Levan Mindiashvili

Levan Mindiashvili, 'Suites 1/10', 2015, Ink, Archival Paper, Acrylic Paper

2015

Levan Mindiashvili is a Georgian born visual artist currently living and working in Brooklyn, NY. After graduating from Tbilisi State Academy of Arts and numerous exhibitions in Euro...

Levan Mindiashvili is a Georgian born visual artist currently living and working in Brooklyn, NY. After graduating from Tbilisi State Academy of Arts and numerous exhibitions in Europe and in his native Georgia, Levan continued postgraduate studies at The National University of Art of Buenos Aires (Argentina). While in Buenos Aires, he had curated several shows at The Laguanacazul Art Gallery and was a performer of the experimental theater company Ensamble Caustico. Among his awards are “Emerging Artist of 2011, Movistar Arte Joven” (Buenos Aires, Argentina) and FABLES Commission Grant for Public Art Projects (Fourth Arts Block, New York, 2014). Recent solo exhibitions include “Studies For Unintended Archeology”, The Vazquez Building, (Brooklyn, 2015), “Borderlines” The Lodge Gallery (New York, 2014), “Urban Identities” Kunstraub99 (Cologne, 2013). Current curatorial project include “Heritage” at The Georgian National Museum (Tbilisi, 2013) and at The RichMix Arts Center (London, 2015). Upcoming shows include “Kiosk”, ODETTA gallery...

Levan Mindiashvili is a Georgian born visual artist currently living and working in Brooklyn, NY. After graduating from Tbilisi State Academy of Arts and numerous exhibitions in Europe and in his native Georgia, Levan continued postgraduate studies at The National University of Art of Buenos Aires (Argentina). While in Buenos Aires, he had curated several shows at The Laguanacazul Art Gallery and was a performer of the experimental theater company Ensamble Caustico. Among his awards are “Emerging Artist of 2011, Movistar Arte Joven” (Buenos Aires, Argentina) and FABLES Commission Grant for Public Art Projects (Fourth Arts Block, New York, 2014). Recent solo exhibitions include “Studies For Unintended Archeology”, The Vazquez Building, (Brooklyn, 2015), “Borderlines” The Lodge Gallery (New York, 2014), “Urban Identities” Kunstraub99 (Cologne, 2013). Current curatorial project include “Heritage” at The Georgian National Museum (Tbilisi, 2013) and at The RichMix Arts Center (London, 2015). Upcoming shows include “Kiosk”, ODETTA gallery...

Esther Podemski is an artist working across disciplines. While in post-production on one of her recent films, she discovered that the color correction software program she used could be translated into paintings and works on paper. The new shapes originated as screen grabs from color corrections of individual frames in the post-production computer software. The source for these images comes from film footage frames of a priest on a Florence street...

Esther Podemski is an artist working across disciplines. While in post-production on one of her recent films, she discovered that the color correction software program she used could be translated into paintings and works on paper. The new shapes originated as screen grabs from color corrections of individual frames in the post-production computer software. The source for these images comes from film footage frames of a priest on a Florence street...

Esther Podemski is an artist working across disciplines. While in post-production on one of her recent films, she discovered that the color correction software program she used could be translated into paintings and works on paper. The new shapes originated as screen grabs from color corrections of individual frames in the post-production computer software. The source for these images comes from film footage frames of a priest on a Florence street...

Richard Nonas (hand signed by Richard Nonas), 2004 Softcover monograph (hand signed by Richard Nonas) Hand signed by Richard Nonas for the present owner ...

Acrylic paint, india ink on archival paper, limited edition of 20 - artwork can be shipped in a tube or framed in a crate

Unique print of an edition of 25. Whilst the series was printing, each print had a differing ink flow, producing a unique result for each edition. Will ship Flat - Inquire for framing options. Born in 1979, Denis Meyers...

Nancy Graves Original Graham Gallery poster (hand signed by Nancy Graves), 1968 Extremely rare vintage offset lithograph poster (hand signed by Nancy Graves) hand signed by Nancy Graves in pencil on the front Frame included: held in museum quality wood frame with UV plexiglass Publisher: Graham Gallery This late 1960s vintage Graham Gallery poster is hand signed by Nancy Graves on the front. It was published on the occasion of her "Camels" exhibition - a groundbreaking show in the artist's young life, as she died at age 54 of breast cancer. (People forget how brave she was, a sharp counterpoint to the style of the macho Minimalists of the era, like her ex husband Richard Serra.) The following year -- in 1969 - Nancy Graves became the first woman ever to have a solo show at the Whitney Museum. We've never seen another of these posters anywhere else in the world - let alone one hand signed by Nancy Graves. Elegantly framed in a museum quality wood frame with UV plexiglass Measurements: Frame: 17 x 17.5 x 1.5 inches Work: 10 x 10.75 inches About Nancy Graves: Nancy Graves (1940–1995) was born in Massachusetts. Her father worked as an accountant at the local Berkshire Museum, where art was displayed with natural history. He encouraged his daughter’s early interests in art, nature and anthropology — interests which endured for the rest of her life. After graduating from Vassar College with a degree in English Literature, Graves attended Yale University, where she earned both a B.A. and an M.A. in Art, studying alongside Chuck Close, Robert Mangold and Brice Marsden. Following Yale, she won a prestigious Fulbright Scholarship in 1964, and began studying painting in Paris — where she also married sculptor Richard Serra, whom she had met at Yale (and from whom she would divorce in 1970). Moving on to Florence soon after, she would live a somewhat nomadic life, spending time in countries that included Morocco, Kashmir, India, Egypt, Peru, Australia and Canada. From a point of view that she described as “objective,” Graves transformed scientific sources, such as maps and diagrams, into artworks by re-producing their complex visual information in detailed paintings and drawings. Investigating the intersections between art and scientific disciplines, Graves created compelling, formally rigorous, yet ultimately expressive works of art that examine concepts of repetition, variation, verisimilitude, and the presentation and perception of visual information. Based in SoHo, New York, Graves gained prominence in the late 1960s as a post-Minimalist artist for innovative camel, fossil, totem, and bone sculptures that were hand formed and assembled from unusual materials such as fur, burlap, canvas, plaster, latex, wax, steel, fiberglass and wood. Made in reaction to Pop and Minimalism, these works reference archaeological sites, anthropology, and natural science displays. Suspended from the ceiling or clustered directly on the floor, these early sculptures also engage with Conceptualist ideas of display. For her Whitney Museum presentation Graves exhibited three seemingly realistic sculptures of camels in an installation that evoked taxidermy specimens and questioned issues of verisimilitude in art and science, particularly in light of their hand patched and painted fur surfaces. The exhibition elicited wide spread critical responses and established her artistic significance. After intensely engaging with sculpture in the early 1970s, Graves returned to painting. Her detailed pointillist canvasses re-produced — in paint — images culled from documentary nature photographs, NASA satellite recordings, and Lunar maps...

Keith Sonnier Untitled sculptural lithograph, 1981 Lithograph on watermarked paper Signed, numbered 159/200 and dated in graphite pencil on the front Published by Waterstreet Press ...

Keith Sonnier Untitled post Minimalist lithograph, 1981 Lithograph on watermarked paper with publishers blind stamp Pencil signed, numbered 96/200 and dated on the front Published by...