Jasper JohnsUntitled2010
2010
About the Item
- Creator:Jasper Johns (1930, American)
- Creation Year:2010
- Dimensions:Height: 19 in (48.26 cm)Width: 21.5 in (54.61 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU59433046873
Jasper Johns
Jasper Johns is an American painter, sculptor and printmaker born on May 15, 1930. He eventually became one of America's best known post–Abstract Expressionists and Minimalists.
Johns's name is most often associated with pictorial images of flags and numbers and Pop art subjects that he depicted in Minimalist style with an emphasis on linearity, repetition and symmetry. He completed his first flag painting in 1955, alphabet subjects in 1956, sculpture in 1958 and lithographs in 1960.
Find original Jasper Johns art on 1stDibs.
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyThis item cannot be returned.
- Celadon MuseBy Brice MardenLocated in New York, NYBrice Marden Celadon Muse 2003 Two color etching / one color lithograph 22 x 30 inches; 56 x 76 cm Edition of 45 Signed, dated, and numbered in graphite (lower recto) Frame available...Category
Early 2000s Contemporary Prints and Multiples
MaterialsEtching, Lithograph
- Models for Synthetic Pictures, 9By Terry WintersLocated in New York, NYTerry Winters Models for Synthetic Pictures, 9 1994 Etching with aquatint on Gampi laid down on Lana Gravure paper Print: 19 3/8 x 22 1/4 inches; 49 x 57 cm Frame: 22 1/4 x 25 1/4 in...Category
1990s Contemporary Prints and Multiples
MaterialsEtching, Aquatint
- The Fungoid RockBy Brice MardenLocated in New York, NYBrice Marden The Fungoid Rock 1996-97 Etching and sugarlift aquatint on vintage Richard de Bas paper 19 1/4 x 15 3/4 inches; 50 x 40 cm Edition of 45 Signed, dated, and numbered in g...Category
1990s Contemporary Abstract Prints
MaterialsEtching, Aquatint
- Nevis LetterBy Brice MardenLocated in New York, NYBrice Marden Nevis Letter 2009 Etching 30 x 22 1/2 inches; 76 x 57 cm Edition of 45 Signed, dated, and numbered in graphite (lower recto) Frame available upon request Available from Matthew Marks...Category
Early 2000s Contemporary Prints and Multiples
MaterialsEtching
- After ChardinBy Lucian FreudLocated in New York, NYLucian Freud After Chardin 2000 Etching on White Somerset Textured Paper 30 3/4 x 37 3/4 inches; 78 x 96 cm Edition of 46 Initialed and numbered in graphite (lower recto) Frame available upon request Published by Matthew Marks Gallery...Category
Early 2000s Contemporary Portrait Prints
MaterialsEtching
- Solicitor's HeadBy Lucian FreudLocated in New York, NYLucian Freud Solicitor's Head 2003 Etching on Somerset soft white paper 23 1/4 x 19 inches; 59 x 48 cm Edition of 46 Initialed and numbered in graphite (lower recto) Frame available upon request Published by Matthew Marks Gallery...Category
Early 2000s Contemporary Portrait Prints
MaterialsEtching
- Large Italian Aquatint Etching Francesco Clemente Neo Expressionist Avant GardeBy Francesco ClementeLocated in Surfside, FLFrancesco Clemente (Italian b. 1952), 'This side up / Telemone #2, 1981 Medium: Intaglio hard ground etching, color aquatint, drypoint, and soft-ground etching with chine collé (ha...Category
1980s Abstract Expressionist Abstract Prints
MaterialsDrypoint, Etching, Aquatint, Intaglio
- Modern British Surrealist Abstract Bold Color Aquatint Etching Print Yellow EyeBy Alistair GrantLocated in Surfside, FLAlistair Grant was a familiar feature of the London art scene. Best known as a printmaker, his entire teaching career was spent in the printmaking department at the Royal College of Art, where he was to become Professor. Over the years he taught printmaking to many who were to become leading UK artists. Grant was at the top of his profession and a groundbreaker in his explorations of mixed media techniques. Grant was also a wonderful painter. In the early 1980s his imagery had turned to an open expressionist style, with sweeping brush marks and the introduction of new vibrant colour. Inspired by the Normandy coastline around Etaples and Le Touquet. Grant would create cyphers from the shapes and forms in the landscape, which he would offset against curtains