Items Similar to Günther Förg, Hora - Etching, 1999, Abstract Art, Minimalism, Signed Print
Want more images or videos?
Request additional images or videos from the seller
1 of 5
Günther FörgGünther Förg, Hora - Etching, 1999, Abstract Art, Minimalism, Signed Print1999
1999
About the Item
Günther Förg (German, 1952-2013)
Hora, 1999
Medium: Etching on rag paper
Dimensions: 82 x 63 cm (32 x 24.75 in)
Edition of 99 + 12 AP: Hand-signed and numbered
Condition: Mint
- Creator:Günther Förg (1952, German)
- Creation Year:1999
- Dimensions:Height: 32.29 in (82 cm)Width: 24.81 in (63 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Hamburg, DE
- Reference Number:1stDibs: LU704315382962
Günther Förg
Günther Förg (5 December 1952 – 5 December 2013) was a German painter, graphic designer, sculptor and photographer. His abstract style was influenced by American abstract painting. Förg was born in Füssen, Allgäu. His father, Michael, worked in a customs office. He studied from 1973 until 1979 at the Academy of Fine Arts in Munich with Karl Fred Dahmen. From 1992 until 1999, he taught at the Staatliche Hochschule für Gestaltung in Karlsruhe. From 1999 on he was a professor in Munich. He had a home in Areuse, Switzerland, as well as in Freiburg. In 1993 he married Ika Huber. His paintings of geometric abstraction, intensely tinted, have a very strong decorative character. Förg combined diverse materials and media in painting, sculpture, and photography. The themes of his large-scale architectural photographs are Bauhaus aesthetics and fascism, while his monochrome wall art and lead paintings are reflections on art. In the field of photography, his central masterpieces are the works at Wittgenstein House, Casa Malaparte, Casa del Fascio and more, from 1980-2006. In a recent exhibition, Q2 2009 in Berlin, «60 Jahre / 60 Werke» on the 60th anniversary of the Federal Republic of Germany, Förg's photography was represented by 5 outstanding photographs: "Ida", 1985/86 (180x120cm ); "Treppenhaus München", 1986 (180x120cm); "Michaela", 1986 (180x120cm), "Asilo d'infanzia, Sant Elia, Como", 1986, (180x120cm), "Asilo d'Infanzia, Sant Elia, Como", 1986 (180x120cm). Förg was mentioned in «Art now vol. 3”, Taschen Verlag, 2009 as one of the 133 most interesting living artists. According to Artinvestor Magazine, 2009, Förg ranks globally as number 23 when several factors are combined, including a collector base, auction results, and gallery network.
He died, aged 61, in Colombier, Neuchâtel, Switzerland. Exhibitions Förg had his first solo exhibition at Rüdiger Schöttle Gallery, Munich, in 1980 with a series of monochrome paintings. In 1992, his work could be seen at the documenta IX, followed by an exhibition at the Stedelijk Museum in Amsterdam in 1995. Förg has had solo exhibitions at Essl Museum, Klosterneuburg, Austria, Langen Foundation, Neuss, Germany, Kunstmuseum Basel, Switzerland; Kunsthalle Bremen, Germany; Gemeentemuseum Den Haag, The Netherlands; Tel Aviv Museum of Art, Tel Aviv, Kunsthaus Bregenz, Bregenz, Austria, Museum der Stadt Füssen, Füssen, Germany, and Deutsche Guggenheim, Berlin, Germany.
About the Seller
4.9
Gold Seller
Premium sellers maintaining a 4.3+ rating and 24-hour response times
Established in 2017
1stDibs seller since 2017
177 sales on 1stDibs
Typical response time: 14 hours
- ShippingRetrieving quote...Shipping from: Hamburg, Germany
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllDan Flavin, Untitled (Triptych): 3 Aquatint Prints, Abstract Art, Minimalism
By Dan Flavin
Located in Hamburg, DE
Dan Flavin (American, 1933-1996)
Untitled (Triptych), 1996-98
Medium: Set of three aquatints on handmade rag paper
Dimensions: each 50 x 40 cm (19.75 x 15.75 in)
Edition of 60: Each ...
