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Kenneth NolandMonograph titled Themes and Variations 1958-2000 (hand signed by Kenneth Noland)2002
2002
$880
£676.95
€785.75
CA$1,241.01
A$1,390.14
CHF 730.15
MX$16,903.66
NOK 9,246.11
SEK 8,777.04
DKK 5,864.37
About the Item
Kenneth Noland
Themes and Variations 1958-2000 (hand signed by Kenneth Noland), 2002
Softback monograph with stiff wraps (hand signed and dated by Kenneth Noland)
Official hand signed copy from the Farnsworth Museum, Maine (with museum sticker verso)
9 × 11 × 1/2 inches
Provenance
Farnsworth Museum, Maine (official signed copy)
Official hand signed copy from the Farnsworth Museum, Maine (with museum label on the verso). Noland only signed a very small number of these catalogues for the museum.
This elegant softback monograph with stiff wraps was published on the occasion of the traveling museum exhibition from March 1 to June 14, 2002 at Naples Museum of Art and June 30 to October 13, 2002 at The Farnsworth Art Museum.
Official hand signed copy from the Farnsworth Museum, Maine (with museum sticker verso)
Book information:
Publisher: Farnsworth Art Museum; 0 edition (January 1, 2002)
English; Paperback; 71 pages with color illustrations
About Kenneth Noland:
Kenneth Noland was a primary force in the development of postwar abstract art and color field painting.
He attended Black Mountain College in the late forties, exhibiting an early interest in the emotional effects of color and geometric forms. His commitment to line and color can be traced throughout his prolific oeuvre, including his Circle paintings and extending through a visual language of chevrons, diamonds, horizontal bands, plaid patterns, and shaped canvases.
In 1977 a major traveling retrospective of the artist’s work was presented by the Solomon R. Guggenheim Museum in New York. In response, late art critic of The New York Times Hilton Kramer wrote, “An art of this sort places a very heavy burden on the artist’s sensibility for color, of course—on his ability to come up, again and again, with fresh and striking combinations that both capture and sustain our attention, and provide the requisite pleasures…Mr. Noland is unquestionably a master.” The exhibition traveled to the Hirshhorn Museum and Sculpture Garden and Corcoran Gallery of Art, Washington, D.C., and the Toledo Museum of Art, Ohio, before closing at the Denver Art Museum.
- Courtesy of Pace Gallery
- Creator:Kenneth Noland (1924-2010, American)
- Creation Year:2002
- Dimensions:Height: 9 in (22.86 cm)Width: 11 in (27.94 cm)Depth: 0.5 in (1.27 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:In very good condition other than minor overall shelfwear.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745213590982
Kenneth Noland
Kenneth Noland was an American painter. He was known as one of the best American color field painters, although in the 1950's he was thought of as an abstract expressionist and in the 1960's as a minimalist painter. He is most famously known for his target paintings. Noland also helped establish the Washington Color School movement.
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Hand signed and dated by Kenneth Noland on the front.
Published by R. H. Love Galleries, Inc, Distributed by Jannes Art Publishing, Chicago, USA, Designed by Bobbye Cochran and Associates, Printed by Black Box Collotype, Continious-Tone Printers, Chicago, USA
Vintage frame included
Uniquely signed. True collectible when hand signed. This exquisite collectors' item - an original collotype-continuous tone Kenneth Noland was published in 1987 by the R. Love Gallery, Chicago. It depicts one of Noland's classic Chevron paintings...
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Mixed Media: Silkscreen on Canvas with handles and leather tag. Numbered with ink stamp
15 × 15 inches
Edition 268/500
Plate signed and dated Kenneth Noland and stamp numbered from the edition of 500
Very good vintage condition with handling and creasing (see photos)
This was not commercially marketed but was designed as a prototype with each one stamp numbered. Not too many are around, and very rarely found in such good condition. This work is sold unframed as shown in the first image, but for inspiration only, see a photograph of how one collector framed a different edition of this work - and it looks like a print or painting! (see last image) A true vintage collectors item.
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Chevron Collage, Signed, de-accessioned from the Honolulu Museum of Art, Framed
By Kenneth Noland
Located in New York, NY
KENNETH NOLAND
Untitled, for Trustees of the Honolulu Museum of Art, 1984
Mixed Media collage with silver and colored foil on board.
Signed on verso (back) with personal inscription. "for Twig and Laila" (Trustees of the Honolulu Museum of Art), Deaccessioned from the Honolulu Museum of Art Collection
Inscription done in black marker and reads: "A Little Exercise For Twig and Laila With Thanks For A Wonderful 3 Days At ' Cedar House' On The 'Big Island'... 1 Sept 1984 Honolulu Hawaii."
Frame included
Measurements
Framed:
12.5" x 12.5" x .3"
Artwork:
8.75" x 8.75"
This reflective Chevron collage was de-accessioned by the Honolulu Museum of Art. In 2018, it was exhibited in the show "On Black Mountain: The Bauhaus Legacy in America", April 5, 2019-April 27, 2019 at the Sager Braudis Gallery in Columbia, Missouri, and is reproduced in the exhibition catalogue.
Unique signed and dedicated mixed media collage with silver and colored foil on board by the important Color Field painter Kenneth Noland. It's quite a dazzling work, combining color field, geometric abstraction with Op Art, as the work changes appearance and color with the reflected and refracted light. - sometimes appearing light; sometimes darker. See the photos -- there's a light one and a darker one - and they both depict the same work. What's so impressive is that this work literally changes color depending on how the light reflects against it. The artist wrote a personal and heartfelt inscription on the verso to "Twig and Laila". (Twig (sic), which the artist deliberately misspells, is Thurston Twigg Smith, former publisher of The Honolulu Advertiser, who was married to New York philanthropist Laila Twigg Smith. Laila had lived in Hawaii since 1970, where she and her husband had put together a substantial collection of contemporary art. Unfortunately, the two divorced in 1996 and soon after she returned to New York. Two years later, in 1998, Laila died of liver failure at the young age of only 53. Laila was a major philanthropist and art collector who moved from Manhattan to Hawaii. She was a board member of the New Museum of Contemporary Art in New York and a major donor the Honolulu Museum in Hawaii. Laila donated the present Ken Noland...
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$15,000 Sale Price
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