Mark Kellett

Northern Lights II

2007

10.5" x 10.5" Unframed Limited Edition Serigraph of 1 Hand Signed by Mark Kellett 2007

10.5" x 10.5" Unframed Limited Edition Serigraph of 1 Hand Signed by Mark Kellett 2007

10.5" x 10.5" Unframed Limited Edition Serigraph of 1 Hand Signed by Mark Kellett 2007

10.5" x 10.5" Unframed Limited Edition Serigraph of 1 Hand Signed by Mark Kellett 2007

NOCTURNE no. 1 2019 Multi plate coloured etching & carborundum , printed on Arches BFK 300gsm Edition of 60 Image size 21x29 cm Paper size 36x46 cm Martyn Brewster’s abstract pain...

This artwork titled "Abstract II" c.1990, is an original color screenprint by noted American Artist Jeffrey Long, b.1948. It is hand signed and numbered 11/150 in pencil by the artis...

This artwork titled "Abstract I" c.1990, is an original color screenprint by noted American Artist Jeffrey Long, b.1948. It is hand signed and numbered 30/150 in pencil by the artist...

This artwork "Untitled #1" is a colors monotype on Arches paper by Dutch artist Frans Horbach. It is hand signed and dated in pencil by the artist. The image (plate mark) is 19.65 x 19.65 inches, sheet size is 35.5 x 24.75 inches. It is in excellent condition, the colors are fresh and bright, has never been framed. About the artist: Born in Holland, Dutch artist Frans Horbach first visited New York when he was 17 years old, traveling on a cargo ship from Rotterdam, just as his fellow country man Willem de Kooning had done years before. Two years later he left Holland and emigrated to California. During the years that he lived and worked as a professional artist in America, one of the main sources of artistic influence came from artists belonging to what is now known as the New York school of American lyrical abstract expressionist art - Rothko, Pollock, De Kooning... He was attracted by their ideas, style of work, and more importantly, by their vital energy and uninhibited self-confidence. Horbach's work also was influenced, more subtely perhaps, by his contact with indigeneous Indian people during his journeys in the American South-West and Mexico. These encounters were a rich source of inspiration - they became integral to a philosophical framework which involved the appreciation of physical space in a poetic and artistic sense. In later years, as the result of his long-time interest in oriental art and philosophy, some of his work show a distinct affinity with the aesthetic sensibilities of traditional Japanse...