Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 9

Chagall, Composition (Mourlot 468), Derrière le miroir (after)

1966

About the Item

Lithograph on vélin Chiffon de Mandeure paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Lithographies et Eaux-Fortes Originales, Livres Illustres Originaux Affiches Derrière le miroir, 1966. Published by Maeght Éditeur, Paris, and Redfern Gallery, London; printed by Mourlot Frères, Paris, November 22, 1966. Excerpted from the album (translated from French), The original lithographs of Miró, Calder, Ubac, Tal-Coat, Chillida, Steinberg, and Kelly were executed especially for this album and printed on the presses of l'atelier Arte. Chagall's original lithograph was printed in l'atelier Mourlot. The edition is limited to MD examples on Chiffon de Mandeure. Finished printing on November 22, 1966 for Maeght Éditeur and The Redfern Gallery. Excerpted from a Christie’s, New York lot essay, The life span of Derrière le Miroir was thirty-five years. Publication began in 1946. Aimé Maeght, initiator of Derrière le Miroir, had already made few attempts to start publications illustrated with fine printed lithographs in colours in the years prior to the launch of Derrière le Miroir. The name, Derrière le Miroir was suggested by Jacques Kober, manager of Galerie Maeght. The gallery had opened in 1945; the first number of Derrière le Miroir was released a year later. For this first issue Geer van Velde was invited to create lithographs to illustrate the publication. The lithographs in the first issue was printed by Mourlot, Paris. The first three issues of Derrière le Miroir were unsuccessful for Maeght as far as the edition size—the initial print-runs were far too large. From 30,000 for the first issue, the number was taken down to 10,000 for numbers two and three, until Derrière le Miroir number four was published in an edition of 1500. Maeght instituted a policy whereby unsold issues were recycled and used for the fabrication of new paper for the coming editions—this served to both conserve resources and also usually result in ultimate edition sizes far less than 1,500. With number four, the permanent format for Derrière le Miroir was established. Lithographs in colours were key; text was limited to comments on the featuring artist's exhibition taking place in the Galerie Maeght, and this catalogue format was defining to Derrière le Miroir. Galerie Maeght took on the leading role in Paris and presented all main artists including Braque, Matisse, Chagall, Léger, Bonnard, Chillida and many more. So too did Derrière le Miroir. The idea of a magazine was meanwhile still on the mind of Aimé Maeght. He found an insert as a solution. Two, and later four, pages of art review were inserted from 1952 onwards. In 1968 this find had ripened to independency and the dream of Aimé Maeght was now a tangible fact named l'Art vivant. Derrière le Miroir was on it's own again. Over 250 issues in a row. At that point publisher Aimé Maeght wished to make a mark with the publication of an hommage to all who once contributed to the magazine which came in the form of issue number 250, but was delayed by the death of Aimé Maeght. It was published after number 253 in 1982 and became a tribute to Aimé and Marguérite Maeght and 35 years of friendship with artists and poets. The era of Derrière le Miroir was closed with that final publication. MARC CHAGALL (1897-1985) was a Russian-French artist. An early modernist, he was associated with the École de Paris as well as several major artistic styles and created works in a wide range of artistic formats, including painting, drawings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall was born into a Jewish family near Vitebsk, today in Belarus, but at that time in the Pale of Settlement of the Russian Empire. Before World War I, he travelled between Saint Petersburg, Paris, and Berlin. During that period, he created his own mixture and style of modern art, based on his ideas of Eastern European and Jewish folklore. He spent the wartime years in his native Belarus, becoming one of the country's most distinguished artists and a member of the modernist avant-garde, founding the Vitebsk Arts College. He later worked in and near Moscow in difficult conditions during hard times in Russia following the Bolshevik Revolution, before leaving again for Paris in 1923. During World War II, he escaped occupied France to the United States, where he lived in New York City for seven years before returning to France in 1948. Art critic Robert Hughes referred to Chagall as "the quintessential Jewish artist of the twentieth century". According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists". For decades, he "had also been respected as the world's pre-eminent Jewish artist". Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz as well as the Fraumünster in Zürich, windows for the UN and the Art Institute of Chicago and the Jerusalem Windows in Israel. He also did large-scale paintings, including part of the ceiling of the Paris Opéra. He experienced modernism's "golden age" in Paris, where "he synthesized the art forms of Cubism, Symbolism, and Fauvism, and the influence of Fauvism gave rise to Surrealism". Yet throughout these phases of his style "he remained most emphatically a Jewish artist, whose work was one long dreamy reverie of life in his native village of Vitebsk." "When Matisse dies", Pablo Picasso remarked in the 1950s, "Chagall will be the only painter left who understands what colour really is.”
  • Creation Year:
    1966
  • Dimensions:
    Height: 10 in (25.4 cm)Width: 7.375 in (18.74 cm)
  • Medium:
  • Movement & Style:
  • After:
    Marc Chagall (1887 - 1985, French)
  • Period:
  • Condition:
  • Gallery Location:
    Auburn Hills, MI
  • Reference Number:
    1stDibs: LU1465215429242

