Günther Uecker

Hiob - abstract contemporary minimalist artwork by Günther Uecker ZERO

2006

"Kosmos 06" is an original, hand-signed lithograph on hand-made paper from 2003 by internationally acclaimed German ZERO group artist Günther Uecker...

"Verbindunden-Verletzungen" ("Injuries-Connections") is an original screen print on hand-made Japanese paper from 1998 by internationally acclaimed German ZERO group artist Günther U...

"L'Escargo" is a color lithograph signed in the plate by Henri Matisse. It is an original lithograph based on his paper-cut-out from 1950. Matisse originally painted these works wi...

"Souvenir d'Océanie" is a color lithograph signed in the plate by Henri Matisse. It is an original lithograph based on his paper-cut-out from 1950. Matisse originally painted these...

"FKH" is an embossed paper work by Spanish artist Jaquinto Moros. It is a contemporary curvilinear paper work with a sandy white appearance and relief effect. Edition 35 (20/35) or...

"FHC" is an embossed original paper work by Spanish artist Jaquinto Moros. It is a contemporary curvilinear paper work with a sandy white appearance and relief effect. Edition 35, or...

"Blocco" is a pouf, designed by Nanda Vigo and manufactured by Driade, with wooden frame and padding in polyurethane foam of varying density. Upholstery in fuchsia or blue faux fur. Indoor use only. DIMENSIONS: D. 19.2", W. 17.3", H. 22.8", Seat H. 14.1" The "Blocco" seat / pouf, designed with such purpose in 1970, has got now a fresh re-edition with the same function but with a more joyful spirit by offering colorful covers. Have a nice seat! Nanda Vigo said about "Blocco": "Many elements called “furniture” are needed that actually remain “fixed”, once set, to the well-being. I've always rejected the tendency to overload space; therefore I have always worked to the limit of need." NANDA VIGO, born in Milan in 1936, lives in East Africa and works in Milan. She showed an interest in art at a very early age, when she had the opportunity to spend time with Filippo de Pisis, a family friend, and to study the architecture of Giuseppe Terragni, in which she immediately noticed the subtle employment of natural light. She studied architecture at the Ecole Polytechnique in Lausanne, worked as an intern in San Francisco, then returned to Italy where she opened her own studio in Milan. The underlying characteristic of the work has always been the relationship between light and space, which she has developed in a series of “environments” that blend architecture and design. In 1959 she began to visit the studio of Lucio Fontana and got to know that artists who founded the Azimut Gallery in Milan: Piero Manzoni, Enrico Castellani and Vincenzo Agnetti. During that period, she developed relations with the artists of the Zero group in Germany, the Netherlands and France, as a result of which her work was shown in more than 400 solo and group exhibitions throughout Europe. Between 1964 and 1966 she participated in some thirteen Zero exhibitions, including “Nul 65” at the Stedelijk Museum in Amsterdam, and “Zero: An Exhibition of European Experimental Art” at the Modern Art Gallery in Washington D.C.. She was the curator of the legendary exhibition “Zero avantgarde” in 1965 in Fontana’s studio in Milan, at which some 28 artists were represented. In 1964 she created Utopie with Lucio Fontana for the Triennale. Again at the Triennale, in 1973 she organized a performance at which architects and artists freely intervened: it's considered to have been the first happening at the event. In 1974 she received the New York Award for the Industrial Design for the Golden Gate lamp...

