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Lesley AndersonDesert
About the Item
ABOUT THIS ARTIST: Lesley Anderson (b. 1986) is a Canadian painter living on the west coast of Canada. She uses a variety of methods and materials to create her work, including ink, acrylic, cutting and pasting, airbrushing, digital methods, drawing, and projection. Her work often evokes figures, landscapes and narratives through her explorations of form and colour. Together, these create an inventory of her visual vocabulary and memory. She holds a BFA from Emily Carr University in Vancouver, B.C. and an MFA from Concordia University in Montreal, Q.C., Canada.
ADDITIONAL SIZES AND FRAMING: Additional sizes are available. Please inquire for more information on larger sizes. We offer fully archival professional framing for all prints for an additional cost. Framing is available in white, black or natural wood and prints can be framed either with or without a mat board. We also offer face mounting to plexiglas. Please inquire for pricing and more details on our framing.
PACKAGING: 30x40" and 40x60" prints are shipped in a special fortified tube to guard against bending or damage. Framed 30x40" prints are shipped via FedEx in a bespoke cardboard box with a fitted interior armature for the frame. We do not frame the extra large, 40x60" print sizes because they are too large to ship without risking damage.
INTERNATIONAL SHIPPING: We ship unframed prints internationally via DHL. The international shipping cost does not include the tax & duties, which will be the responsibility of the customer. Unfortunately, because of the high shipping cost we do not ship framed prints internationally at this time.
- Creator:Lesley Anderson (Canadian)
- Dimensions:Height: 39.5 in (100.33 cm)Width: 31.6 in (80.27 cm)
- Medium:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU11627168022
Lesley Anderson
Lesley Anderson (b. 1986) is a Canadian painter living on the west coast of Canada. She uses a variety of methods and materials to create her work, including ink, acrylic, cutting and pasting, airbrushing, digital methods, drawing, and projection. Her work often evokes figures, landscapes and narratives through her explorations of form and colour. Together, these create an inventory of her visual vocabulary and memory. She holds a BFA from Emily Carr University in Vancouver, B.C. and an MFA from Concordia University in Montreal, Q.C., Canada.
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By Lesley Anderson
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ABOUT THIS ARTIST: Lesley Anderson (b. 1986) is a Canadian painter living on the west coast of Canada. She uses a variety of methods and materials to c...
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ABOUT THIS ARTIST: Lesley Anderson (b. 1986) is a Canadian painter living on the west coast of Canada. She uses a variety of methods and materials to create her work, including ink, ...
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ABOUT THIS ARTIST: Lesley Anderson (b. 1986) is a Canadian painter living on the west coast of Canada. She uses a variety of methods and materials to c...
Category
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Category
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“The ATO>MIC work started as an attempt to replicate the idea behind still life painting - where you are trying to reproduce the image of solid looking things, things that could be on a shelf. So, I wanted to try doing that with just using light instead of paints - however I soon started to see the similarities with Harold Edgerton’s famous atomic explosion photos and how the scale of my work could be switched between small items on a shelf to enormous atomic explosions.
That is the reason behind the strange title ATO>MIC - where the “>” is a kind of link between larger and smaller scales, between the two influencing ideas.” – Mike G Jackson
The images (from the ATO>MIC series) may be reminiscent of the first milliseconds of atomic bomb explosions captured by Harold Edgerton's Rapatronic camera in the early 1950s but also visualise the thought of Maholy-Nagy’s bold visions in the Bauhaus’s movement toward the idea of the Gesamtkunstwerk, or “total work of art.”
The 3D concepts that were first expanded in the same art movement by El Lissitzky a hundred years ago, are also explored here by Jackson’s drowned thin line within the third of the image. In his vision, the line reflects a shelf with the object on top, by adding the weight to it, the gravity pushing them down.
Or maybe the thin line is just the horizon, where the enormous atomic blast took place…?
Beyond these flat forms of two dimensional ‘lumino-graphic’ works on paper, the purest form of photography (‘light drawing’) lays a visible path to three-dimensional imaginary world, realised in precise composition, rhythm and warm earthy tones of these works.
It’s up to the viewer to decide what they prefer to see and take with them.
As Wassily Kandinsky once said; “Imagination is what allows your mind to discover.”
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