Hans Richter

Hans Richter, Triptych "Transformation - Dusk, Night, Dawn", serigraph on paper

1949

Marcel Duchamp Hommage a Caissa (for the Marcel Duchamp Fund of the American Chess Foundation), 1966 Silkscreen Poster with Gold Matting Frame included Very scarce 1960s collectors item - rarely seen! Measurements: Framed: 26.25 x 21.25 x 0.5 inch Print: 26 x 21 inches Unsigned Accompanied by Certificate of Guarantee issued by Alpha 137 Gallery This extremely rare and historic invitation/exhibition poster was designed by Duchamp on the occasion of a group exhibition at New York's Cordier & Ekstrom Gallery for the Marcel Duchamp Fund of the Americas Chess Foundation in 1966. The exhibition was called "Hommage à Caissa." Duchamp invited 36 artists to contribute. It was in this show , held at the gallery at 978 Madison Ave, as of 1962 the Daniel Cordier & Arne Ekstrom Gallery, where Dalí revealed his chess set. Duchamp used the RSVP cards he sent to various artists as a design for this invitation. Many of these RSVP cards had the artist's autographs, and a few, like the one from Alexander Calder, included personal notes to Duchamp. Some of the more famous of the 36 artists featured in print who participated by donating works to this fundraiser include: Jasper Johns, Karl Gerstner, David Hare, Salvador Dali, Enrico Donati, Roberto Matta, Isamu Noguchi, Alexander Calder, Dorothea Tanning, Jean Tinguely, Niki De St. Phalle, George Segal, Robert Rauschenberg, James Rosenquist, Meret Oppenheim, Alfonso Ossorio, Robert Motherwell, Claes Oldenburg, Man Ray, Joan Miro, Rene Magritte, Richard Lindner, Roy Lichtenstein, Arman, Enrico Baj, Hans Bellmer, Victor Brauner, Alexander Liberman, William Copley, Cleve Gray and several others. However -- did you notice one name was noticeably absent? Andy Warhol! How could that be? Well, it turns out Andy Warhol has actually expected to be invited to exhibit but for some reason was overlooked. He did, however, attend the opening and filmed Duchamp in one of his famous "Screen Tests...

Shusaku Arakawa Still Life, from To and From Rrose Selavy, for Marcel Duchamp, 1967 Limited Edition Silkscreen on velincarton (thin board) paper 10 1/2 × 13 1/4 inches Limited Edition of 60 Hand signed, titled and dated on the front Unframed The entire portfolio, including the present work, is referenced in the Marcel Duchamp catalogue raisonne: Arturo Schwarz The Complete Works of Marcel Duchamp, Abrams, P.532, 344c Eager to share Marcel Duchamp with Japanese audiences, Shuzo Takiguchi - a Japanese-born poet, critic, and artist with ties to Surrealist circles, assembled an international portfolio of graphic works by various artists with strong ties to Duchamp, to accompany the deluxe version of his monograph, "To and From Rrose Sélavy". The present work was created for this portfolio by one of Marcel Duchamp's friends, Shusaku Arakawa. It is signed, dated and titled on the front - and can be exhibited both vertically and horizontally - (see photos). The present work, along with others in the portfolio, was published in Japan and is rarely found stateside. Shusaku Arakawa (荒川 修作 Arakawa Shūsaku, July 6, 1936 – May 18, 2010) who spoke of himself as an “eternal outsider” and “abstractionist of the distant future,” first studied mathematics and medicine at the University of Tokyo, and art at the Musashino Art University. He was a member of Tokyo’s Neo-Dadaism Organizers, a precursor to The Neo-Dada movement. Arakawa’s early works were first displayed in the infamous Yomiuri Independent Exhibition, a watershed event for postwar Japanese avant-garde art. Arakawa arrived in New York in 1961 with fourteen dollars in his pocket and a telephone number for Marcel Duchamp, whom he phoned from the airport and over time formed a close friendship. He started using diagrams within his paintings as philosophical propositions. Jean-Francois Lyotard has said of Arakawa’s work that it “makes us think through the eyes,” and Hans-Georg Gadamer has described it as transforming “the usual constancies of orientation into a strange, enticing game—a game of continually thinking out.” Quoting Paul Celan...

Marcel Duchamp Coeurs Volants (Fluttering Hearts) (Schwartz 446C), 1961 Silkscreen in colors Hand signed in ball-point pen by Marcel Duchamp and annotated with the dateline "Stockhol...

This print of a violin replicated several times in black and red across the composition is indicative of Arman's classic technique of recomposition. Transferring the image across the...

After Max Ernst "Fiat Modes - Pereat Ars" Dada Artwork Print, 1970 Explore the avant-garde world of Dada with Max Ernst's "Fiat Modes - Pereat Ars," a striking framed artwork print...

After Max Ernst "Fiat Modes - Pereat Ars" Dada Artwork Print, 1970 Explore the avant-garde world of Dada with Max Ernst's "Fiat Modes - Pereat Ars," a striking framed artwork print...

After Max Ernst "Fiat Modes - Pereat Ars" Dada Artwork Print, 1970 Explore the avant-garde world of Dada with Max Ernst's "Fiat Modes - Pereat Ars," a striking framed artwork print...

After Max Ernst "Fiat Modes - Pereat Ars" Dada Artwork Print, 1970 Explore the avant-garde world of Dada with Max Ernst's "Fiat Modes - Pereat Ars," a striking framed artwork print...

After Max Ernst "Fiat Modes - Pereat Ars" Dada Artwork Print, 1970 Explore the avant-garde world of Dada with Max Ernst's "Fiat Modes - Pereat Ars," a striking framed artwork print...

After Max Ernst "Fiat Modes - Pereat Ars" Dada Artwork Print, 1970 Explore the avant-garde world of Dada with Max Ernst's "Fiat Modes - Pereat Ars," a striking framed artwork print...