Screen Abstract Prints

Josef Albers Homage to the Square (Hommage au Carre) (Bauhaus, Geometric Abstraction) Screenprint in brilliant Colors on wove paper Year: 1972 From “Josef Albers: Son Oeuvre et Sa C...

Josef Albers Homage to the Square - SET OF FIVE 1983 Color silkscreen(s) on semi gloss stock Size: 7.4 × 7.2 on 9.6 × 9.0 inches (each) Framed: 12.8 x 12.8 x 0.5 inches (each) Unsign...

Dee Shapiro is a Contemporary American artist and writer associated with the Pattern and Decoration movement. I have seen this referred to as Hejaz. Dee Shapiro was inspired to be an...

Genre: Photographic Subject: Cityscape Medium: Silkscreen of Photograph Surface: Paper Country: United States Dimensions: 21.5" x 28" Street Art, Urban Jon Naar is a British-Americ...

Artist: Jean-Pierre Vasarely Yvaral, French (1934 - 2002) Title: 50 Shades of Blue Year: circa 1970 Medium: Screenprint, signed and numbered in pencil Edition: 200 Image Size: 24.5 x...

Josef Albers & Auguste Herbin Paris, 1975: Vintage original silk-screened exhibition poster published in conjunction with a joint exhibition by Auguste Herbin & Josef Albers at Galer...

Screenprint printed in black and white on handmade oatmeal paper. Signed, dated and numbered in white pencil. Date and name lower right, Signed and numbered edition of 85 from ARTISTS PORTFOLIO, a limited edition series of five prints in support of the dance company of Bill T. Jones/Arnie Zane & Company. The other four artists who contributed were Robert Longo, Keith Haring, William Katz and Gretchen Bender. Bill Katz was born in New York, studied at The Art Students League and with Sebastiano Mineo of New York City. He was the studio assistant to Robert Indiana for more than a decade, initiating and arranging print projects for the artist, including Numbers (1968), with poems by Robert Creeley.For five years he worked and lived in the home that was once occupied by the great American sculptor Gutson Borglum. He also spearheaded the project of the cover artwork at Chanterelle with the full roster of distinguished contributing artists, photographers, musicians, and writers — Marisol, Chuck Close, Jasper Johns and Robert Mapplethorpe. Almost all the images were made specifically for the menus In addition, some of the images were made for one night special events, such as annual benefits held for the Bill T. Jones and Arnie Zane Dance Company. He also Curated for the Fisher Landau Center for Art, Painting and Sculpture, Selections from the collection, which included work by Carl Andre, Willem de Kooning, John Duff, Robert Indiana, Neil Jenney...

Abstract composition is a screen print realized by Carlo Lorenzetti in 1969. Editor Segnapassi Pesaro. Hand-signed. Numbered, Edition, 45/60. Very...

Josef Albers Homage to the Square (Hommage au Carre) (Bauhaus, Geometric Abstraction) Screenprint in brilliant Colors on wove paper Year: 1972 From “Josef Albers: Son Oeuvre et Sa C...

Joe Webb, Stirring up a Storm II, 2023 6 colour silkscreen print on Somerset Enhanced Velvet 410gsm Paper Edition of 75 50 x 64 cm (19.68 x 25.19 in) Hand...

Joe Webb, DJ VIP, 2023 UV Archival ink with silkscreen glitter varnish on Somerset Enhanced Velvet 410gsm Paper Edition of 80 40 x 60 cm (15.78 x 23.62 in...

