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Mario Teleri BiasonSan Marco #22006
2006
About the Item
Signed and numbered by the artist, unique etching with hand coloring. This is based on one section of the larger work, the artist book/wall hanging "endless".
"This print is dedicated to the mosaic floor of the Basilica of San Marco in Venice. The most beautiful carpet in the world. By having part of the book in the water like the floor of the Basilica, we want to make people think of the beauty of this incredible work of art, which is going to be destroyed and will disappear.”
Mario Teleri Biason is regarded as one of Italy’s foremost experts in printmaking relating to both antique and contemporary prints. He is called regularly by the Instituto Nazionale per la Grafica -Calcografia and the Cabinet of prints and drawings in Rome and other organizations as an expert and consultantant in the field.
In 1990 he received a gold medal for graphics at the IX Roman “Vito Agresti” Prize for the Figurative Arts. He was the Curator of the exhibition “Creativita’e tecnica nell’incisione” at Palazzo Venezia Rome, “Prospettive” at Biblioteca Casanatense, Rome, and “Printmaking is forever” at the Indiana University, Bloomington.
- Creator:Mario Teleri Biason (1940)
- Creation Year:2006
- Dimensions:Height: 23.5 in (59.69 cm)Width: 18 in (45.72 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Palm Springs, CA
- Reference Number:1stDibs: LU30829105592
Mario Teleri Biason
Mario Teleri Biason is regarded as one of Italy’s foremost experts in printmaking relating to both antique and contemporary prints. He is called regularly by the Instituto Nazionale per la Grafica -Calcografia and the Cabinet of prints and drawings in Rome and other organizations as an expert and consultantant in the field. In 1990 he received a gold medal for graphics at the IX Roman “Vito Agresti” Prize for the Figurative Arts. He was the Curator of the exhibition “Creativita’e tecnica nell’incisione” at Palazzo Venezia Rome, “Prospettive” at Biblioteca Casanatense, Rome, and “Printmaking is forever” at the Indiana University, Bloomington. He has also made documentaries on printmaking for RAI Italian Television.
He trained in the “bottega” tradition as assistant to Piero Dorazio, one of the foremost names in contemporary art in Italy, and now himself directs a bottega in Rome called “il Quadrato di Omega”, teaching, holding seminars and staging exhibitions. He has also taugh drawing and printmaking at Temple University, Rome-Campus.
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