Maria Simonds-Gooding

Earth Shelters III

"Wrapped Up" is a framed hand-embellished giclée print by George Charriez, depicting a seated figure holding a burning cigar and distinguished cane. The figure's face and head have a...

"Loves Reach" is a framed giclée print on canvas by Craig Alan, depicting a crowd of figures gathered around a monumental red helium heart set amidst white architectural elements. Th...

Born December 12, 1965 in New York City, Michael's father owned a fine art moving business and his mother was a playright/director. They were surrounded by a diverse crowd of artists,such as filmmaker Gary Galsworth and painter Charles Mingus Jr.. Michael’s family moved across the USA, living in Madison and Santa Fe, and finally settled on Whidbey Island in Washington State. He spent his teenage years clearing a six acre plot of land with his family and building a seven sided geodesic dome house. Michael attended The Evergreen State College from 1983-87, studying film and photography. After graduation he took his camera and, over a ten year period, traveled extensively throughout Europe. While travelling he lived with, performed with, and documented circus performers and their communities. With no formal education as a painter, Michael draws on his eclectic past for inspiration - strongly influenced by his travels throughout Spain and France and rich colors and textures marked by time. Michael moved to St. Louis in 2001, where he works as a full time artist and raises his daughter and twin boys - a lifetime dream. His artwork is collected by individuals and corporations worldwide. "My paintings are meditative studies done with rich colors and bold graphic compositions - I often incorporate circles, grids and stripes. The universality and appeal of this symbology pulls the viewer in and holds them there to explore the subtle details. I try to create work that both captivates and calms. I work with abstractions because I want to put forth something universal that can be open to interpretations that are unique to each individual and can continue to evolve over time. A common theme in my painting is the relationship between rigid linear form and the organic flow of nature, order and disorder. I feel this is reflective in many ways of our society and peoples’ longing for something more than the sterility of technology in our modern lives. I believe inclusion of these two elements creates a certain universal harmony in many of my paintings. My pieces are also about the act of painting itself. I explore the physical nature of my materials and push to use unique and original methods of applying them. Many times there is strong evidence of my physical relationship to the canvas as I paint - using my body motion as a natural pendulum and the random arcs of my markings. Other works are done on wood panels that I coat with a plaster mixture and carve into before it sets. The geometrical markings bring to mind old nautical maps...

"Brooklyn: In a Cloud Bones of Steel" is a framed mixed media work on canvas by Raul de la Torre, with a thick layer of paint in various warm shades and featuring a contrasting form ...

"Fils I Colors DCI" is a framed mixed media work on canvas by Raul de la Torre, with vertical stripes of dripping paint in bright colors and embroidered organic shapes. De la Torre's...

This piece is framed. The price reflects the framed piece. Unframed dimensions: 24 X 18 inches. American artist, David Rothermel of David Rothermel Contemporary, Santa Fe, New Mexico, was born in Sunbury, Pennsylvania, a small town located at the confluence of the north and west branches...

Martin Wilner Arkopoly (2017 - 2018) Polymer photogravure, 2 plates printed with 35 colors plus black 23.5 x 23.5 inches Edition of 18 Co-published by Eminence Grise Editions and Hal...

Collagraph with Monoprint technique. Each print is one-of-a-kind. This print also uses the Japanese technique Chine-Collee.

Collagraph with Monoprint technique. Each print is one-of-a-kind. This print used the Japanese Chine-Collee technique additionally.

From Hegel’s Cellar portfolio, 1986. Loose, all signed and numbered on the reverse. There were also 10 artist's proofs), letterpress colophon and title page, published by Multiples, ...

Color softground etching with aquatint and spitbite aquatint. Edition 50

Color softground etching with aquatint and spitbite aquatint. Edition 50