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Joyce Tilley NagelJoyce T. Nagel Print "Vegetable Forms No. 9" "1st State" Signed Dated Ltd Ed1972
1972
$450
£345.58
€396.03
CA$633.49
A$709.65
CHF 369.79
MX$8,656.24
NOK 4,699.20
SEK 4,431.01
DKK 2,955.87
About the Item
"Vegetable Forms No. 9" "1st State" is a beautiful linear design woodcut of an artichoke. What is intellectually interesting is the fractal beauty of nature found in the artichoke. A fractal is a kind of pattern that we observe often in nature and in art. Whenever you observe a series of patterns repeating over and over again, at many different scales, and where any small part resembles the whole, that’s a fractal. The Artichoke is the perfect example in that the shape of the leaves repeat themselves and they are the same shape as the fruit itself. Fractals are exciting, not only for their mathematical or conceptual representation, but also for the fact that you can visualise the math—and it’s beautiful! This print is rendered in an intense green with a light blue color to delineate the intriguing linear element of the artichoke's leaves.
Joyce Tilley Nagel received a BS in Advertising Design from Rochester Institute of Technology and an MA in Printmaking from Wayne State University, Detroit, Michigan. She has worked as a freelance graphic designer and has been recognized nationally for her fine art pastels.
Joyce is, also, known as an enthusiastic and knowledgeable teacher with a sensitive approach to drawing, printmaking, oil and pastel painting. In the late 60’s Joyce was an instructor at the Birmingham Bloomfield Art Association. In the 70’s and 80’s she taught adults drawing, design, printmaking and pastel painting. In the late 80’s and 90’s, Joyce, along with her husband, Don Nagel, led travel groups, as artist/demonstrators, through Europe to Paris, Northern France, Giverny and Provence.
She is a past president of Birmingham Society of Women Painters and was on the Birmingham Bloomfield Art Association Board, where she organized many exhibitions (Prints & Plates), and did graphics and production for their monthly publications, exhibitions and events. During these years, Joyce worked as a freelance graphic designer. She worked through Cranbrook Press on Christ Church Cranbrook monthly communications.
According to Joyce, “In the 70’s, monoprints became popular and more fun to create than doing repetitive editions. Wiping the plate was an individual procedure that I enjoyed for both abstracts and real images. Thus, each print is unique.” Her collection of monoprints provides a classic snapshot of mid-century art and design.
Today, she and husband Don, also an artist, are semi-retired, living and still painting on Hilton Head Island in South Carolina.
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