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Jeff Becker
Jeff Becker, Slurry Fire Code, 2018, Digital Pigment Print

2018

About the Item

Clay-throwing, globe-trotting, boundary-stretching photographer Jeff Becker creates bold, colorful, dynamic work that enlivens spaces. Time is fundamental to his process, as engineering is to his background. This work ranges from no-tech socio-enviro-political installations to the bending of still imagery into a moving phenomenon through the use of printmaking, photography, and technology. He never could just color inside the lines. What is code besides all around us? It can be made visual, but not necessarily decipherable. It is change, a flux. It impacts nearly everything we do. In this work Jeff Becker captures the decoding of wood by fire, using both still images and animation. This work visualizes the workings of code, which in effect is a series of switches flipping back and forth.
  • Creator:
  • Creation Year:
    2018
  • Dimensions:
    Height: 22 in (55.88 cm)Width: 30 in (76.2 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    This print is experimental in nature. The inks are purposely over-saturated to retard dry time so that the inks create a more painterly effect. The dripping/slurry quality is random. Dry time is approximately 4 weeks.
  • Gallery Location:
    Darien, CT
  • Reference Number:
    1stDibs: LU17222768693

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Jeff Becker, Fire Code, 2018, single channel video animation, 30 sec run time
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Esther Podemski, Color Correction_024 Template, 2014, Digital Pigment Print
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Esther Podemski is an artist working across disciplines. While in post-production on one of her recent films, she discovered that the color correction software program she used could be translated into paintings and works on paper. The new shapes originated as screen grabs from color corrections of individual frames in the post-production computer software. The source for these images comes from film footage frames of a priest on a Florence street...
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Esther Podemski, Color Correction_3, 2014, Digital Pigment Print
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