Screen Abstract Prints

Abstract Composition is an original mixed-colored serigraph realized by Amintore Fanfani in 1972. Hand-signed and dated on the lower right. Numbered on the lower left. Edition of...

Abstract composition is a beautiful original colored screen print on paper, realized by the Italian artist and pioneer of Abstract art Mario Radice (1898-1987), in 1988. Hand-signe...

Expression in Blue is an original silkscreen on white paper realized by Italian artist by Tonino Maurizi. Hand-signed on the lower right. Numbered on ...

Rupprecht Geiger (German, 1908-2009) Zurückgehen, Weitergehen, Fortgehen, 1966 Medium: Portfolio of 20 screen prints on paper Dimensions: 35 x 28.5 cm and 35 x 57 cm (with middle fol...

Mate is a color silk-screen and copperplate engraving print on heavy paper, realized in 1973 by the Japanese artist Shu Takahashi. Not signed and not numbered. Good condition, exce...

Square composition is an original screen print on cardboard realized by Nato Frascà in 1974. Hand signed and dated by the artist on the lower right margin...

Yona FRIEDMAN (1923-2019) Pictograms of Genesis (Red), 1975 Original screenprint (Silium workshop) Signed in pencil Numbered / 100 copies On Arches vell...

Carnivalesque Composition is a colored screen print on paper, realized in 1973 by the Italian artist Wladimiro Tulli. Hand-signed on the lower right. Numbered, edition of 59/100. ...

The visible of the invisible - Blu composition is an original contemporary artwork realized by Italo Bressan in 1989. Mixed colored serigraph. Hand signed and dated on the lower ma...

CR Rossbach - Geometric Composition, Year: circa 1970, Medium: Screenprint on Paper, Laminated, signed and numbered in pencil, Edition: 2/5, Image Size: 12 x 12 inches, Size: 18 x ...

Abstract Composition is a colored screen print realized by the contemporary artist Giulio Turcato. Hand-signed in pencil on the lower right. Numbered on the lower left margin, edit...

Square composition is an original screen print on cardboard realized by Nato Frascà in 1974. Hand signed and dated by the artist on the lower right margin...

Peter Stroud, British (1921 - 2012) - The Clifford Suite, Year: 1973, Medium: Screenprint, signed, dated and numbered in pencil, Edition: 44/45, Image Size: 27 x 36.25 inches, Size: ...

13-color silkscreen. Edition 114/250.

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

14th New York Film Festival Allan D’Arcangelo, American (1930–1998) Date: 1976 Screenprint, signed and numbered in pencil Edition of 107/144 Size: 40 x 59 in. (101.6 x 149.86 cm)

JACKSON POLLOCK (American, 1912-1956) Untitled, CR1095 (after painting Number 22, CR344), 1951, printed 1964 Screenprint, on Strathmore wove paper, numbered 49/50 in pencil lower left, and with the Estate of Jackson Pollock 1964 blindstamp lower left From the posthumous printing of 50 authorized by his widow, Lee Krasner, in 1964 (there was also a lifetime edition of 25) Published by Bernard Steffen...

Artist: Darryl Hughto, American (1943 - ) Title: Almost Saturday Night I Date: 1981 Screenprint with Acrylic Painting, signed, titled and dated in pencil Image Size: 24 x 39 inches...

Abstract Composition is a colored screen print realized by the contemporary artist Giulio Turcato. Hand-signed in pencil on the lower right. Numbered on the lower left margin, edit...

Artist: Risaburo Kimura, Japanese (1924 - ) Title: City 54 Year: 1969 Medium: Silkscreen, signed in pencil Edition: AP Size: 25 x 19 in. (63.5 x 48.26 cm)

Colored Composition is an original screen print realized by Umberto Maria Casotti in 1971. Hand-signed and dated on the lower right. Numbered on the lower left. Edition of 27/80 pri...

Agrà Nero su Nero is a colored screen print on paper realized by the Italian artist Sante Monachesi in 1973 and published by Euromuseum Editore, Ancona. Hand-Signed in pencil on th...

Gottfried Honegger (Swiss, 1917 - ) - Brown, Blue, Green Composition, Year: circa 1988, Medium: Screenprint and Intaglio, signed and numbered in pencil, Edition: EA, Image Size: 38...

Composition is an interesting artwork realized by Leo Guida in 1970. Original Screen Print Good conditions. Leo Guida Sensitive to current issues, artistic movements and historica...

Image dimensions: 24.3 x 18 cm. A una donna del Malabar is an amazing colored serigraph on paper, realized by the Italian artist, Mario Radice and published in 1964 by La Nuova Fogl...

The visible of the invisible - Blu composition is an original contemporary artwork realized by Italo Bressan in 1989. Mixed colored screen print. Hand ...