Red Angel, intensely and seductively colored: swooning purples and reds, ecstatic lemon yellows, and black construction paper. Jostling shapes, geometric and biomorphic, lyrical and hard-edged, refuse to resolve neatly Assemblage, a bold strategy to keep viewers unsettled and curious, the reward for which are profuse and luscious details: varied incidents of refinement, suggestive signs, most in a private code, not merely ornamental but integral to the overall message. William Scharf (born 1927, Media, PA) is an American artist from New York, he teaches at The Art Students League of New York. Painting with acrylics, he was a member of the New York School movement. Often categorized as a late generation Abstract Expressionist, Known for producing paintings with abstract compositions incorporating biomorphic and geometric forms in vivid colors, the artist was influenced by Surrealism, the Color Field painters, and symbolism. He apprenticed with Mark Rothko and was influenced by his color field paintings. The surrealist painter Arshile Gorky and the Abstract expressionism style found in 1950s New York City also influenced Scharf. His exhibits include San Francisco Art Institute (1969), the Pepperdine University's Frederick R. Weisman Museum of Art (2001), and Richard York Gallery in New York City (2004). In the heyday of Abstract Expressionism, being serious meant following the tenets of the New York School, which required abstract paintings to be spontaneous improvisations, the messier the better. At once hedonistic and disciplined, his brazen paintings are nothing if not promiscuous. The best ones mix the dynamism of gestural abstraction with sensual rhythms of decorative patterning, sometimes souping up the stew with cartoonish symbols and flourishes so ripe they belong in a dandy's fantasies. His exhibits include San Francisco Art Institute (1969), the Pepperdine University's Frederick R. Weisman Museum of Art (2001) and Richard York Gallery in New York City (2004). Scharf's work has been exhibited in a number of galleries, including the Anita Shapolsky Gallery, Meredith Ward Fine Art, and Hollis Taggart Galleries in New York City. Scharf has been an instructor of art at various institutions including The Art Students League, the San Francisco Art Institute, and the School of Visual Arts in New York. He is a member of the Society of Illustrators and the Artists Equity Association. EDUCATION 1944-49 The Pennsylvania Academy of the Fine Arts — Philadelphia, PA (1948 Cresson Scholar) 1949 The University of Pennsylvania — Philadelphia, PA 1948 The Academie de la Grand Chaumiere — Paris, France 1947 The Barnes Foundation — Merion, PA 1939-41 Samuel Fleisher Memorial School— Philadelphia, PA (also known as Graphic Sketch Club) TEACHING HISTORY Instructor: Painting & Drawing 1987-Present Art Students League, New York, NY 1989, 74, 69, 66, 63 San Francisco Institute of Fine Arts, San Francisco, CA 1965-69 he School of Visual Arts, New York, NY 1964 Art Center of the Museum of Modern Art, New York, NY Guest Lecturer 1979 Pratt Institute, New York, NY 1974 Stanford University, Palo Alto, CA 1974 California College of Arts and Crafts, San Francisco, CA Recent Solo Exhibitions: 2005 Meredith Ward Fine Art, New York, NY 2004 Richard York Gallery, New York, NY 2002 P.S.1/MOMA, Queens, NY 2001 The Frederick R. Weisman Museum of Art, Malibu, CA 2000-2001 The Phillips Collection, Washington, DC Selected Group Exhibitions: 2005 National Academy of Design, New York, NY 2005 Peter McPhee Fine Arts, Stone Harbor...

This large, abstract image celebrates the 13th Annual Community Holiday Festival, 1983 at Lincoln Center. It is signed and numbered by the artist from the edition of 144 (plus 18 APs) and was printed at Fine Creations, NY. This print comes directly from the publisher, Lincoln Center Editions...

Joe Webb, The Trip, 2023 8 colour silkscreen print on Somerset Enhanced Velvet 410gsm Paper Edition of 75 50 x 64 cm (19.68 x 25.19 in) Hand-signed by the...

This artwork titled "Abstract II" c.1990, is an original color screenprint by noted American Artist Jeffrey Long, b.1948. It is hand signed and numbered 11/150 in pencil by the artis...

Joe Webb, Forever 5 colour silkscreen print on Somerset Enhanced Velvet 410gsm Paper Edition of 100 50 x 64 cm (19.68 x 25.19 in) Hand-signed by the artis...

Joe Webb, Mind Blown, 2022 5 colour silkscreen print with glitter varnish on Somerset Enhanced Velvet 410gsm Paper Edition of 100 50 x 64 cm (19.68 x 25.19...

Josef Albers Homage to the Square (Hommage au Carre) (Bauhaus, Geometric Abstraction) Screenprint in brilliant Colors on wove paper Year: 1972 From “Josef Albers: Son Oeuvre et Sa C...

Joe Webb, New Beginnings, 2023 Silkscreen with UV archival inks and diamond dust on Somerset Enhanced Velvet 410gsm paper Edition of 50 60 x 75 cm (23.62...

