Kenneth Noland

Untitled (Circle)

2009

Kenneth Noland (1924 – 2010) is one of the most important artists and contributors to the evolution of American abstraction. He is one of the most beloved and enduring figures in the...

Kenneth Noland (1924–2010) is one of the most important artists and contributors to the evolution of American abstraction. He is one of the most beloved figures in the Color-Field mo...

Kenneth Noland (1924 – 2010) is one of the most important artists and contributors to the evolution of American abstraction. He is one of the most beloved and enduring figures in the...

Kenneth Noland (1924 – 2010) is one of the most important artists and contributors to the evolution of American abstraction. He is one of the most beloved and enduring figures in the Color-Field movement. Unlike many of his contemporaries, such as Helen Frankenthaler and Sam Gilliam, Noland nearly rejected printmaking until later in his career. And once Noland began collaborating with the printmakers at Tyler Graphics (and other studios) he was more interested in using their applications to make unique one-of-a-kind artworks. This unique and intimately-scaled monotype is an excellent example of Noland's signature forms and aesthetic from the late 1970s/early 1980s. The chevron was a frequently employed motif of his, first debuting around 1963 and realized repeatedly through the years in different styles and medium. Here, Noland dissolves the strict geometric lines of his signature chevron or pointed "V", overwhelming the structure with color that appears to be either smeared, splattered or scraped. Lavender, pale rose, mauve, cornflower, chartreuse, ocean blue, ivory and pearl shift into and out of each other, yet avoiding the clear-cut stacked triangular outline of his signature chevron arrangement. Noland's chevrons are some of the most iconic and desirable works in the 20th-century art canon. This piece is a fine example of one of Noland's creations that showcases his ingenuity and mastery of color. Questions about this piece? Contact us. Visit our Toronto gallery on Thursdays or by appointment. "Chevron" 1983...

Silkscreen by Washington Color School artist Howard Mehring (1931-1978). Work is printed on thick wove paper circa 1970. Work was originally acquired from artists estate and is uns...

A very good impression of this color screenprint on white wove paper. Signed and numbered 248/250 in pencil by Davis. Based on a series of oil paintings made by Davis, completed afte...

Kenneth Noland Limited Edition Canvas Tote, 1977 Mixed Media: Silkscreen on Canvas with handles and leather tag. Numbered with ink stamp 15 × 15 inches Edition 268/500 Plate signed and dated Kenneth Noland and stamp numbered from the edition of 500 Very good vintage condition with handling and creasing (see photos) This was not commercially marketed but was designed as a prototype with each one stamp numbered. Not too many are around, and very rarely found in such good condition. This work is sold unframed as shown in the first image, but for inspiration only, see a photograph of how one collector framed a different edition of this work - and it looks like a print or painting! (see last image) A true vintage collectors item.

Kenneth Noland Untitled Target, 2004 Lithograph on hand made paper with deckled edges Signed and numbered in pencil 48/75 on the lower front; bears the artist's blind stamp Published...