1982-84 Hunter College, New York (M.F.A.) 1978-80 School of Visual Arts, New York 1973-77 Bezalel Academy of Art, Jerusalem (B.F.A.) American, born in Romania Lives and works in New York City Solo Exhibitions 2008 Michael Steinberg Fine Art, New York 2006 Galeria Joan Prats, Barcelona 2005 Karpio + Facchini Gallery, Miami Jacob Karpio Galeria, San Jose (Costa Rica) 2004 Michael Steinberg Fine Art, New York 2001 Marella Arte Contemporanea, Milan 2000 Von Lintel & Nusser, New York Galerie Von Lintel & Nusser, Munich 1998 Galerie Thomas von Lintel, Munich 1997 Galerie des Archives, Paris 1995 Galerie Samuel Lallouz, Montreal L.A. Louver, Los Angeles 1994 Marc Jancou Gallery, London Galerie des Archives, Paris 1993 Galerie Barbara Farber, Amsterdam Real Art Ways, Hartford (Connecticut) 1992 Tom Cugliani Gallery, New York Galerie Marc Jancou, Zurich Galerie des Archives, Paris 1989 Tom Cugliani Gallery, New York Galerie Barbara Farber, Amsterdam Studied at bezalel from 1973 to 1977. And it was a very fascinating time because it was a highly conceptually based school. Very much influenced by Joseph Beuys, and European Conceptualism, I didn’t really like the atmosphere there that much, because it was dominated by male painters like Jörg Immendorf, Marcus Lupertz, and a few others. then came to New York to study at SVA for two years. New York in 1978 was exciting. I was very lucky to be in a class that was full of very bubbly and very energetic artists like Keith Haring, Kenny Scharf, Tim Rollins, Moira Dryer, Frank Holliday, and Tom Cugliani (who later became one of my dealers).The eighties were dominated largely by Neo-Expressionist paintings. There were Germans, such as Baselitz, Kiefer, Richter, Penck, and the Italians, Clemente, Chia, Cucchi, Palladino as well as Schnabel, Fischl, Basquiat, Salle, and many others, but all of their paintings were figuratively based. But below the popular consent, there was a group of painters who were working more in the vein of what Stephen Westfall referred to as “Neo-Surrealism,” including George Condo, Jeffrey Wasserman, Kenneth Scharf, David Humphrey. However, I felt that Carroll Dunham and you were the only two painters who seemed to be less interested in the kind of narrative, lyrical, or let’s say, stationary composition. He belongs to the generation of Terry Winters, Elizabeth Murray, David Reed and Jonathan Lasker but in some strange way, if we’re looking back to the mid-eighties, we have to include New Image painters like Susan Rothenberg, Neil Jenney, and Robert Moskowitz who were working in between the figure and abstraction with a kind of condensation and compression, in relationship, lets say, to cartoon imagery. There are artists like Jeff Koons, or even Damien Hirst who took the Duchampian aspect and brought it into the continuity of his readymade. But for me, I see no difference between the crack in “Large Glass” and the drips in Jackson Pollock’s paintings. There was something that I felt in my own equation of the continuity between Paul Klee, Duchamp, Picabia, and, oddly enough, Clyfford Still. What essentially is important is how different artists carry on a dialogue among themselves so that they can all keep their work vital. Whether from the abstract paintings of Richmond Burton, Fabian Marcaccio extending the borders of his paintings on to the wall, or Cady Noland’s early scattered installation, my own pre-occupation with machinery, urban environment, and the Duchampian models has always materialized in relationship to other forms of art making. Selected Group Exhibitions: 2014 Drawing on Difference: An Ambition by Saul Ostrow and Lidija Slavkovic, Studio Vendome Gallery, New York. 2013 Drawing on Habit: An Ambition by Saul Ostrow and Lidija Slavkovic, South Carlton Beach and The Betsy-South Beach Exhibition Programs, Art Basel, Miami Beach. 2013 Imprinted Pictures: Lydia Dona...

