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Jill MoserFriday’s Claim (Abstract print)2004
2004
$1,964.41
£1,450
€1,694.92
CA$2,711.18
A$3,037.12
CHF 1,582.61
MX$37,046.55
NOK 20,111.40
SEK 18,963.62
DKK 12,650.39
About the Item
Etching. White ground with chine colle on Magnani Pescia White. Unframed.
Jill Moser is an American abstract artist whose work explores the intersection of “painting, writing and the animated image.”
Her work is in the collections of the Museum of Modern Art New York, the Art institute of Chicago, the National Gallery of Art, the Metropolitan Museum of Art, the Seattle Art Museum, and many others.
Moser has an interdisciplinary practice that includes painting, printmaking, drawing and collage.
Her work can be understood in relation to the history of written language—marks that carry meaning. Her brush marks are lyrical, gestural and calligraphic.
Moser is inspired by languages, whether written, visual, indexical, or gestural. She seeks balance similar to that sought by a poet—between conveying enough meaning that the viewer has a guided revelatory experience, and allowing enough room for surprise during the creation and presentation of the work that additional layers of meaning can emerge.
Printed by Randy Hemminghaus, Galamander Press
Published by David Krut Fine Art
Edition of 24
Paper size: 16x22” - 40.6 x 55.8 cm
Image size: 10x16” - 25.4 x 40.6 cm
- Creator:Jill Moser (1956, American)
- Creation Year:2004
- Dimensions:Height: 16.01 in (40.64 cm)Width: 22.01 in (55.88 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU65936030732
Jill Moser
Jill Moser is an American abstract artist, whose work explores the intersection of “painting, writing and the animated image.” Her work is in the collections of the Museum of Modern Art New York, the Art institute of Chicago, the National Gallery of Art, the Metropolitan Museum of Art, the Seattle Art Museum and many others. Moser has an interdisciplinary practice that includes painting, printmaking, drawing and collage. Her work can be understood about the history of written language—marks that carry meaning. Her brush marks are lyrical, gestural and calligraphic.
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