Lamar Briggs

Flower Coasas II, Colorful Abstract by Lamar Briggs

1976

Artist: Bety Kohlberg, American (1936 - ) Title: No. 42 Year: 1977 Medium: Acrylic on Canvas, signed and dated l.r. Size: 70 x 56.5 in. (177.8 x 143.51 cm)

Artist: Lamar Briggs, American (1935 - ) Title: Fire Dancer Year: 1976 Medium: Lithograph on Arches Paper, signed and numbered in pencil Edition: 200 Paper Size: 21 x 29 inches

Michael Knigin, American (1942 - 2011) - AL 133, Year: 2006, Medium: Giclee print on paper signed, numbered and dated in pencil, Edition: AP, Image Size: 24 x 17 inches, Size: 2...

Artist: Lamar Briggs, American (1935 - ) Title: Green and Purple Petals Medium: Lithograph on Somerset Paper, signed and numbered in pencil Edition: 200, AP 40 Paper Size: 21 in. x...

Painted by Frealon Bibbins (American, 1926-2013) circa 1976. Certification of authenticity, verso, with stamped wax seal. A substantial 1970's abstract evoking graceful, oceanic forms and comprising fluidly superimposed and adjacent, diaphanous layers of scarlet, rose, lilac, and grass-green against a variegated sunshine-yellow field. This listed California artist, author and musician lived and painted in Alameda and also had a distinguished career with the San Francisco Symphony...

"Wildflower" features hues of pink, yellow, orange, blue, green and purple. Marina Dunbar is inspired by the work of Paul Jenkins and Morris Louis. “I often think about painting in three dimensions, rather than two,” says Marina. “When engaging with the surface, I am considering how the arrangement and folds of the canvas will influence the composition.” Her process is as rooted in the physical construction of form as it is propelled by the medium’s inherent fluidity. The title of her exhibition – Fluent Form – refers to the practice of exploring opposing concepts, such as density and fragility, continuity and impermanence, within the same material. As one progression leads to the next, Marina studies the medium without premeditation, remaining sensitive to nuances within her process. Marina has introduced natural elements such as dry pigments and sand into these paintings. Sand is a physical object, yet its existence is a representation of the passage of time. It is the result of rock erosion, and it is a material that continually assembles into new patterns. In the Buddhist tradition, sand is used to convey beauty and ephemerality through the construction and subsequent destruction of mandalas...

FLOWER COSAS II is a limited edition color lithograph on archival Arches paper by Lamar Briggs (1935-2015) American painter and Texas artist who was born in Lafayette, Louisiana. He ...

"Overland" features hues of pink, yellow, green, and blue. Marina Dunbar is inspired by the work of Paul Jenkins and Morris Louis. “I often think about painting in three dimension...