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Jim DineCALLED BY SAKE (C.70)1993
1993
About the Item
Woodcut, collagraph and photo-engraving in colors, on Rives Lightweight Cream paper, with full margins. Hand signed, dated and numbered lower front by Jim Dine. From the edition of 36. Published by Pace Editions, Inc., New York. Elizabeth Carpenter 70. Image size 22 x 17.75 inches. Sheet size 30 x 23.5 inches. Frame size approx 35 x 28 inches.
Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offers will be considered.
About the Artist: Jim Dine is an American artist and poet known for his contributions to the formation of both Performance Art and Pop Art. Employing motifs which include Pinocchio, hearts, bathrobes, and tools, Dine produces colorful paintings, photographs, prints, and sculptures. “I grew up with tools. I came from a family of people who sold tools, and I’ve always been enchanted by these objects made by anonymous hands,” Dine has said. Born on June 16, 1935 in Cincinnati, OH, he studied poetry at the University of Cincinnati before attending the University of Ohio where he received his BFA in 1957. After moving to New York in 1958, Dine became part of a milieu of artists which included Allan Kaprow and Claes Oldenburg, with whom he began to stage performances at sites in the city that later became known as “Happenings.” By the early 1960s, he had switched his focus towards painting, drawing on his interest in popular imagery and commercial objects. Though he was shown alongside Roy Lichtenstein and Andy Warhol, Dine never considered himself a member of the Pop Art movement. The artist currently lives and works between New York, NY and Walla Walla, WA. His works are included in the collections of The Museum of Modern Art in New York, the Tate Modern in London, the Bilbao Fine Arts Museum, and the Walker Art Center in Minneapolis, among others.
Jim Dine
The Ohio-born artist Jim Dine brought his ever-shifting, multidisciplinary vision to New York in 1958, a time of transition in the American art world. Abstract Expressionism, which had dominated the scene for years, was on the wane, and a group of young artists, including Dine, Allan Kaprow, Jasper Johns and Robert Rauschenberg, was eager to replace it with a movement that flipped the traditional rules of art-making on their head.
Beyond dissolving the boundaries between mediums and genres, attaching found objects and detritus to their canvases, these revolutionaries began staging performative “happenings” in public spaces, redefining the very definition of a work of art. As Pop art took form, Dine used objects with personal significance, like his paintbrushes, to transform his paintings into two-dimensional sculptures. He was included in the Norton Simon Museum’s 1962 “New Painting of Objects,” often considered the first true Pop art exhibition in America, but he remained a chameleon, constantly changing his style, material and technique.
More than his contemporaries, Dine has forged new paths in drawing, scrawling words and names across the canvas to create graphic, abstract landscapes. He is obsessed by certain motifs — such as hearts and his own bathrobe — which recur in various forms throughout his oeuvre. He has occasionally worked in classical genres, such as portraiture, as exemplified by the 1980 aquatint Nancy Outside in July. He has also co-opted the bold, graphic vocabulary of advertising and commercials, as in the sleek 2010 composition Gay Laughter at the Wake.
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