Category
Late 20th Century Abstract Abstract Prints
Materials
Aquatint
André Butzer, Untitled - Etching on wove paper, Signed Print, Contemporary Art
Located in Hamburg, DE
André Butzer (German, b. 1973)
Untitled (Smileys), 2019/2022
Medium: Etching in colors on wove paper
Dimensions: 43 x 33 cm
Edition of 15: Hand-signed, numbered and dated in pencil
C...
Category
21st Century and Contemporary Abstract Abstract Prints
Materials
Etching
Arnulf Rainer, Gelbes Meer - 1997, Signed Etching, Abstract Print
By Arnulf Rainer
Located in Hamburg, DE
Arnulf Rainer (Austrian, born 1929)
Gelbes Meer, 1997
Medium: Etching on grey wove paper
Dimensions: 50 x 65 cm
Edition of 35: Hand-signed and numbered
Condition: Excellent
Category
20th Century Abstract Abstract Prints
Materials
Etching
Carmen Herrera, Rojo y Negro - Abstract Art, Minimalism, Hard-Edge, Signed Print
By Carmen Herrera
Located in Hamburg, DE
Carmen Herrera (Cuban, b. 1915)
Rojo y Negro, 1993
Medium: Screenprint on wove paper
Dimensions: 55.7 × 48 cm (21 9/10 × 18 9/10 in)
Edition of 200 + 25 A.P.: Hand-signed, inscribed ...
Category
Late 20th Century Abstract Abstract Prints
Materials
Screen
Jenny Holzer, Water Board 0000090: 2012, Signed Print, Contemporary Art
By Jenny Holzer
Located in Hamburg, DE
Jenny Holzer (American, b. 1950)
Water Board 0000090, 2012
Medium: Template reservage technique, on 350 g/qm wove paper
Dimensions: 90.5 × 70 cm (35 3/5 × 27 3/5 in)
Edition: From th...
Category
21st Century and Contemporary Abstract Abstract Prints
Materials
Paper
Fred Sandback, Untitled (1979.03): Signed Lithograph, Abstract Print, Minimalism
By Fred Sandback
Located in Hamburg, DE
Fred Sandback, (1943-2003)
Untitled, 1979
Medium: Lithograph on Japanese paper
Dimensions: 35.9 x 35.9 cm
Edition of 35: Hand-signed, numbered and dated in pencil
Publisher: Edition ...
Category
20th Century Abstract Abstract Prints
Materials
Lithograph
You May Also Like
Charlie Davies, Winter winds, Contemporary Limited Edition Botanical Prints
By Charlie Davies
Located in Deddington, GB
Charlie Davies
Winter winds
Original botanical etching
Soft ground etching on paper
Image Size: 35 cm x 35 cm x 1 cm
Sheet/Canvas Size: 50 cm x 50 cm x 1 c...
Category
21st Century and Contemporary Abstract Impressionist Abstract Prints
Materials
Paper, Etching
Thinking Aloud in the Museum of Modern Art, Hodgkin, abstract black and white
By Howard Hodgkin
Located in New York, NY
Large scale black and white abstract interior scene with dots, lines, brushstrokes, paint daubs, fingerprints, squares and rectangles, and hand painting in grey. Hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, expressionist, and abstract.
Paper: 30 x 40 in. / 76.2 x 101.5 cm.
Thinking Aloud in the Museum of Modern Art by Howard Hodgkin. Soft-ground etching on yellowish grey Hodgkinson hand made paper. Signed by the artist, dated 70, and numbered 21/100 lower center in red crayon. Printed from the same plates as 'All Alone in the Museum of Modern Art'. While All Alone features dark pools of hand coloring, the lighter image field of Thinking Aloud reveals how Hodgkin used his entire hand to create lines and textures.
This print depicts an abstracted scene, perhaps a window and a door, in Hodgkin's signature painterly style. The expressive brush marks and fingerprints in this print are an example of the artist’s movement in the late 70s towards pronounced gestures.
Howard Hodgkin was introduced to the etching technique used in Thinking Aloud in the Museum of Modern Art at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s.
Part of a series of four prints reflecting on a visit to the Museum...
Category
Late 20th Century Abstract Abstract Prints
Materials
Etching
Artist and Model Howard Hodgkin abstracted orange and black watercolor gouache
By Howard Hodgkin
Located in New York, NY
Large black and marigold orange abstract interior scene of a bust in front of a window with fingerprints and painterly brushstrokes. Rich color and texture ideal for hanging in minimalist, contemporary and modern living spaces.
