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Mary Heilmann
African

2000

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Mid-Century Modern Geometric Abstraction, famed Italian sculptor signed/n Framed
By Arnaldo Pomodoro
Located in New York, NY
Arnaldo Pomodoro Untitled, 1970 Color Lithograph on Wove Paper Hand signed and numbered 15/15 Hand-signed by artist, pencil signed and dated lower right margin, limited edition noted...
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Glaspalast Edition print, Munich, Germany 1996 (Hand Signed by Sean Scully)
By Sean Scully
Located in New York, NY
Sean Scully Munich 1996 (Hand Signed), 2001 Offset Lithograph print Hand signed and dated by Sean Scully in 2018 Boldly signed in black marker on the recto. Hand signed by Sean Scull...
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Peter Halley, CORE Geometric Abstraction Silkscreen & Lithograph Signed/N Framed
By Peter Halley
Located in New York, NY
Peter Halley Core, 1991 Limited Edition Silkscreen with lithography on Coventry Rag paper. Pencil signed and numbered 13/50 on the front Publisher: Edition Schellmann & Pace Editions...
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Pictures and Borders II, Color lithograph signed/n Pattern & Decoration movement
By Joyce Kozloff
Located in New York, NY
Joyce Kozloff Pictures and Borders II, 1977 Color lithograph on wove paper Signed, dated, titled and numbered "Artist's Proof XVI" in graphite pencil on the back of the sheet Editions AP-XVI of 50 30 × 22 inches Pencil signed, titled and annotated Artist's Proof XVI on the back; one of XX Artists' Proofs, aside from the regular edition of 50 Published by Judith Solodkin, founder of SOLO Impression, Inc Provenance: Provenance: De-accessioned from the corporate collection of Stroock & Stroock & Lavan Unframed JOYCE KOZLOFF BIOGRAPHY Joyce Kozloff was born in Somerville, New Jersey in 1942. She received a BFA from Carnegie Institute of Technology, Pittsburgh, PA in 1964 and an MFA from Columbia University in 1967. Kozloff was a major figure in both the Pattern and Decoration and the Feminist art movements of the 1970s. In 1979, she began to focus on public art, increasing the scale of her installations and expanding the accessibility of her art to reach a wider audience. Kozloff has since executed a number of major commissions in public spaces, including Dreaming: The Passage of Time for the United States Consulate, Art in Embassies Program in Istanbul, Turkey; The Movies: Fantasies and Spectacles for the Los Angeles Metro’s Seventh and Flower Station, CA; Caribbean Festival Arts for P.S. 218, New York, NY; New England Decorative Arts for the Harvard Square Subway Station, Cambridge, MA; and Bay Area Victorian, Bay Area Deco, Bay Area Funk for the International Terminal, San Francisco Airport, CA. Since the early 1990s, Kozloff has utilized mapping as a device for consolidating her enduring interests in history, culture, and the decorative and popular arts. She initially concentrated on cities known to her, onto which patterns and images reflecting their colonial pasts were then overlaid. Subsequent series examined bodies of water and the inaccuracies of early maps from the so-called “Age of Discovery.” In 1999-2000, Kozloff was awarded the Jules Guerin Fellowship / Rome Prize from the American Academy in Rome, Italy. During her yearlong residency abroad Kozloff conceived and completed Targets, a nine-foot walk-in globe in twenty-four sections, each of which is painted with an aerial map of a place that has been bombed by the U.S. in the years since World War II. A 2001 residency at the Bogliasco Foundation in Liguria, Italy provided the genesis for Boy's Art, a series of twenty-four collaged drawings based on maps, diagrams, and illustrations of historic battles...
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1970s Abstract Geometric Abstract Prints

Materials

Lithograph

Pictures and Borders III Signed/N lithograph by Pattern & Decoration art pioneer
By Joyce Kozloff
Located in New York, NY
Joyce Kozloff Pictures and Borders III, 1977 Color lithograph on wove paper Signed, titled, dated and annotated "Solo Impression" in graphite pencil on the back Editions Solo-Impression of 50 30 × 22 inches Unframed Pictures and Borders III Color lithograph on wove paper Pencil signed, titled and annotated "Solo Impression" on the back; a Printers Proof, aside from the regular edition of 50 Published by Judith Solodkin, founder of SOLO Impression, Inc Unframed Provenance: Provenance: De-accessioned from the corporate collection of Stroock & Stroock & Lavan JOYCE KOZLOFF BIOGRAPHY Joyce Kozloff was born in Somerville, New Jersey in 1942. She received a BFA from Carnegie Institute of Technology, Pittsburgh, PA in 1964 and an MFA from Columbia University in 1967. Kozloff was a major figure in both the Pattern and Decoration and the Feminist art movements of the 1970s. In 1979, she began to focus on public art, increasing the scale of her installations and expanding the accessibility of her art to reach a wider audience. Kozloff has since executed a number of major commissions in public spaces, including Dreaming: The Passage of Time for the United States Consulate, Art in Embassies Program in Istanbul, Turkey; The Movies: Fantasies and Spectacles for the Los Angeles Metro’s Seventh and Flower Station, CA; Caribbean Festival Arts for P.S. 218, New York, NY; New England Decorative Arts for the Harvard Square Subway Station, Cambridge, MA; and Bay Area Victorian, Bay Area Deco, Bay Area Funk for the International Terminal, San Francisco Airport, CA. Since the early 1990s, Kozloff has utilized mapping as a device for consolidating her enduring interests in history, culture, and the decorative and popular arts. She initially concentrated on cities known to her, onto which patterns and images reflecting their colonial pasts were then overlaid. Subsequent series examined bodies of water and the inaccuracies of early maps from the so-called “Age of Discovery.” In 1999-2000, Kozloff was awarded the Jules Guerin Fellowship / Rome Prize from the American Academy in Rome, Italy. During her yearlong residency abroad Kozloff conceived and completed Targets, a nine-foot walk-in globe in twenty-four sections, each of which is painted with an aerial map of a place that has been bombed by the U.S. in the years since World War II. A 2001 residency at the Bogliasco Foundation in Liguria, Italy provided the genesis for Boy's Art, a series of twenty-four collaged drawings based on maps, diagrams, and illustrations of historic battles...
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1970s Abstract Geometric Abstract Prints

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Sharpesville, from Multicolored Squares I (Axsom 79)
By Frank Stella
Located in New York, NY
Frank Stella Sharpesville, from Multicolored Squares I (Axsom 79), 1972 Lithograph on J. Green mould-made paper Signed in graphite pencil, dated and numbered 31/100 (there were also ...
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1970s Abstract Geometric Abstract Prints

Materials

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