Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 7

Matisse, Découpage, Société internationale d'art XXe siècle (after)

1954

About the Item

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 4 (double) Janvier 1954, Cahiers d'Art publiés sous la direction de Gualtieri di San Lazzaro, 1954. Published by Société Internationale d'Art XXe siècle, Paris, under the direction of Gualtieri di San Lazzaro, éditeur, Paris; printed by Mourlot Frères, Paris, 1954. Additional notes: Excerpted from the academic article, “Promoting Original Prints, The Role of Gualtieri di San Lazzaro and XXe Siècle” by Valerie Holman, published in Print Quarterly, XXXIII, 2016, 2, Until recently very little has been written on the Italian author and art publisher Gualtieri di San Lazzaro (1904-75), yet for 50 years he chronicled the life and work of contemporary artists, produced monographs of exceptional quality, and disseminated original prints by modern painters and sculptors through his best-known periodical, XXe Siècle. Although still a relatively unfamiliar figure in the United Kingdom, San Lazzaro is one of the half-dozen great art publishers of the mid-twentieth century who, together with his exemplar, Ambroise Vollard (1866-1939), and those of his own generation, Christian Zervos (1889-1970), Tériade (1889-1983) and Albert Skira (1904-73), chose to base himself in Paris, seeing it throughout his life as the centre of the art world….XXe Siècle, an illustrated periodical, was launched in 1938 and printed in editions of approximately 2,000, each issue containing both photographs and four-colour separation reproductions across a wide spectrum of visual imagery ranging from masterpieces of Western painting to popular prints from the Far East. Its large format, lively design, and close integration of text and image, were immediately striking, but its most innovative feature, introduced at the suggestion of Hans Arp (1886-1966), was the inclusion of original prints by contemporary artists in every issue. With obvious appeal for collectors, XXe Siècle was also designed to introduce a wider, international public to contemporary painting and sculpture through good quality colour reproductions and the immediacy of original prints. Comparable in price to Cahiers d'Art, early issues of XXe Siècle sold out rapidly. While San Lazzaro's own aesthetic preferences tended towards lyric abstraction, he made clear that XXe Siècle was non-partisan [publication ceased during World War II]….in 1951, San Lazzaro relaunched XXe Siècle with thematic issues that were materials based, or centred on a topic of current interest in the visual arts, particularly in Europe: concepts of space, matter, monochrome, mark-making and the sign.' A defining feature of the new series was Italy's artistic dialogue with France for, while San Laz-zaro had originally concentrated on Paris-based painters and sculptors, his aim was to create an international network, to make known the work of French artists in Italy and Italian artists in France, and subsequently extend this bilateral axis to the English-speak-ing world. The artists represented in No. I by an original print were all best known as sculptors: Arp, Laurens, Henry Moore (1898-186) and Marino Marini, San Lazzaro not only sought to show readers the full range of an artist's work, but to encourage the production of prints, a stimulus much appreciated, for example, by Magnelli…. Suffering from failing health, in 1968 San Lazzaro lost overall control of XXe Siècle to Léon Amiel, a printer-publisher who had provided financial backing and helped with distribution in America." Thematic issues now ceased and were replaced by a 'panorama' of the year, but San Lazzaro was still active as a publisher of books and albums of prints….Shortly after his death, San Lazzaro himself was the subject of two exhibitions: 'Omaggio a XXe Siècle' in Milan in December 1974 centred on graphic work by those artists closest to him late in life, while 'San Laz-zaro et ses Amis' at the Musée d'Art Moderne de la Ville de Paris in 1975 featured work by all those whose work he had promoted for more than 50 years: Arp, Calder (1898-1976), Capogrossi, Chagall, Sonia Delau-nay, Dubuffet, Estève, Lucio Fontana (1899-1968), Gili-oli (1911-77), Magnelli, Marini, Miró, Moore and Poliakoff. This exhibition was seen by one of his closest colleagues as an indirect portrait of San Lazzaro, a complex man whose modesty and reserve masked his unremitting drive to extend international appreciation of contemporary art, and to bring the reading public closer to its making through the medium of print. HENRI MATISSE (1869-1954) was a French artist, known for his use of colour and his fluid and original draughtsmanship. He was a draughtsman, printmaker, and sculptor, but is known primarily as a painter. Matisse is commonly regarded, along with Picasso and Marcel Duchamp, as one of the three artists who helped to define the revolutionary developments in the plastic arts in the opening decades of the 20th century, responsible for significant developments in painting and sculpture. Although he was initially labeled a Fauve (wild beast), by the 1920s he was increasingly hailed as an upholder of the classical tradition in French painting. His mastery of the expressive language of colour and drawing, displayed in a body of work spanning over a half-century, won him recognition as a leading figure in modern art. In 2018, the Matisse’s painting. Odalisqque couchée aux magnolias sold for $80,750,000 at Christie's, which set a world record for the artist.
  • Creation Year:
    1954
  • Dimensions:
    Height: 12.4 in (31.5 cm)Width: 9.65 in (24.52 cm)
  • Medium:
  • Movement & Style:
  • After:
    Henri Matisse (1869-1954, French)
  • Period:
  • Condition:
  • Gallery Location:
    Auburn Hills, MI
  • Reference Number:
    1stDibs: LU1465216463012