This artwork titled "Abstract I" c.1990, is an original color screenprint by noted American Artist Jeffrey Long, b.1948. It is hand signed and numbered 30/150 in pencil by the artist...

Robert Irwin Cacophonous (hand signed by Robert Irwin), 2015 Softback exhibition catalogue with stiff wraps (hand signed by Robert Irwin) Hand signed by Robert Irwin on the title pag...

Red Angel, intensely and seductively colored: swooning purples and reds, ecstatic lemon yellows, and black construction paper. Jostling shapes, geometric and biomorphic, lyrical and hard-edged, refuse to resolve neatly Assemblage, a bold strategy to keep viewers unsettled and curious, the reward for which are profuse and luscious details: varied incidents of refinement, suggestive signs, most in a private code, not merely ornamental but integral to the overall message. William Scharf (born 1927, Media, PA) is an American artist from New York, he teaches at The Art Students League of New York. Painting with acrylics, he was a member of the New York School movement. Often categorized as a late generation Abstract Expressionist, Known for producing paintings with abstract compositions incorporating biomorphic and geometric forms in vivid colors, the artist was influenced by Surrealism, the Color Field painters, and symbolism. He apprenticed with Mark Rothko and was influenced by his color field paintings. The surrealist painter Arshile Gorky and the Abstract expressionism style found in 1950s New York City also influenced Scharf. His exhibits include San Francisco Art Institute (1969), the Pepperdine University's Frederick R. Weisman Museum of Art (2001), and Richard York Gallery in New York City (2004). In the heyday of Abstract Expressionism, being serious meant following the tenets of the New York School, which required abstract paintings to be spontaneous improvisations, the messier the better. At once hedonistic and disciplined, his brazen paintings are nothing if not promiscuous. The best ones mix the dynamism of gestural abstraction with sensual rhythms of decorative patterning, sometimes souping up the stew with cartoonish symbols and flourishes so ripe they belong in a dandy's fantasies. His exhibits include San Francisco Art Institute (1969), the Pepperdine University's Frederick R. Weisman Museum of Art (2001) and Richard York Gallery in New York City (2004). Scharf's work has been exhibited in a number of galleries, including the Anita Shapolsky Gallery, Meredith Ward Fine Art, and Hollis Taggart Galleries in New York City. Scharf has been an instructor of art at various institutions including The Art Students League, the San Francisco Art Institute, and the School of Visual Arts in New York. He is a member of the Society of Illustrators and the Artists Equity Association. EDUCATION 1944-49 The Pennsylvania Academy of the Fine Arts — Philadelphia, PA (1948 Cresson Scholar) 1949 The University of Pennsylvania — Philadelphia, PA 1948 The Academie de la Grand Chaumiere — Paris, France 1947 The Barnes Foundation — Merion, PA 1939-41 Samuel Fleisher Memorial School— Philadelphia, PA (also known as Graphic Sketch Club) TEACHING HISTORY Instructor: Painting & Drawing 1987-Present Art Students League, New York, NY 1989, 74, 69, 66, 63 San Francisco Institute of Fine Arts, San Francisco, CA 1965-69 he School of Visual Arts, New York, NY 1964 Art Center of the Museum of Modern Art, New York, NY Guest Lecturer 1979 Pratt Institute, New York, NY 1974 Stanford University, Palo Alto, CA 1974 California College of Arts and Crafts, San Francisco, CA Recent Solo Exhibitions: 2005 Meredith Ward Fine Art, New York, NY 2004 Richard York Gallery, New York, NY 2002 P.S.1/MOMA, Queens, NY 2001 The Frederick R. Weisman Museum of Art, Malibu, CA 2000-2001 The Phillips Collection, Washington, DC Selected Group Exhibitions: 2005 National Academy of Design, New York, NY 2005 Peter McPhee Fine Arts, Stone Harbor...

Dan Baldwin, Human, 2016 Silkscreen with deckled edges made to celebrate 'Dan Baldwin in print ' Saatchi Gallery 2016 Edition of 75 50 x 70 cm (19.68 x ...

"City 6" is an original 1968 hand-signed and numbered (9/45) screenprint by Risaburo Kimura, Japanese (1924 - 2014), nicely framed. The artist has special affinity for big cities, be...

