Lionel

Strength of the Earth - Original Carborundum Etching, Handsigned

LIONEL (Lionel PEROTTE, called) Abstract : Yellow Original Etching Handsigned Numbered /99 copies On vellum 57 x 45 cm ( c. 22.4 x 17.7 Inches ) Excellent condition

Luis FEITO (1929-) Balance Original etching and aquatint Handsigned in pencil Numbered / 75 On BFK Rives vellum 91.5 x 62.5 cm (c. 36.5 x 25 inch) Very good condition, light defect...

Satish SHARMA Abstract Composition For Vence Orignal etching Handsigned in pencil Numbered / 60 On Vellum 56 x 38 cm (c. 22 x 15 inch) Excellent condition

Jorge PEREZ-ROMAN The Lawyer Original etching and aquatint On Johannot vellum 37.5 x 28 cm (c. 15 x 11 inch) From the illustrated book PAROLES PEINTES III...

Jean Miotte - Original Signed Etching 1994 Dimensions: 41 x 33 cm Signed and numbered in pencil Edition: /60 From Près du mur

Antoni Clavé - GUERRERO (WARRIOR) Date of creation: 1966 Medium: Etching on paper Edition number: 17/50 Size: 78 x 56,5 cm Condition: In very good conditions and never framed Observa...

Artist: Gilou Brillant Title: Untitled 2 Year: 1974 Medium: Aquatint Etching, signed in pencil Size: 30 x 22 in. (76.2 x 55.88 cm)

Jean Miotte - Original Etching 1998 Dimensions: 41 x 33 cm Edition: /40 From La Déchirure Jean Miotte, 1926 - 2016 Miotte came of artistic age in the decade after World War II when non-figurative gestural abstraction was emerging on both sides of the Atlantic as the contemporary artistic language. The term, "L'Art Informel," was coined by the French critic, Michel Tapi, to connote "without form." The negation of traditional form, a radical break from established notions of order and composition, was particularly suited to a cultural environment born out of the circumstances of post war Europe where abuse of morals and fascist ideology had led to such horror and destruction. While Informel is often regarded as the European equivalent of Abstract Expressionism, it is distinguished from its American counterpart, by a loss of faith in progress and the collective possibilities of an avant garde. Rather the artists who came to be grouped as Informel, Jean Miotte, Jean-Paul Riopelle, Emil Schumacher...