Artist: Piero D'Orazio, Italian (1927 - 2005) Title: Untitled 3 Year: 1979 Medium: Silkscreen, signed and numbered in pencil Edition: 90 Size: 13 x 10 in. (33.02 x 25.4 cm)

Heavily textured abstract print in a serigraph and terragraph technique. It has a raised texture to the surface, A beautiful piece. This listing is for the one print, the cover justification sheet and the photograph are just included for provenance. This is from the limited edition of 100. Hand signed and numbered on colophon page. (They are not signed and numbered on each print) Arches paper. Dimensions: 15.75 X 15.25 These have a texture that feels like a painting. Done in Jaffa Israel based on the Hebrew Bible. Jewish, Judaica interest. Emil Schumacher is among the best-known exponents of Art Informel in Germany. His painting style, which he initially developed in the 1950s under the influence of Wols, is marked by dark, brownish black or brilliant thick red colours and a graffiti like sign language that endow the pictures the expressive character of old cracked masonry. Emil Schumacher (29 August 1912 in Hagen, Westfalen – 4 October 1999 in San José, Ibiza) was a German artist and painter. He was an important representative of abstract expressionism in post-war Germany. As an 18-year-old, Emil Schumacher undertakes a four-week-long bicycle tour to Paris, France. 1932–1935: Studies graphic design at the School of Applied Arts in Dortmund intending to become a graphic designer in advertising. 1935–1939: Independent artist without participating in exhibits. He undertakes study trips by bicycle to the Netherlands and Belgium. 1939–1945: Service obligation as draftsman in an arms factory, the Akkumulatoren–Werke of Hagen. Since 1945: Immediately after end of war, new start as independent artist. 1947: First solo exhibit in the Studio für neue Kunst. Co-founder of the artist group Junger Westen. 1954: Participates in the Willem Sandberg...

Image dimensions: 35x50 cm. Blue composition is a colored screen print on Fabriano watermarked paper, realized in 1975 by the Italian artist, Wladimiro Tulli, published by La Nuova ...

Artist: Sewell Sillman (American, 1924-1992) Title: "I-S #1" *Signed and dated by Sillman in pencil lower right Year: 1968 Medium: Original Screenprint on unbranded heavy white wove ...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

David Roth (b. 1942) Untitled 1, 1979 Silkscreen in colors on wove paper Edition 11/150 Each signed, numbered, and dated in pencil along lower edge Image 22 3/4in H x 22 3/4 in L In...

Artist: Darryl Hughto, American (1943 - ) Title: Angelon Date: 1979 Screenprint, signed, titled, numbered and dated pencil Edition of 160 Size: 29.75 x 42 in. (75.57 x 106.68 cm)

Edition of 200 Coney Island Philomena Marano is known for her colorful cut paper technique. She worked with Robert Indiana. Ms. Marano's work is in m...

This artwork titled "Love" 1978 is an original color serigraph on Wove paper by Canadian/American artist Howard Bradford, 1919-2008. It is hand signed,...

Peter Stroud, British (1921 - 2012) - The Clifford Suite ( Blue), Year: 1973, Medium: Screenprint, signed, dated and numbered in pencil, Edition: 47/75, Image Size: 27 x 36.25 inches...

JONATHAN LAWES Lago Verde Bright Abstract Print Unique Multi-Layered Screen Print Sheet Size: H 75cm x W 55cm x D 0.1cm Sold Unframed Signed Lower Right Dated and Numbered on the Re...

Artist: Lee Adler Title: Modern Collage 1 Medium: Screenprint with hand collage paper with holes Signed: Hand Signed Edition: From the edition of 250 Measurements: 29 1/2" x 22 1...

Artist: Al Held, American (1928 - 2005) Title: Scholes I Year: 1991 Medium: Silkscreen, signed and numbered in pencil Edition: 80 Image Size: 23 x 29 inches Size: 29 x 34 in. (73.66 ...

Artist: Thomas W. Benton, American (1930 - 2007) Title: Evolution Series Blue Year: 1981 Medium: Silkscreen, Signed and numbered in pencil Edition: 250, XLV, HC Image Size: 32 ...

Untitled - Spheres Joseph Grippi, American (1924–2001) Date: circa 1970 Screenprint, signed and numbered in pencil Edition of 21/50 Size: 27.25 x 46 in. (69.22 x 116.84 cm)

Artist: Kyohei Inukai Title: Seven Units on Red Year: 1978 Medium: Serigraph, Signed and numbered in pencil Edition: AP 30 Size: 22 x 30 inches

Artist: Raymond Parker, American (1922 - 1990) Title: Untitled 12 Year: 1980 Medium: Silkscreen, signed and numbered in pencil Edition: 70 Size: 32 x 40 in. (81.28 x 101.6 cm)

Sunflower Gold by Gavin Dobson [2020] limited_edition Print on Paper Edition number 50 Image size: H:70.5 cm x W:25 cm Complete Size of Unframed Work: H:70.5 cm x W:20 cm x D:0.1...

"Expanding" is a color screenprint made by Adolph Gottlieb in 1967. The work is number 4 from an edition of 75. The work is signed and dated in pencil, lower left, "Adolph Gottlieb 1...

