Justo Barboza

Argentinean signed limited edition original art print silkscreen 27x19 in. n8

1995

Rigoberto Mena (Cuba, 1961) "Parece que fue ayer" (Seems was yesterday), 2010 Series: Bon a Tirer engraving, mixed media, chine colle on paper Guarro Super Alpha 250g. 15.8 x 15.8 in...

Rigoberto Mena (Cuba, 1961) 'El Jueves puede ser un gran día' (Thusday could be a great day), 2010 engraving, mixed media, chine colle on paper Guarro Super Alpha 250g. 15.8 x 15.8 i...

Antoni Tapies (Spain, 1923-2012) 'Las segovias', 1996 silkscreen on paper 14.2 x 10.2 in. (36 x 26 cm.) Edition of 150 Ref: TAP1205-005-150 Hand-signed by author ____________________...

Janler Méndez (Cuba, ) 'Untitled (La Huella Múltiple)', 2002 engraving on paper 8.1 x 8.1 in. (20.5 x 20.5 cm.) Edition of 300 ID: HUE-232 Hand-signed by author

Created in 2000, this color screenprint is hand-signed by Robert Rauschenberg (Port Arthur, 1925 - Captiva, 2008) in pencil in the lower left margin and is numbered from the edition ...

Scott Reeder Artists to Watch, 2015 Screenprint on Coventry Rag paper Signed and numbered in 40/100 in graphite pencil on the back of the sheet Frame included Pencil signed and numb...

Tracey Emin BBC 4 textile (HAND SIGNED and dated by Tracey Emin), 2002 Limited edition screenprint on linen (uniquely signed and dated 2017 in pencil) Pencil signed and dated 2017 on...

Ed Paschke BAD, 1991 Silkscreen and Lithograph on Rising Mirage Paper, accompanied by documentation Pencil signed, titled "BAD", and annotated "Trial Proof" on the front 22 × 20 inches Unframed Also accompanied by gallery issued Certificate of Guarantee This work is a unique Trial Proof on Rising Mirage Paper, pencil signed by the artist and annotated "Trial Proof" the very first impression, aside from the regular edition. It is accompanied by the tirage sheet, with the biography of the artist and a description of the work. (see photos). As such it is a rare impression. Published by Chicago Serigraphic Workshop and Artco, Incorporated Ed Paschke Biography: Ed Paschke was born in Chicago where he spent most of his life as an important painter. He was initially associated in the late 1960s with the second generation of Chicago Imagists who called themselves The Hairy Who. He received his B.F.A. from the School of The Art Institute of Chicago in 1961 and his M.F.A. in 1970. Between degrees he lived for a time in New York where he easily came under the influence of Pop art, in part, because of his interests as a child in animation and cartoons. His fascination with the print media of popular culture led to a portrait-based art of cultural icons. Paschke used the celebrity figure, real or imagined, as a vehicle for explorations of personal and public identity with social and political implications. Although his style is representational, with a loose affiliation to Photorealism, Paschke’s art plays...