Genre: Photographic Subject: Cityscape Medium: Silkscreen of Photograph Surface: Paper Country: United States Dimensions: 21.5" x 28" Street Art, Urban Jon Naar is a British-Americ...

Braco D. Slobodan "Braco" Dimitrijević (born 18 June 1948) is a Paris-based Bosnian and Yugoslavian conceptual artist. His works deal mainly with history and the individual's place ...

b. 1955, Elizabeth, NJ Phillip Taaffe’s travels in the Middle East, India, South America, Morocco, and Italy all provided experiences, which deeply shaped his artistic practice. In ...

Edward Landon 'River View, color serigraph, 1942, edition 50, Ryan 159. Signed in pencil in the image, lower right. Titled, dated, and annotated '9 COLORS – 50 PRINTS' in the screen,...

"Otto Diction", by well known Italian American artist Ernest Tino Trova, is one screen print of a portfolio of 8 titled "Personae, etc", drawn by the artist from May through October ...

Florence Arnold (American 1900-1994) hard-edge abstract color square screen print (c.1977) pencil signed 19/25, 18in x18in. Florence Arnold began painting seriously in 1947. By the ...

"General EP", by well known Italian American artist Ernest Tino Trova, is one screen print of a portfolio of 8 titled "Personae, etc", drawn by the artist from May through October of...

Artist: Dan Christensen (American, 1942-2007) Title: "Illinois" *Signed by Christensen in pencil lower right Year: 1979 Medium: Original Screenprint on unbranded heavy cream wove pap...

Edward Landon 'Astral Comic', color serigraph, 1978, edition 25, Ryan 12. Signed, titled, and annotated 'Edition 25' in pencil. A superb, painterly impression, with fresh colors, on ...

Parmasos VIII. Original color silkscreen, cca. 1970. Edition of 70 signed and numbered impressions on Arches paper. Marko Spalatin was a modern and contemporary artist from Croatia, ...

Edward Landon 'Nocturnal Adversary', color serigraph, 1946, edition 50, Ryan 137. Signed in pencil in the image, lower right. Titled, dated, and annotated '6 COLORS EDITION 50' in th...

Prefab77 (British, 20th c.) Heavy Crown Archival pigment print on luxuriant 300gsm Somerset art paper Edition of 100 Signed in plate lower left. Signed by artist in white ink with em...

Artist: Yves Millecamps, French (1930 - ) Title: Untitled I Year: Circa 1979 Medium: Serigraph, signed and numbered in pencil Edition: AP Paper Size: 30.5 x 30.5 in. (77.47 x 77...

Color abstraction is an rtwork realized by Giovanni Dova in 1970s .  Screenprint on paper, 90 x 70 cm with frame. Edition 182/199. Hand signed bottom right. Born in Rome on 8 J...

The Pattern of Denial print is an examination of image versus reality. The image is inspired by the sleek and idealized mid-century architecture of both deluxe homes and deluxe facto...

Florence Arnold (American 1900-1994) hard-edge abstract color square screen print (c.1977) pencil signed 20/25, 16"x16". Florence Arnold began painting seriously in 1947. By the la...

"Meditato", by well known Italian American artist Ernest Tino Trova, is one screen print of a portfolio of 8 titled "Personae, etc", drawn by the artist from May through October of 1...

"Salutation", by well known Italian American artist Ernest Tino Trova, is one screen print of a portfolio of 8 titled "Personae, etc", drawn by the artist from May through October of...

Serigraph in colors on paper. Hand signed and numbered by the artist. Edition of 300. Sheet size 24 x 31 inches. Artwork is in excellent condition. Certificate of Authenticity i...

Marcel Janco, was a Romanian and Israeli visual artist, architect and art theorist. He was the co-inventor of Dadaism and a leading exponent of Constructivism in Eastern Europe. In...

"Coda", by well known Italian American artist Ernest Tino Trova, is one screen print of a portfolio of 8 titled "Personae, etc", drawn by the artist from May through October of 1995 ...

"After Personae", by well known Italian American artist Ernest Tino Trova, is one screen print of a portfolio of 8 titled "Personae, etc", drawn by the artist from May through Octobe...

