Leon Polk Smith

Werkubersicht/Work-Overview A

1947-1987

1970-1987, serigraph on paper, 46 1/2 x 32 inches, edition of 90

1949-1987, serigraph on paper, 46 1/2 x 32 inches, edition of 90

1949-1987, serigraph on paper, 46 1/2 x 32 inches, edition of 90

1952-1987, serigraph on paper, 46 1/2 x 32 inches, edition of 90

1962-1987, serigraph on paper, 46 1/2 x 32 inches, edition of 90

1947-1987, serigraph on paper, 46 1/2 x 32 inches, edition of 90

Frank Stella Prince of Hohenfliess (Axsom 250), 1997 Lithograph and silkscreen on white Lana mould-made paper 17 3/10 × 12 1/2 inches Edition 16/24 AP Signed, dated and annotated 'AP.16 F. Stella 97' in pencil Unframed Published by Tyler Graphics...

Screenprint, 1970, signed, dated and numbered an AP aside the edition of 200 (there were 15 AP in total), published by Gemini G. E. L., Los Angeles., sheet: 99.5 x 98 cm (39¼ x 38½ i...

Keith Haring Icons (E) - Three Eyed Man 1990; SIlkscreen with embossing 21 x 25 inches Numbered 250 from the edition of 250, 25 APs, 25 HCs, and 8 PPs Pu...

"New York Walk" by Fernando Natalici Manhattan 1984. The simplicity & grace of the anonymous passer-by rendered timeless by the snap of the camera. A window into a street photographer's decisive moment. A window into, not only the New York of 'then', but the beauty & chaos of everyday city life... Archival Inkjet Print on 310gsm paper. 13 x 19 inches. Hand signed from an edition of 10 (+ 5 A/P’s) Obtained directly from artist. Excellent overall condition. New York based photographer Fernando Natalici is best known for his iconographic documentation of the downtown Manhattan art scene of the mid/late 70's and early 80's. Natalici’s portfolio includes sought after images of a young Patti Smith, Blondie, Talking Heads, Keith Haring, Jean-Michel Basquiat, The Ramones and more. As an Art Director, Fernando has played a key role in creating memorable visuals for historic NY venues such as CBGB's, The Mudd Club, Area and Danceteria. Related Categories Henri-Cartier Bresson. Saul Leiter...

Printer: Gemini, G.E.L., Los Angeles Publisher: Gemini G.E.L., Los Angeles Edition size: 55, plus proofs Catalogue raisonné: Axsom 83 Signed and numbered, lower margin

Poster for an Ellsworth Kelly exhibition which was held at Galerie Maeght. Small pinholes located in each corner of the print.

"Rabat" is an important work in Frank Stella's oeuvre as it is his first print, created in 1964. Unlike his future prints, this work was an adaptation of a gouache based on one of the paintings from the Moroccan Paintings series created that same year. Stella was invited by the legendary Sam Wagstaff...

Lithograph and screenprint in colours, 1982, on Arches paper, signed and dated in pencil, numbered from the edition of 100 (there were also 20 artist’s proofs), published by Petersbu...

Space Race Silkscreen on Acrylic hand signed and dated 1970, MOON WALK, color screenprint on Plexiglas depicting the moon landing, from the numbered edition of 150, size 30 x 30” Lowell Blair Nesbitt is an American painter, draughtsman, printmaker, and sculptor. Although he worked in a variety of media and covered a wide range of subjects throughout his career, he is best known for his large, Photorealist botanical paintings. Born in Baltimore, Maryland in 1933, Nesbitt earned a degree from the Tyler School of Art at Temple University. Later, he also studied at London’s Royal Academy of Arts. Working in stained glass and etching and also producing abstract paintings in his early career, a 1962 encounter with artist Robert Indiana led him to steer his aesthetic toward realism. Though he held his first solo show at the Baltimore Museum of Art in 1958, it was his 1964 debut at the Corcoran Gallery of Art in Washington D.C. that would truly bring him to the attention of the art world. In this exhibit, his botanical series of paintings, drawings, and prints captivated the art world and public alike. The game-changing Corcoran Gallery show would send his career down the trajectory of sustained success. In 1976, Nesbitt moved from his New York City West 14th Street studio to a massive space located at 389 West 12th Street. The 12,500 square foot living and workspace supplied ample room for creating his enormous paintings...

This exceptional screenprint with collage is by Jim Dine (1935-) one of the foremost proponents of Pop Art. This work was done in 1966, at the height of the Pop Art movement. It was published by Editions Alecto in London and printed by Kelpra Studios, Ltd., also in London. The print is in very good condition. It is attached to a lightweight matboard with two very small archival hinges. It is signed in the center, “Dine”. As well, the publishers seal, “ea” and the printers seal “K” are on the reverse. Also, it is numbered on the reverse “135/150.” I will ship the print in a protective Plexiglas box frame. In 1962 Dine's work was included, along with Roy Lichtenstein, Andy Warhol, Robert Dowd...

An original hand-signed and numbered minimalist silkscreen from the Werkubersicht/Work-Overview Portfolio. Leon Polk Smith is credited with the founding of the hard-edge art movement...

An original hand-signed and numbered minimalist silkscreen from the Werkubersicht/Work-Overview Portfolio. Leon Polk Smith is credited with the founding of the hard-edge art movement...

An original hand-signed and numbered minimalist silkscreen from the Werkubersicht/Work-Overview Portfolio. Leon Polk Smith is credited with the founding of the hard-edge art movement...

An original hand-signed and numbered minimalist silkscreen from the Werkubersicht/Work-Overview Portfolio. Leon Polk Smith is credited with the founding of the hard-edge art movement...

An original hand-signed and numbered minimalist silkscreen from the Werkubersicht/Work-Overview Portfolio. Leon Polk Smith is credited with the founding of the hard-edge art movement...

Color screenprint on Coventry rag Vellum in bold colors and striking geometic patterns. "The Harltey Elegies" were published in the early 1990's as a tribute to American Modernist, M...