"Blocco" is a pouf, designed by Nanda Vigo and manufactured by Driade, with wooden frame and padding in polyurethane foam of varying density. Upholstery in black Mongolian fur or in Loira velvet. Indoor use only. DIMENSIONS: D. 19.2", W. 17.3", H. 22.8", Seat H. 14.1" The “Blocco” seat / pouf, designed with such purpose in 1970, has got now a fresh re-edition with the same function but with a more joyful spirit by offering colorful covers. Have a nice seat! Nanda Vigo said about "Blocco": "Many elements called “furniture” are needed that actually remain “fixed”, once set, to the well-being. I've always rejected the tendency to overload space; therefore I have always worked to the limit of need." NANDA VIGO, born in Milan in 1936, lives in East Africa and works in Milan. She showed an interest in art at a very early age, when she had the opportunity to spend time with Filippo de Pisis, a family friend, and to study the architecture of Giuseppe Terragni, in which she immediately noticed the subtle employment of natural light. She studied architecture at the Ecole Polytechnique in Lausanne, worked as an intern in San Francisco, then returned to Italy where she opened her own studio in Milan. The underlying characteristic of the work has always been the relationship between light and space, which she has developed in a series of “environments” that blend architecture and design. In 1959 she began to visit the studio of Lucio Fontana and got to know that artists who founded the Azimut Gallery in Milan: Piero Manzoni, Enrico Castellani and Vincenzo Agnetti. During that period, she developed relations with the artists of the Zero group in Germany, the Netherlands and France, as a result of which her work was shown in more than 400 solo and group exhibitions throughout Europe. Between 1964 and 1966 she participated in some thirteen Zero exhibitions, including “Nul 65” at the Stedelijk Museum in Amsterdam, and “Zero: An Exhibition of European Experimental Art” at the Modern Art Gallery in Washington D.C.. She was the curator of the legendary exhibition “Zero avantgarde” in 1965 in Fontana’s studio in Milan, at which some 28 artists were represented. In 1964 she created Utopie with Lucio Fontana for the Triennale. Again at the Triennale, in 1973 she organized a performance at which architects and artists freely intervened: it's considered to have been the first happening at the event. In 1974 she received the New York Award for the Industrial Design for the Golden Gate lamp...

Custom thick pile wool rug in the style of Edward Fields for glamorous living room with Karl Springer meets Robert Motherwell vibe. Size 10 ft by 17 ft. Colors: Navy blue, black, tea...

Dalmata marble "I Can't Believe It's Not Stone" stool, Ilaria Bianchi Dimensions: 100 x 50 x 45cm Materials: Dalmata marble, polystyrene, matt lacquered wood. The stool has bee...

"THE END OF GOD", Black egg light cuts sculptural black ceramic table lamp by Lorenzo Ciompi limited edition 2023 a tribute to Lucio Fontana, inspired by the works of Lucio Fontana...

Slit mirror by Phillip Jividen Limited Edition of 25 Dimensions: W 71 x D 3 x H 94 cm Materials: brass Taking cues from Lucio Fontana’s Slash ...

A beautiful Hollywood Regency style, Italian Round glass top table Designed by the renowned Italian Designer Osvaldo Borsani (see below). The high quality base is made from brass and...

Pair of Lotus armchairs is an elegant piece of design furniture manufactured by Ico and Luisa Parisi in the mid-20th Century Rare pair of armchairs ...

Screenprint by the Italian Op-Art artist Getulio Alviani. Getulio Alviani (1939-2018) was an Italian painter, object artist and representative of O...

Screenprint in good condition by the Italian Op-Art artist Getulio Alviani. Getulio Alviani (1939-2018) was an Italian painter, object artist and re...

Lithograph, 1987 Handsigned by the artist in pencil and numbered 123/200 Publisher : Erker Presse (St. Gallen) LCD4727

Günther Uecker (German, born 1930) Lichtungen I, 1997/1998 Medium: Woodcut on wove paper Dimensions: 62.5 x 51.5 cm Edition of 100 + XX: Hand signed ...

Günther Uecker (German, born 1930) Lichtungen III, 1997/1998 Medium: Woodcut on wove paper Dimensions: 62.5 x 51.5 cm Edition of 100 + XX: Hand signe...

A superb impression of this color lithograph with hand coloring in watercolor and gouache on Velin Arches mould-made paper. Signed, dated and numbered 88/90 in pencil by Hodgkin. Pri...

"In my art-making I stress recycling – older work, prints and paintings on paper become substrates for collages or cut and torn as marks and shapes. The images and objects chosen hav...

Lithograph with hand-painted ribbons by Patricia Pearce (American, b. 1948). Titled, numbered, and signed along the bottom edge ("Blue Through the Door E.V. 12/20 Patricia Pear...