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James Coignard"From Album Twin, " Color Aquatint, Etching, & Collage signed by James Coignard1978
1978
About the Item
"From Album Twin" is an original signed color aquatint, etching, carborundum, and collage piece by James Coignard. it depicts two figures in the bottom corners among letters and numbers and other abstract shapes. It is edition XII/XII.
22 5/8" x 17 5/8" art
34 1/4" x 28 1/8" frame
James Coignard was born in Tours in France in 1925 and studied art at the Ecole des Arts Decoratifs in Nice. Throughout the years James Coignard has exhibited in all major galleries and museums in the world. This includes the British Museum in London, the SFMoMA, the Israel Museum in Jerusalem, the Bibliotheque Nationale in Paris, and in many international art fairs. His work is characterised by graphic patches of paper sometimes stitched together by thread.
Born in Tours, France in 1925, the abstract artist James Coignard studied at the Ecole des Arts DÈcoratifs in Nice, and later apprenticed under the well-known painter Marchand des Raux. In both his mixed media on canvas and his works on paper, James Coignard is known for his technical versatility. Coignard achieves a deep, heavy texture as a distinctive trait in his art.The carborundum process of printmaking was developed by Henri Goetz in the 1960's. Goetz taught Miro, Max Papart, Clave, Coignard and others the use of carborundum for printmaking.
- Creator:James Coignard (1925-2008, French)
- Creation Year:1978
- Dimensions:Height: 34.25 in (87 cm)Width: 28.125 in (71.44 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Milwaukee, WI
- Reference Number:Seller: 6747g1stDibs: LU60532098193
James Coignard
James Coignard, painter, ceramist, sculptor and etcher, was born in Tours in 1925. At the age of 23 and after a brief career in the French administration, he discovers the landscapes of the French Riviera and decides to study at Arts décoratifs in Nice. Four years later, he quits his job at the administration to commit himself entirely to his artistic career. The encounter with Paul Hervieu in 1950 is decisive. His collaboration with gallery Hervieu made him known in artistic circles, nationally and internationally and then particularly in Scandinavia. At the beginning of his career, art critics label James Coignard as a member of Ecole de Paris. Soon, his painting and ceramic distances themselves from those of his colleagues and he goes it alone. At the beginning of the sixties, he starts to work with glass but the technical turning point occurs in 1968 when his friend Henri Goetz discovers a new etching technique, using carborundum. Etching then becomes central in his work. At the same time, his career takes off internationally. He travels a lot, especially to Sweden and USA where he lives during a few years. 1978, James Coignard participates in the creation of the etching studio Pasnic, with which he starts a long collaboration. During the eighties, he shares his time between Paris and the French Riviera and takes an interest in artist’s books and publishing issues. He exhibits now all over the world, and is acknowledged as one of the greatest painter-etchers of his time. Until his decease in 2008, James Coignard was a prolific painter, sculptor and etcher and leaves behind an immense work.
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