Abstract Abstract Prints
MaterialsPaper, Lithograph
- 23/100, 1974. Paper, lithograph, 43x65 cmBy Gudmund OlsenLocated in Riga, LV23/100, 1974. Paper, lithograph, 43x65 cmCategory
Late 20th Century Abstract Abstract Prints
MaterialsPaper, Lithograph
- 23/100, 1974. Paper, lithograph, 43x65 cmBy Gudmund OlsenLocated in Riga, LV23/100, 1974. Paper, lithograph, 43x65 cmCategory
Late 20th Century Abstract Abstract Prints
MaterialsPaper, Lithograph