of colour. They evoke bright or misty days, blazing skies or sunsets, beaches or harbours. The paintings and prints are descriptions of places he loved and constantly returned to. One could describe him as a French reflection of the St. Ives School where painters explored the landscape in similar fashion, as they still do. There is a wonderful sense of freedom in these images, and a great joie de vivre. Grant was a supreme colourist. He also co-authored an important book on the life and works of fellow English artist Henry Moore, whom his abstract figurative style resembles. This print is from the late 1960s and show the strong influence of figurative abstraction and surrealist elements in his work. Although best known as a printmaker, Grant also painted throughout his career and in the 1980s he adopted an expressionist style using vibrant colours. He was born in London and studied at Birmingham College of Art (1941-43). After serving during the war, Grant returned to art school and the Royal College, where he was taught by Carel Weight and Ruskin Spear. Grant was to work in the printmaking department of the Royal College for 35 years (1955-90), ending his career as Emeritus Professor of Printmaking at the RA. He showed with Julian Trevelyan. Grant showed at the Royal Academy, Artists International Association, and New English Art Club, and was a prize-winner at the Krakow Print Biennale in 1972. The TATE, The Victoria & Albert Museum, British provincial and many overseas galleries hold Grant’s work. His work is amongst the finest of modern British printmaking alongside richard smith, joe tilson, peter blake, patrick caulfield, alan davie, terry frost, david hockney and howard hodgkin. Select Group Exhibits 1951 New Editions Group,Auckland,New Zealand 1952-54,78 Redfern Gallery, London 80,83,84,86 1956 Nutida Engelsk Grofik, Stockholm 1957 National Arts Council of Southern Rhodesia 'Looking at People', South London Art gallery 1959 Tel Aviv Museum, Israel Arte Britonico Maderno Figurotiro, Galeria,Buchloz, Bogota The London Group 1960 Graven Image, Whitechopel Gallery, London Sixteen Pointers, A I.A. Gallery, London 1961 Museo de Arte, Barcelona Senfelder Group, Arts Council, London 1962 Towards Art Gulbenkian,R.C.A .London Contemporary British Pointers, Birmingham 1964-66 Curwen Gallery 1966 Crabowski Gallery, London 1967 A.A.A. Gallery, New York Schuman Gallery, New York 1968 Camden Arts Centre, London 1969 Pratt Centre, New York Art for lndustry, Arts Council, London 1970 University of South Florida, Miami 1971 Portland Museum,Oregon 1972 Art...Category
1960s Abstract Prints
MaterialsEtching, Aquatint, Intaglio
- Dialogando en Amarillo, Aquating by Stephan StrocenLocated in Long Island City, NYArtist: Stephan Strocen, Argentine (1930 - 1999) Title: Dialogando en Amarillo Year: 1970 Medium: Aquatint Etching with Intaglio, signed and dated in pencil Edition: 100 Size: 30 x 2...Category
1970s Surrealist Abstract Prints
MaterialsEtching, Aquatint, Intaglio
- The Gun, intaglio print from copper plate, chine-collé with Japanese paperLocated in Toronto, OntarioTHE GUN by Rocky Dobey is an intaglio print from an acid-etched copper plate, chine-collé with Japanese paper on archival Hahnemuhle paper, mounted...Category
21st Century and Contemporary Outsider Art Figurative Prints
MaterialsGlass, Paint, Archival Paper, Handmade Paper, Engraving, Etching, Intaglio
- Unique 1/1 Art Print - „A Short Story About Passing In Three Acts" TriptychBy Aneta Szoltis-MencinaLocated in Salzburg, ATThe artwork will be sent unframed Unique 1/1 Artwork are signed by artist. Linocut, intaglio, colography and chine collé print technique from 3 matrices Unique 1/1 Size 26,4x18,3...Category
2010s Contemporary Abstract Prints
MaterialsPaper, Linocut, Intaglio
- Geisha Walking, One-of-a-Kind Affordable Art on PaperBy a.museLocated in New york, NYAn intaglio print pulled on the etching press, Geisha Walking, 2017 by a.muse is a viscosity inked monotype on the subject of a Japanese geisha dressed in a colorful kimono, Madame ...Category
2010s Contemporary Abstract Prints
MaterialsInk, Rag Paper, Intaglio, Monotype