"Ortus", by well known Italian American artist Ernest Tino Trova, is one screen print of a portfolio of 8 titled "Personae, etc", drawn by the artist from May through October of 1995...

Pink rose is an original artwork realized byLeo Guida, 1971.  Screen print nd embossing on paper. 48 x 37 cm. Good conditions

The first edition to wear. The striking orange roughfiber work is brought to life by printing on high-quality satin silk and can be admired or worn....

The encounter is an artwork realized by Leo Guida in 1972.  Etching, 34 x 50 cm. Hand signed, dated, titled lower side. Good conditions

"Superficie 324" is a 1988 screen print (serigraph) of a 1959 painting by Capogrossi. This is one of his famous "comb" or "fork" works that he perfected in the 1950s and continued to create for the remainder of his life. The blocks of primary red and yellow colors give a bright, joyful feel and contrast to the strong bold black that was Capogrossi's consistent color for the "combs". With no allegorical, psychological, or symbolic meanings, these structural elements could be assembled and connected in countless variations. Intricate and insistent, Capogrossi's signs determined the construction of the pictorial surface. This piece is identified along one side: Giuseppe Capogrossi By SIAE 1988 Silvio Zamorani Editor Via Saccarelli, 9 10144 Torino Italy Tel. (39)(11) 4730554 Progetto Grafico (Graphic Project): Studio Walter Benjamin. Serigrafia (Screen Print): BISI Torino. Capogrossi was born in Rome. After obtaining a degree in law in 1923–1924, he decided to study painting with Felice Carena at Accademia di Belle Arti di Roma. In 1927 Capogrossi embarked on a formative trip to Paris together with fellow artists and acquaintances Fausto Pirandello, Corrado Cagli and Emanuele Cavalli...

A yellow leaf is an artwork realized byLeo Guida, 1970s.  Screenprint and embossing 50 x 35 cm. Good conditions!

Immerse yourself in the timeless allure of "Dirge," a captivating archival pigment print on cotton rag. This exquisite piece measures 16" x 20" and is a testament to the artist's mastery of form and depth. Crafted on luxurious cotton rag paper, the archival pigment process ensures the longevity of this artwork, allowing you to enjoy its beauty for many years to come. The tactile nature of the paper adds a layer of intimacy, inviting you to explore the subtle intricacies. Limited to just 44 prints, each piece of "Dirge" is signed and numbered by the artist, guaranteeing its exclusivity. JAW Cooper...

JAW Cooper, a luminary in the world of contemporary art, beckons you into her ethereal realm with "Soothe." This 9-color screen print on gold foil paper is ...

"Personae", by well known Italian American artist Ernest Tino Trova, is one screen print of a portfolio of 8 titled "Personae, etc", drawn by the artist from May through October of 1...

Josef Albers Homage to the Square 1977: Screen-print in colors on heavy double-folded wove paper from the Verlag Aurel Bongers 1977 monograph approved by Albers shortly before his d...

yellow composition is a Screen Print on Paper realized by Victor Debach in 1970s. Hand signed and numbered. Edition of 100 prints. Good condition

Sonny Assu (Liǥwildaʼx̱w of the Kwakwaka’wakw Nations) was raised in North Delta, BC, over 250 km away from his home ancestral home on Vancouver Island. Having been raised as your everyday average suburbanite, it wasn't until he was eight years old that he discovered his Liǥwildax̱w/Kwakwaka’wakw heritage. Later in life, this discovery would be the conceptual focal point that helped launch his unique art practice. Assu's artistic practice is diverse: spanning painting, sculpture, photography, digital art and printmaking. Sonny negotiates Western and Kwakwaka’wakw principles of art making as a means of exploring his family history and the experiences of being an Indigenous person in the colonial state of Canada. Having cut his teeth in Vancouver's art scene, Assu packed up and moved to Montreal to be with the love of his life. Five years later, along with his wife and beautiful daughter, Sonny moved back to BC, eventually settling back "home" in unceded Liǥwildaʼx̱w territory (Campbell River, BC.). Assu received his BFA from the Emily Carr University in 2002 and was the recipient of their distinguished alumni award in 2006. He received the BC Creative Achievement Award in First Nations art...