(after) Joan Miró

Constellations : People with Stars - Lithograph on vellum, 1949

1949

Serge POLIAKOFF Abstract Composition, 1956 Lithograph and stencil (Jacomet Workshop) Printed signature in the plate On wove paper 31.5 x 24 cm (c. 12.2 x 9.4 in) Edition San Lazarr...

Georges MATHIEU Abstract Symbols Original Lithograph Printed in Mourlot workshop in 1965 Printed signature in the plate Created for the artist exhibi...

Victor VASARELY Geometric Composition, 1958 Lithograph and stencil (Jacomet workshop) On wove paper 31 x 24 cm (c. 12 x 10 in) Edited by San Lazarro, 1958 Excellent condition

Pierre TAL-COAT Abstract Composition Original vintage lithograph poster On paper 62 x 48 cm (c. 25 x 19 in) Edited for the artist exhibition at Maeght Gallery in 1956 Excellent co...

Joan Miró Untitled from Je traville comme un jardinier 1963 Original lithograph in colors on Rives vellum paper 16 x 13 inches Hand signed in pencil From an edition of 5 H.C. copies...

Leon Polk Smith (1906 -1996) holds a unique place in a long tradition of American geometric abstract painting. Born near Chikasha, a Native American territory later annexed by the U.S. as the state of Oklahoma, Smith’s parents, who were of Cherokee ancestry, raised him with both a strong sense of his heritage and an abiding respect for the land. Art would eventually draw Smith to New York where he would quickly embrace elements of geometric abstraction in his work. Many of Smith’s hard-edge compositions could be viewed as distillations of imagery drawn from the Oklahoma landscape...

Leon Polk Smith (1906 -1996) holds a unique place in a long tradition of American geometric abstract painting. Born near Chikasha, a Native American territory later annexed by the U....

Leon Polk Smith (1906 -1996) holds a unique place in a long tradition of American geometric abstract painting. Born near Chikasha, a Native American territory later annexed by the U.S. as the state of Oklahoma, Smith’s parents, who were of Cherokee ancestry, raised him with both a strong sense of his heritage and an abiding respect for the land. Art would eventually draw Smith to New York where he would quickly embrace elements of geometric abstraction in his work. Many of Smith’s hard-edge compositions could be viewed as distillations of imagery drawn from the Oklahoma landscape...