Jonathan Borofsky

The Balance of Love and Work Produces Energy, Screenprint by Jonathan Borofsky

1994

Artist: Jay Rosenblum, American (1933-1989 Title: Cycle 3 Year: 1979 Medium: Screenprint, signed and numbered in pencil Edition size: 250 Size: 25 in. x 29.5 in. (63.5 cm x 74.93 cm)

Artist: Max Epstein, Canadian (1932 - 2002) Title: Love Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 295 Image Size: 29 x 18.5 inches Size: 35 in. x ...

Artist: John Grillo, American (1917 - 2014) Title: Tantra Abstractions Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: 200, AP 30 Image Size: 30 x 22 inches...

This abstract composition by William Schwedler includes several geometric forms and shapes that are placed alongside straight, angled lines. First Things First Artist: William Schw...

"Untitled" geometric abstract multi-color serigraph and collage by artist Max Bill from the "Kinderstern" portfolio, published in 1989 by Edition Domberger to raise money to house families of children hospitalized with cancer. Hand-numbered 66/100 in lower left corner. Hand-signed bill...

Justo Barboza (Argentina, 1938) 'Paréntesis', 1998 silkscreen on paper Guarro Geler 27.6 x 19.7 in. (70 x 50 cm.) Edition of 30 Unframed ID: BAR1437-006-030 Hand-signed by author

Jimmy Ernst  Plate II - 1970 Print - Screen Print on Heavy Paper 28'' x 37'' inches Edition: Signed in pencil and numbered 24/125 Jimmy Ernst’s artwork was influenced by a number of powerful talents and vital currents in the art of his time. Son of Max Ernst, Jimmy drew upon the biomorphic and surreal compositions of his father, as well as Arp, Klee, André Breton, and Lyonel Feininger. His mature oil paintings, which emerged in the 1950s and 1960s, reflect the Atomic Age aesthetic of the period. Often, they resemble crystals or webs; many look like vast labyrinths and are interpreted as symbols of the unconscious mind. Ernst was always interested in spirituality and drew inspiration from indigenous American art...

Jimmy Ernst  Plate I - 1970 Print - Screen Print on Heavy Paper 28'' x 37'' inches Edition: Signed in pencil and numbered 112/125 Jimmy Ernst’s artwork was influenced by a number of powerful talents and vital currents in the art of his time. Son of Max Ernst, Jimmy drew upon the biomorphic and surreal compositions of his father, as well as Arp, Klee, André Breton, and Lyonel Feininger. His mature oil paintings, which emerged in the 1950s and 1960s, reflect the Atomic Age aesthetic of the period. Often, they resemble crystals or webs; many look like vast labyrinths and are interpreted as symbols of the unconscious mind. Ernst was always interested in spirituality and drew inspiration from indigenous American art...