James Coignard

No Title

circa 1970

Engraving, 1982 Handsigned by the artist in pencil and numbered 28/30 Publisher : Association française des amateurs d'estampes (Jouy-en-Josas) Catalog : n° 460 44.00 cm. x 50.00 cm...

Engraving, 1962 Handsigned by the artist in pencil and numbered 20/50 34.00 cm. x 42.00 cm. 13.39 in. x 16.54 in. (paper) 26.00 cm. x 20.00 cm. 10.24 in. x 7.87 in. (image) LCD4861

Engraving, 1972 Handsigned by the artist in pencil and annoted EA 73.00 cm. x 57.00 cm. 28.74 in. x 22.44 in. (paper) 52.00 cm. x 38.00 cm. 20.47 in. x 14.96 in. (image) Artist pro...

Print Edition : 1/7 51.00 cm. x 66.00 cm. 20.08 in. x 25.98 in. (paper) 38.00 cm. x 66.00 cm. 14.96 in. x 25.98 in. (image) Annoted "HC" Handsigned by the artist in pencil Ref : LC...

Engraving Handsigned by the artist in pencil and annoted EA IV/XX 55.00 cm. x 50.00 cm. 21.65 in. x 19.69 in. (paper) 36.00 cm. x 29.00 cm. 14.17 in. x 11.42 in. (image) LCD4523

Engraving Edition : 15/40 28.00 cm. x 38.00 cm. 11.02 in. x 14.96 in. (paper) 21.00 cm. x 26.00 cm. 8.27 in. x 10.24 in. (image) Handsigned by the artist in pencil Ref : LCD2426

Published by edition GKM. Unframed. Edition: 15 ex. Signed by the artist. Free shipment worldwide. “With just a few strokes of his brush he conjures up an entire world. James Coignard extends the boundaries between concrete and abstract. He knows how to create chromatic melodies that shift in timbre from cobalt blue to blood red. His pictures are an artistic epicentre where lines, letters and numbers meld with vigorous swashes of colour.” That is how the writer Johan Persson has described the artist’s paintings. With this exhibition we honour James Coignard, showing some of his last carborundum engravings and paintings as well as presenting the book “L’œuvre gravé de James Coignard” volume VI. In this edition, we have gathered together all the engravings that James Coignard produced between June 2005 and his decease, on 7 March 2008. Behind him he left many fond memories and a life’s work as a great artist. James Coignard’s principal modes of expression were oil on canvas and gravure au carborundum, but also in bronze and glass sculptures as well as in ceramics. His work has been shown on more than 400 exhibitions, primarily in Central Europe and Scandinavia, but also in Canada and the USA. His first Swedish exhibition was at Malmö Museum in 1956. The early 1970s saw the start of a long-term liaison with Galleri Östermalm in Stockholm, owned by Editions Sonet. They came to represent him in Scandinavia and edited several volumes of his graphic works. It was not until 2003 that we at Galleri GKM Siwert Bergström...

Artist: Corson Hirschfeld, American (1941 - ) Title: American Bannerstones, 5000-1000 B.C. Year: circa 1979 Medium: Mezzotint, signed and numbered in pencil Edition: 170 Image Size:...

An original etching, aquatint, dry-point and carborundum by Joan Miro, 1969. It is hand signed and numbered H.C. aside the edition of 75 copies on Arches, plus some H.C. copies. The...

G.Sils, "La Luna", Abstract Drypoint/Etching/Aquatint Prints signed on Paper, 8.50 x 8.50 (In Frame 13.75 x 13.75), Mid to Late 20th Century, 1969 Colors: Bro...

Ruth Kerkovius (Latvian/American 1921-1970) "Village in Southern Italy" Edition 10/30, Landscape Etching/Drypoint/Aquatint signed and numbered in Pencil, 16.25 x 24.75, Late 20th Century, 1967 Colors: Black, Brown, Blue, White, Red She was born in Latvia in 1921. She received her early training in Munich, Germany, working in theatre Costume History and Design, and in painting before she came to America. Once in New York she studied at the Art Students League, the School of Visual Arts, the Pratt Graphic Art Center under Frasconi, and then continued at Pratt on a fellowship to work under Michael Ponce de Leon...

Margaret Harris (American) " The Spirit Of Dutchess County Extending Her Blessings" Edition 6/15, Figurative Etching/Drypoint/Aquatint signed and numbe...