Howard Hodgkin

Here we are in Croydon by Howard Hodgkin abstract black white rare uncolored

1979

This shimmering, metallic vintage poster with rainbow text and layers of texture must be seen in person to appreciate Frank Stella's masterful design. Original exhibition poster for Frank Stella’s Metal Reliefs exhibition at the Addison Gallery...

Vibrant magenta, yellow, orange, brown, purple, lime green, jungle green, dark green, cerulean, and sky-blue lines take on the organic quality of handmade paper, resulting in this su...

Lithograph on butcher paper. Signed lower middle of plate in blue pen. One of 21 signed, unnumbered lithographs, this impression is in gray/blue ink. In ...

Abstract, large scale earth toned red, black, taupe and grey scene with dynamic lines, shapes and hand painted brushstroke texture. This dramatic Howard Hodgkin work is ideal for dis...

Joan Miró (Spanish, 1893-1983) La Boite Alerte, 1959 Color lithograph Signed lower right, numbered 98/200 lower left 9.75 x 6.75 inches Joan Miró Ferra was born April 20, 1893, in B...

Paul Jenkins' works are described as: "Flowing veils of color that overlap and interact together, seeping and bleeding vivid color." In 1954 Jenkins had his first exhibition in Paris...

Joan Miró Untitled from Je traville comme un jardinier 1963 Original lithograph in colors on Rives vellum paper 16 x 13 inches Hand signed in pencil From an edition of 5 H.C. copies...

Leon Polk Smith (1906 -1996) holds a unique place in a long tradition of American geometric abstract painting. Born near Chikasha, a Native American territory later annexed by the U.S. as the state of Oklahoma, Smith’s parents, who were of Cherokee ancestry, raised him with both a strong sense of his heritage and an abiding respect for the land. Art would eventually draw Smith to New York where he would quickly embrace elements of geometric abstraction in his work. Many of Smith’s hard-edge compositions could be viewed as distillations of imagery drawn from the Oklahoma landscape...