Heavily textured abstract print in a serigraph and terragraph technique. It has a raised texture to the surface, A beautiful piece. This listing is for the one print, the cover justification sheet and the photograph are just included for provenance. This is from the limited edition of 100. Hand signed and numbered on colophon page. (They are not signed and numbered on each print) Arches paper. Dimensions: 15.75 X 15.25 These have a texture that feels like a painting. Done in Jaffa Israel based on the Hebrew Bible. Jewish, Judaica interest. Emil Schumacher is among the best-known exponents of Art Informel in Germany. His painting style, which he initially developed in the 1950s under the influence of Wols, is marked by dark, brownish black or brilliant thick red colours and a graffiti like sign language that endow the pictures the expressive character of old cracked masonry. Emil Schumacher (29 August 1912 in Hagen, Westfalen – 4 October 1999 in San José, Ibiza) was a German artist and painter. He was an important representative of abstract expressionism in post-war Germany. As an 18-year-old, Emil Schumacher undertakes a four-week-long bicycle tour to Paris, France. 1932–1935: Studies graphic design at the School of Applied Arts in Dortmund intending to become a graphic designer in advertising. 1935–1939: Independent artist without participating in exhibits. He undertakes study trips by bicycle to the Netherlands and Belgium. 1939–1945: Service obligation as draftsman in an arms factory, the Akkumulatoren–Werke of Hagen. Since 1945: Immediately after end of war, new start as independent artist. 1947: First solo exhibit in the Studio für neue Kunst. Co-founder of the artist group Junger Westen. 1954: Participates in the Willem Sandberg...

Artist: Lloyd Fertig, American (1943 - 1995) Title: Untitled - Purple Abstract Year: 1970 Medium: Serigraph, signed and numbered in pencil Edition: 100 Size: 22 in. x 22 in. (55.88 c...

Wonderful silkscreen abstract of yellow and mauves suggesting a doorway to new posibilities by Di Pierro (American, 20th Century), 1989. Numbered left corner "25/75" and signed lower...

Rupprecht Geiger (German, 1908-2009) Orange on Yellow (from "Colour in the Round"), 1969 Medium: Silkscreen in colours, on thin cardboard Dimensions: 28 × 26 in (71 × 66 cm) Edition ...

Woodcut and screenprint in colours, 1987, on Arches wove paper, signed and dated in pencil from the edition of 75, published by Parasol Press, Ltd., New York, from The Brooklyn Acade...

Artist: Robert Motherwell, American (1915 - 1991) Title: Lincoln Center Mostly Mozart, 25th Anniversary Year: 1991 Medium: Lithograph and Screenprint on ...

JONATHAN LAWES Caleta Bright Abstract Cubist Print Unique Multi-Layered Screen Print Sheet Size: H 75cm x W 55cm x D 0.1cm Sold Unframed Signed Lower Right Dated and Numbered on the...

Artist: Arthur Boden, American Title: Star Year: circa 1970 Medium: Serigraph, signed and numbered in pencil Edition: 4/50 Image Size: 10 x 9.5 inches Size: 14 x 14 inches Plexi Box ...

Artist: Georg Karl Pfahler (1926-2002) Title: Untitled Year: 1987-93 Edition: 49/100, plus proofs Medium: Silkscreen on Arches paper Size: 27.5 x 27.5 inches Condition: Good Inscript...

Max Bill Composition with white center Color silkscreen Year: 1972 Edition: Edition for "Look at" Size: 23.3 × 23.3 inches Unsigned, unknown edition size (pres. ~2,000) - sometimes an edition of 2,000 is mentioned - this is not verified. COA provided *Framing options available. Please inquire. ------------------------------ (Geometric Abstraction, Minimalism, Constructivism) Max Bill (22 December 1908 – 9 December 1994) was a Swiss architect, artist, painter, typeface designer, industrial designer and graphic designer. Bill is widely considered the single most decisive influence on Swiss graphic design beginning in the 1950s with his theoretical writing and progressive work.[3] His connection to the days of the Modern Movement gave him special authority. As an industrial designer, his work is characterized by a clarity of design and precise proportions.[4] Examples are the elegant clocks and watches designed for Junghans, a long-term client. Among Bill's most notable product designs is the "Ulmer Hocker" of 1954, a stool that can also be used as a shelf element, a speaker's desk, a tablet or a side table. Although the stool was a creation of Bill and Ulm school...

Artist: Josef Albers, German (1888 - 1976) Title: In the Water - P1, F2, I1 Year: 1972 Edition size: 1000 Medium: Screenprint on Mohawk Superfine Bristol paper Image Size: 13 x 15 in...

Artist: Jim Bruss, American (1944 - ) Title: Reflection I Year: 1975 Medium: Serigraph, signed and numbered in pencil Edition: 1/25 Image: 23 x 19.5 inches Size: 33 x 25.5 inches