Signed by the artist with initials, dated 1980, and numbered lower center in red crayon. Soft-ground etching with hand coloring on Stoneridge mould-made etching paper.
This print is one of a group of soft-ground etchings (Artist and Model, Artist and Model (in green and yellow), Those…Plants). The two versions of Artist and Model are printed from the same plates, but in different colors. In this iteration, marigold orange contrasts beautifully with rich black ink. Seen in all three prints is a bust in silhouette before a window. Artist and Model is a surprising name, as Hodgkin never painted or drew from a model.
Howard Hodgkin was introduced to the etching technique used in Artist and Model at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s.
Catalogue reference: Elizabeth Knowles...
Category
Late 20th Century Abstract Interior Prints
Materials
Watercolor, Gouache, Etching
Artist and Model Howard Hodgkin - green and yellow etching watercolour gouache
By Howard Hodgkin
Located in New York, NY
This vibrant abstract orange and green print is part of a group of soft-ground etchings (Artist and Model, Artist and Model (in green and yellow), These…Plants) by Howard Hodgkin. The two versions of Artist and Model are printed from the same plates, but in different colors. In this iteration, green watercolor contrasts beautifully with marigold orange, crimson, and terra cotta red. Seen in all three prints is a bust in silhouette before a window. Artist and Model is a surprising name, as Hodgkin never painted or drew from a model.
Signed by the artist with initials, dated 1980, and numbered lower center in red crayon. Soft-ground etching with hand coloring in a yellow watercolor wash and green gouache on Stoneridge mould-made etching paper. Edition 100.
Howard Hodgkin was introduced to the etching technique used in Artist and Model (in green and yellow) at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s.
Catalogue reference: Elizabeth Knowles...
Category
Late 20th Century Abstract Interior Prints
Materials
Watercolor, Gouache, Etching
Howard Hodgkin Late Afternoon in the Museum of Modern Art abstract black white
By Howard Hodgkin
Located in New York, NY
Abstract black, white and tan print of interior scene with dots, lines, shadow and painted brushstroke texture. Ideal for display in minimalist, modern and contemporary spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, expressionist, and abstract.
Late Afternoon in the Museum of Modern Art by Howard Hodgkin. Soft-ground etching on buff BFK Rives mould-made paper. Edition 100: this impression 36/100. Signed by the artist, numbered 36/100, and dated 79 lower center in red crayon. Printed from the same plate as Early Evening in the Museum of Modern Art. Published by Petersburg Press.
This print depicts an abstracted scene, perhaps a sculpture in front of a window in the Museum of Modern Art, Oxford, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Hodgkin used his hand as a mark-making tool, combining these textures with loose and urgent brushwork.
Howard Hodgkin was introduced to the etching technique used in Late Afternoon in the Museum of Modern Art at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s.
Part of a series of four prints reflecting on a visit to the Museum...
Category
Late 20th Century Abstract Interior Prints
Materials
Etching
All Alone in the Museum of Modern Art Howard Hodgkin abstract black painting
By Howard Hodgkin
Located in New York, NY
Large scale black and white abstract interior scene with dots, lines, brushstrokes, paint daubs, fingerprints, squares and rectangles, and hand painting in grey. Hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, emotional, expressionist, and abstract.
Paper: 29.5 x 38.75 in. / 74.7 x 98.2 cm.
Soft-ground etching with hand coloring in black gouache on grey BFK Rives mould made paper. Signed by the artist, dated 79, and numbered 59/100 lower center in red crayon. Printed from the same plate as 'Thinking Aloud in the Museum of Modern Art', this print was previously titled "Not Quite Alone in the Museum of Modern Art," suggesting an erotic dalliance in the museum.
This print depicts an abstracted scene, perhaps a window and a door, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Beside bold black strokes, his fingerprints form areas of texture. Always seeking greater richness in his prints, Hodgkin layered ink and hand coloring in this print, rendering each print in the edition unique.
Howard Hodgkin was introduced to the etching technique used in 'All Alone in the Museum of Modern Art' at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s.
Part of a series of four prints reflecting on a visit to the Museum...
Category
Late 20th Century Abstract Abstract Prints
Materials
Etching
