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Howard Hodgkin
Listening Ear (also called Red Listening Ear)

1986

About the Item

Intaglio print with carborundum from three aluminium plates printed in two shades of black and two shades of red ochre and chrome yellow (mixed), with hand colouring in alizarin red egg tempera. On TH Saunders NOT paper (240 gsm) Signed with initials and dated 86 in pencil, lower centre. Numbered in pencil, lower left Published by Bernard Jacobson Ltd. Literature: 'Christmas Exhibition', Bernard Jacobson Gallery, London, 1992; 'Howard Hodgkin: Views. An Exhibition of Early Prints', Bernard Jacobson Gallery, London, 02 March - 02 April 2013; 'Henri Matisse: The Goldfish Bowls and other Prints (LOPF)', Bernard Jacobson Gallery, London, 1 - 28 May 2021; 'Howard Hodgkin Recollections’, Bernard Jacobson Gallery, London, 21 April - 14 May 2022
  • Creator:
    Howard Hodgkin (1932, British)
  • Creation Year:
    1986
  • Dimensions:
    Height: 18.71 in (47.5 cm)Width: 25.36 in (64.4 cm)
  • More Editions & Sizes:
    Edition of 100Price: $9,941
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    London, GB
  • Reference Number:
    Seller: HHE0061stDibs: LU2622831423

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Soft-ground etching from one copper plate printed in black. On yellowish grey Hodgkinson hand-made paper Signed, numbered and dated '79 in red crayon, lower centre Published by Petersburg Press Exhibition History: 'Howard Hodgkin Recollections’, Bernard Jacobson Gallery, London, 21 April - 14 May 2022 Literature: Jacqueline Brody, 'Howard Hodgkin, Alone in the Museum of Modern Art and Not Quite Alone in the Museum of Modern Art (1979)', The Print Collector's Newsletter, vol. 10, no. 3, July-August 1979, p. 93; Pat Gilmour, 'Howard Hodgkin', The Print Collector's Newsletter, vol. 12, no. 1, March-April 1981, p. 4 (ill.); 'Prints by Six British Painters: Stephen Buckley, Robyn Denny, Howard Hodgkin, John Hoyland, Richard Smith, John Walker', Tate Gallery, London, 1981-82 (n.p.); 'The Tate Gallery: Illustrated Catalogue of Acquisitions 1980-82', London, 1984, p. 261; Mary Rose...
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Soft-ground etching and aquatint from one copper plate printed in black, with hand colouring in black gouache. On buff Velin Arches mould-made paper Signed with initials and dated 1980 in red crayon...
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