Luigi Gheno

Grey And Blue Composition - 1970s - Luigi Gheno - Lithograph - Contemporary

1972

Blue And Pink Composition is an original colored lithograph realized by Luigi Gheno in 1972. Hand-signed and dated in pencil by the artist on the lower rig...

Composition 1971 is an original Contemporary artwork realized in 1971 by the italian artist Leo Guida. Original Etching and mixed media on paper. Image Dimensions: 32 x 24.5 cm Dat...

This stunning lithograph by Hsia Chin, titled Untitled (Blue), showcases the artist's exceptional command of color and abstract form. Dominated by a rich, deep blue, the piece exudes...

Delicate Abstract Lithograph in Pale Blues and Greys by American Beat artist Will Peterson (1928-1994.) This lithograph features a soft warm grey background overlayed with light blue shading and line work. In the bottom center of the piece is a spiky white shape. The colors and shapes are subtle and feel reminiscent of ice. Lithograph is printed on wove paper which is fixed to a larger piece of handmade paper containing the artists signature and a small embossing found on his other pieces from this time period. This paper is displayed on top of a linen covered board with sturdy wood edges and a plexiglass over over the entire piece. Will Peterson was born in Chicago in 1928 to German immigrant parents. He contracted Polio when he was in High School and thus spent much of his early years ill. During this time he started working as a cartoonist for his high school’s paper. He started his official art studies at Wilber Wright College in Chicago and later earned a BA and a MA at Michigan State University. Here he studied print making and lithography under John S. deMartelly. He began enjoying artistic success while still in graduate school, exhibiting at the Detroit Art Institute, the Terry Art Institute, the National Print Exhibition, and the Boston Printmakers. Peterson was drafted into the army in 1952 and thus spent time in Korea and Japan. His time as an educational specialist in Hokkaido was a formative experience for him and his interest in Japanese calligraphy and other arts influenced his later work. Upon returning to the United States, he moved to Oakland, California. He became involved with the beat movement and after founding the Bay Printmakers Society with fellow artist Mel Strawn...