More From This Seller

View All
Miró, Composition, Miró, Oiseau Solaire, Oiseau Lunaire, Étincelles (after)
By Joan Miró
Located in Auburn Hills, MI
Lithograph and stencil on vélin d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Miró, Oiseau Solaire, Oiseau Lunaire, Étincel...
Category

1960s Modern Landscape Prints

Materials

Lithograph, Stencil

Les Deux Amies, Guillaume Cornelis van Beverloo, Corneille
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper size: 19.5 x 25.5 inches. Inscription: Hand signed and numbered 37/250, as issued. Notes: Published by London Arts Inc., Detroit; printed by Arts Lit...
Category

1970s Modern Abstract Prints

Materials

Lithograph

La Chambre En Luminance, Guillaume Cornelis van Beverloo, Corneille
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper size: 19.5 x 25.5 inches. Inscription: Hand signed and numbered 77/250, as issued. Notes: Published by London Arts Inc., Detroit; printed by Arts Lit...
Category

1970s Modern Abstract Prints

Materials

Lithograph

Complicite with Pussycat, Guillaume Cornelis van Beverloo, Corneille
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper size: 19.5 x 25.5 inches. Inscription: Hand signed and numbered A.P., as issued. Notes: Published by London Arts Inc., Detroit; printed by Arts Litho...
Category

1980s Modern Abstract Prints

Materials

Lithograph

Le Divan Bleu, Guillaume Cornelis van Beverloo, Corneille
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper size: 19.5 x 22.5 inches. Inscription: Hand signed and numbered P.P., as issued. Notes: Published by London Arts Inc., Detroit; printed by Arts Litho...
Category

1970s Modern Abstract Prints

Materials

Lithograph

Le Conversation, Guillaume Cornelis van Beverloo, Corneille
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper size: 19.5 x 25.5 inches. Inscription: Hand signed and numbered 229/250, as issued. Notes: Published by London Arts Inc., Detroit; printed by Arts Li...
Category

1970s Modern Abstract Prints

Materials

Lithograph

You May Also Like

Incandescent City
By Richard Florsheim
Located in New York, NY
Richard Florsheim created this color lithograph entitled “Incandescent City” in 1960 in an edition of 35 pieces. This impression is signed and inscribed “34/35.” It is in good condit...
Category

1960s American Modern Landscape Prints

Materials

Lithograph

Waves
By Richard Florsheim
Located in New York, NY
Richard Florsheim created this color lithograph entitled “Waves” in 1973 in an edition of 50 pieces. Printed by Mourlot Press, Paris, this impression is signed and inscribed “3/50” – the third print of fifty. It is in good condition with full original color. The printed image size is 16 3/8 x 23.75 inches and the paper size is 19.75 x 26.50 inches. RICHARD ABERLE FLORSHEIM...
Category

1970s American Modern Abstract Prints

Materials

Lithograph

Carnival
By Richard Florsheim
Located in New York, NY
Richard Florsheim created this color lithograph entitled “Carnival” in 1972 in an edition of 30 pieces. Published by Associated American Artists and printed by Landfall Press, this i...
Category

1970s American Modern Abstract Prints

Materials

Lithograph

Approaching Storm
By Richard Florsheim
Located in New York, NY
Richard Florsheim created this color lithograph entitled “Approaching Storm” in 1967 in an edition of 125 pieces. Published by Associated American Artists and printed by Mourlot Press, Paris, this impression is signed and inscribed “Artist Proof.” It is in good condition with full original color. The printed image size is 28.25 x 19 3/4 inches and the paper size is 31.12 x 22 inches. RICHARD ABERLE...
Category

1960s American Modern Landscape Prints

Materials

Lithograph

Wharf-side
By Richard Florsheim
Located in New York, NY
Richard Florsheim created this color lithograph entitled “Warf-Side” in 1962 in an edition of 60 pieces. This impression is signed and inscribed “Trial Proof” and printed at the Mour...
Category

1960s American Modern Abstract Prints

Materials

Lithograph

Glowing City
By Richard Florsheim
Located in New York, NY
Richard Florsheim created this color lithograph entitled “Glowing City” in 1969 in an edition of 250 pieces. Published by Associated American Artists and printed by Mourlot Press, Pa...
Category

1960s American Modern Landscape Prints

Materials

Lithograph

Recently Viewed

View All