More From This Seller

View All
Matisse, Mille et une Nuit, Derrière le miroir (after)
By Henri Matisse
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 15 x 33 inches, with bifold, as issued. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Derrière le miroir, ...
Category

1950s Fauvist Abstract Prints

Materials

Lithograph

Matisse, Découpages, Société internationale d'art XXe siècle (after)
By Henri Matisse
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 12.4 x 19.3 inches, with centerfold and stitch perforations, as issued. Inscription: Signed in the plate and unnumbered, as issued. Notes: From...
Category

1950s Fauvist Abstract Prints

Materials

Lithograph

Matisse, Découpage, Société internationale d'art XXe siècle (after)
By Henri Matisse
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 4 (double)...
Category

1950s Fauvist Abstract Prints

Materials

Lithograph

Matisse, Composition, Verve: Revue Artistique et Littéraire (after)
By Henri Matisse
Located in Auburn Hills, MI
Héliogravure on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, De la couleur,...
Category

1940s Fauvist Abstract Prints

Materials

Lithograph

Calder, Composition, Derrière le miroir (after)
By Alexander Calder
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 113, published by Aimé Maeg...
Category

1950s Modern Still-life Prints

Materials

Lithograph

Braque, L'oiseau sous l'étoile, Derrière le miroir (after)
By Georges Braque
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 48-49, 1952. Published by Aimé Maeght, Éditeur, Paris; ...
Category

