Kazuo Shiraga

Passionate Winner, Colorful Abstract Silkscreen by Shiraga

1988

Red Angel, intensely and seductively colored: swooning purples and reds, ecstatic lemon yellows, and black construction paper. Jostling shapes, geometric and biomorphic, lyrical and ...

Tom Wesselmann’s 'Fast Sketch of Still Life with Abstract Painting' is a bold, large-scale screen print (57 x 84 inches) on museum board that exemplifies his signature Pop Art style,...

Frank Stella The Whale Watch Shawl (signed in indelible black marker), held in red silk presentation box; also with embossed COA hand signed by both Frank Stella and Kenneth Tyler, 1994 LARGE: (54 Sq inches) Silkscreen on 100% Italian Silk Shawl, hand signed by Frank Stella in indelible black marker, folded in Red Silk Box with Embossed Certificate of Authenticity (Brand New in Original Red Silk Box) - embossed COA is Hand Signed by Frank Stella and Kenneth Tyler Hand Signed and dated by Frank Stella on recto; signed by BOTH Stella & publisher Kenneth Tyler, and numbered on accompanying embossed COA 54 × 54 inches Unframed and held in original red Italian silk gift box Makes a terrific gift! Stunningly large -- 54 Square Inches. This work looks dazzling framed and hung on the wall -- but as it is a signed silkscreen on silk, but it can also be worn as a gorgeous and exclusive artistic fashion statement. Who else is wearing a Frank Stella scarf? This impressive, large hand signed, silkscreen on 100% Italian silk shawl was created by Frank Stella in collaboration with his longtime publisher Kenneth Tyler of the famed Tyler Graphics Studio. In red silk Italian made presentation box with an accompanying COA - hand signed by both Stella and Tyler. "The Whale Watch" is also signed and dated on the front of the art work by Frank Stella in indelible black marker. It was acquired directly from the publisher before Kenneth Tyler retired, and is brand new in the publishers' original red silk box and wrapping. While The Whale Watch is indeed wearable art, it is also a silkscreen, and many collectors choose to frame this hand signed 54 square inch print to display as a stunning and easily recognizable work of art by Frank Stella. The image is based on an iconic silkscreen Stella created for the Moby Dick Deckle Edges series of prints in the 1990s (also published by Tyler Graphics) based on Herman Melvilles epic novel "Moby Dick". There is been a tremendous amount of literature celebrating this body of work. Published by: Kenneth Tyler, Tyler Graphics Limited, New York Produced by: House of Mantero, Como, Italy Note: the edition number shown in the image may differ from actual edition number you receive. For reference and inspiration only, we include a photograph of the work in a black frame, and another photograph of the work held in a white frame. The present work is unframed. Rare to find in new, giftable condition. Provenance: Acquired directly from the publisher FRANK STELLA BIOGRAPHY In the late 1950s, Frank Stella (1936–2024) revolutionized abstraction by merging the flat restraint of Jasper Johns with the formal, geometric shapes of abstract expressionism. With a reductive painting process that involved prosaic procedures and systemic variation, he discarded illusionistic space to emphasize the two-dimensional surface, paving a way for the Minimalist movement. For more than six decades, his career was marked by constant innovation, moving through series that eventually came to embrace narrative and a formal abundance he termed “maximalism.” Born in Malden, Massachusetts and based in New York, Stella studied history and studio art at Princeton University. In 1958, he moved to New York and initiated his Black Paintings (1958–60)—bands of matte enamel delineated by pinstripes of raw canvas, their composition determined by the scale of the canvas and paintbrush. The following year, when Stella was only twenty-three years old, these paintings appeared in the seminal exhibition Sixteen Americans at the Museum of Modern Art, New York. Leo Castelli Gallery in New York mounted an exhibition of his Aluminum Paintings in 1960. Stella was included in such critical New York exhibitions as Geometric Abstraction (1962) at the Whitney Museum of American Art and The Shaped Canvas (1964–65) and Systemic Painting (1966), both at Solomon R. Guggenheim Museum. With his Irregular Polygon (1965–67) and Protractor (1967–71) series, he expanded his experimentation with color and the shaped canvas. In 1970, Stella became the youngest artist ever to receive a full-scale retrospective exhibition at the Museum of Modern Art. That decade, he began making series of increasingly elaborate relief constructions on canvas and aluminum, including Polish Village (1970–73) and Exotic Bird Paintings...

This porcelain/ceramic plate makes a gorgeous gift - in a bright blue bespoke box, ready to be gifted. Any fan of Helen Frankenthaler or Abstract Expressionist art would be thrilled!...

Artist: LeRoy Neiman Title: Nantucket Sailing Medium: Serigraph Year: 1980 Edition: 168/300 Frame Size: 30" x 35" Sheet Size: 25 5/8" x 30 7/8" Image Size: 20" x 24" Signed: Hand sig...

Sam Gilliam Cuatro, 1994 Monoprint with screenprint, collage, acrylic, stitching and embossing in colors on handmade paper Hand signed, dated, titled and annotated P/P by Sam Gilliam...

Atsuko Tanaka Small circles with blue, red and green circles screenprint, 14.5 x 9.5cm image 37.7 x 27 cm sheet 42 x 32 cm framed ed. 61/100 Small circles with blue, red and green ...

JACKSON POLLOCK (American, 1912-1956) Untitled, CR1091 (After Painting Number 7, CR324), 1951, printed 1964 Screenprint, on Strathmore wove paper, numbered in pencil lower left, and with the Estate of Jackson Pollock 1964 blindstamp lower left From the second posthumous printing of 50 authorized by his widow, Lee Krasner in 1964 (there was also a lifetime edition of 25) Published by Bernard Steffen...

Artist: Lee Krasner (American, 1908-1984) Title: "Free Space" Portfolio: An American Portrait, 1776-1976 (Vol. 3) *Signed and numbered by Krasner in pencil lower left Year: 1975 Medi...

Born in Brooklyn in 1928 to Polish immigrants, Al Held claims to have been expelled from high school in the Bronx in 1944. After serving in the U.S. Navy from 1945 to 1947, Held asso...