Lothar Quinte

Solar Calendar I, Abstract Geometric Screenprint by Lothar Quinte

1970

Lothar Quinte, Polish (1923 - 2000) - Solar Calendar II, Portfolio: Solar Calendar (Sonnenzyklus Kalender), Year: 1970, Medium: Screenprint on heavy stock, signed and numbered in ...

Lothar Quinte, Polish (1923 - 2000) - Solar Calendar IV, Portfolio: Solar Calendar (Sonnenzyklus Kalender), Year: 1970, Medium: Screenprint on heavy stock, signed and numbered in ...

Lothar Quinte, Polish (1923 - 2000) - Solar Calendar V, Portfolio: Solar Calendar (Sonnenzyklus Kalender), Year: 1970, Medium: Screenprint on heavy stock, signed and numbered in p...

Lothar Quinte, Polish (1923 - 2000) - Solar Calendar III, Portfolio: Solar Calendar (Sonnenzyklus Kalender), Year: 1970, Medium: Screenprint on heavy stock, signed and numbered in...

Silkscreen serigraph Op art print. Luitpold Domberger (1912-2005 ) was a pioneer of artistic screen printing in Germany. Luitpold (Poldi) Domberger...

John Grillo Untitled Op Art Mid Century Modern, 1969 Color silkscreen on art paper with deckled edges Signed and dated lower right; numbered 6/9 lower left Limited Edition of only 9...

Lothar Quinte abstract silkscreen, "Sonnenzyklus Kalender," original edition 81/100 Signed in pencil, Quinte,'71. Photographer's reflection in last image, (not included). Lothar Qu...

"Elizabeth Stein Gallery A/P" is a color lithograph poster. This piece features an abstract and geometric design in yellow. Unsigned. 40" x 26" Born in Russia in 1907, Ilya Bolotowsky left his native country in his early childhood. The family was forced to emigrate as a result of his parent’s anti-Communist sentiments. They traveled first to Constantinople, then settled in New York City in 1923. Bolotowsky enrolled at the National Academy of Design in 1924. He tried out many styles in this period, ranging from the representational and classical to the abstract and expressionistic. In the early 1930s he became a designer of textiles. In 1932 Bolotowsky spent ten months in Europe. Although he was already familiar with prevailing modernist movements, the opportunity to study a wide range of these works and to meet some of the artists who had made them affected Bolotowsky profoundly. As a result of this trip, Bolotowsky began to synthesize aspects of Cubism with the abstract Surrealism of artists like Miro and Arp. These softer, floating forms gave way to a rectilinear geometry as he became more influenced by the Constructivists and Mondrian. Upon his return to the United States, Bolotowsky married his fellow painter Esphyr Slobodkina...