1950s Modern Abstract Prints

Materials

Lithograph

You May Also Like

Paris School Minaux Matisse Post-Impressionist Still Life Lithograph Flowers
By Andre Minaux
Located in Norfolk, GB
School of Paris Artist, Andre Minaux (Paris 1923-86) Limited Edition 20/20, printed in 7 colours on Japon paper. Sheet size 57" x 38", image size 49" x 32" Signed Bottom right in pencil, editioned in pencil bottom left With a full sheet authenticity certificate, dated 1964 This is a fabulous original Limited Edition Lithograph, completely of its time when artists in Paris were pushing boundaries and trying to bring about new styles. The influence of artists like Matisse can be seen and Minaux was working alongside artists such as Picasso and with Bernard Buffet to reject ideas of Abstract painting. The text that accompanies the lithograph can be seen in the image of the certificate and is in French. The translation that follows on the certificate of Provenance gives an in depth description of this compelling still life: 'It is a singularly balanced art that that of André MINAUX, a typically French painting, made of power of clarity and nobility, in the tradition of our great modern masters as well as those of past centuries. And yet this painting under the hieratic appearance of the attitudes is not a wise painting, but on the contrary terribly dynamic, in which the passion and the virulence of the feelings are contained only by the simplicity and the purity of the forms. Each work of André Minaux is a miracle of balance between bubbling joy; joy of painting, joy of living; which animates the artist, and the voluntary serenity of the colors and volumes by which he translates his vision of beauty and grandeur. André Minaux's painting, full of a life in perpetual becoming, is the great and worthy expression of an art continually in evolution which moves without aggressiveness, but not without struggles, towards its final ends. And this painting, painting of an artist in full possession of all his means, of an extremely solid technique, and of a perfect trade is however that of a young person. Forty-one years is youth for a painter and at this age André Minaux, already recognized as one of the masters of the young French figurative school, has a future as brilliant and promising as behind him a long history of hard work and success. André Minaux is Parisian, born September 5, 1923. Very young he feels attracted to the graphic arts, he prepares and enters the School of Decorative Arts, but pure painting attracts him irresistibly and it is to her that he soon devotes himself exclusively. His young and great talent makes him quickly noticed. He first exhibited at the Salon des Sous de Trente Ans and later at other salons: des Indépendants, d'Automne, then at the Salon de Mai and at the Tuileries. In 1948 first private exhibition in Paris, others will follow in 1951, 1956 and 1957. In the meantime two exhibitions equal ment were devoted to him in London in 1953 and 1957. His last was a very important exhibition in 1963 at the David and Garnier Gallery in Paris. In 1949 at the 'Ecole de Paris', Galerie Charpentier, he had already won the Critics' Prize. Its reputation extends abroad thanks to numerous demonstrations of groups in England, Germany, Australia, Canada, Japon, U.S. A., etc... The Museum of Modern Art in Paris, several museums in the provinces, the Tate Gallery in London, have works by André Minaux, and his paintings can be found in major collections in Paris, London, New York, Tokyo, Stockholm, etc. ... Member of the French engraver painters, André Minaux is a remarkable lithographer, his lithographed work is already very important, he is also a member of the "Comité National du Livre Illustré Français and he has illustrated a certain number of luxury books...
Category

1960s Post-Impressionist Abstract Prints

Materials

Lithograph

Robert Rauschenberg 'Earth Day' Limited Edition, Signed Lithograph Print
By Robert Rauschenberg
Located in San Rafael, CA
This listing is for the limited edition lithograph, not the mass produced poster. Robert Rauschenberg (American, 1925-2008) Earth Day, 1970 Lithograph with chine collé Signed, dated, numbered by the artist Edition 11/50, Full sheet: 52 1/2 x 37 1/2 in. With mat: approx 55 x 40 in Published by the American Environment Foundation Printed by Gemini G.E.L. Los Angeles, with blindstamp to lower center Catalog Raisonné: RRF 70.E016 Provenance: Butterfield & Butterfield (now Bonhams) Lot 3115, sale 5367L February, 24, 1993 This Robert Rauschenberg lithograph...
Category

1970s Contemporary Still-life Prints

Materials

Lithograph

Grapes
By Marsden Hartley
Located in New York, NY
A superb, richly-inked impression of this early, very scarce lithograph. Signed and dated in pencil, lower right.
Category

1920s American Modern Still-life Prints

Materials

Lithograph

Joan Miro - Playing Dog - Lithograph in Colors
By Joan Miró
Located in Collonge Bellerive, Geneve, CH
Joan Miro - Playing Dog - Lithograph in Colors Artist: Joan Miro Composition 7 for the book “Joan Miro” by Jacques Prevert Editor: Maeght Year: 1956 Dimensions: 23 x 38 cm Reference:...
Category

1950s Abstract Abstract Prints

Materials

Lithograph

Joan Miro - Original Abstract Lithograph
By Joan Miró
Located in Collonge Bellerive, Geneve, CH
Joan Miro Miro Original Abstract Lithograph Artist: Joan Miro Medium: Original lithograph on Rives vellum Portfolio: Miro Lithographe IV Year: 1981 Edition: 5,000 Image Size: 10" x 1...
Category

1970s Abstract Abstract Prints

Materials

Lithograph

Joan Miro - Original Abstract Lithograph
By Joan Miró
Located in Collonge Bellerive, Geneve, CH
Joan Miro Miro Original Abstract Lithograph Artist: Joan Miro Medium: Original lithograph on Rives vellum Portfolio: Miro Lithographe IV Year: 1981 Edition: 150 Image Size: 10" x 13"...
Category

1970s Abstract Abstract Prints

Materials

Lithograph

Recently Viewed

View All