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Matthew BarneyCremaster 51997
1997
$2,500
£1,888.19
€2,182.19
CA$3,506.63
A$3,899.72
CHF 2,041.32
MX$47,571.78
NOK 25,649.94
SEK 24,127.08
DKK 16,288.64
About the Item
Cremaster 5 by Matthew Barney is a richly layered screen print and offset lithograph, executed in black, transparent black, and varnish with silver foil hot stamping and embossed emblem, all printed on satin Somerset paper. Signed and numbered in silver ink from an edition of 250, this piece showcases Barney’s meticulous craftsmanship and attention to materiality.
Created to accompany Cremaster 5, the final film in Barney’s ambitious five-part Cremaster Cycle, this print embodies the project's overarching themes of transformation, identity, and myth. The Cremaster Cycle explores the concept of biological development — specifically referencing the cremaster muscle, which controls the movement of the testes — as a metaphor for shaping form, destiny, and selfhood.
In Cremaster 5, Barney turns to operatic spectacle, rich symbolism, and a dreamlike narrative to depict the struggle between resistance and release. This print mirrors the film’s lush visual language: layered, seductive, and filled with coded meaning. The use of embossing, foil, and transparent inks amplifies the sense of depth, fragility, and strength — central motifs across Barney’s work.
As an artwork, Cremaster 5 offers collectors not only a striking and technically intricate print but also a piece of one of the most iconic and talked-about projects in late-20th-century contemporary art. It is a significant acquisition for those interested in conceptual art, film-based art practices, and the intersection of the body and mythology in contemporary visual culture.
- Creator:Matthew Barney (1967, American)
- Creation Year:1997
- Dimensions:Height: 33 in (83.82 cm)Width: 23.25 in (59.06 cm)Depth: 0.1 in (2.54 mm)
- More Editions & Sizes:33 x 23.25, 250Price: $2,500
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Brooklyn, NY
- Reference Number:1stDibs: LU1294116627322
Matthew Barney
Matthew Barney (b. 1967, San Francisco, California) Matthew Barney is a pioneering American contemporary artist known for his groundbreaking work across sculpture, performance, film, and installation. After studying at Yale University (B.A., 1989), Barney quickly rose to international prominence in the 1990s for his physically demanding performances and highly symbolic, multimedia environments that explore themes of transformation, mythology, sexuality, and identity. He is best known for The Cremaster Cycle (1994–2002), a five-part film project that fuses cinema, sculpture, drawing, and installation into a total work of art (Gesamtkunstwerk), widely regarded as one of the most ambitious and original bodies of work in contemporary art. His films are marked by surreal narratives, elaborate prosthetics, and a highly stylized visual language rooted in biology, sports, mysticism, and ritual. Barney’s work defies easy categorization and often requires interdisciplinary engagement. Drawing as much from Joseph Beuys and Richard Serra as from bodybuilding, medical science, and classical opera, Barney constructs alternate mythologies that are both personal and universal. Major solo exhibitions of his work have been held at the Guggenheim Museum in New York, the San Francisco Museum of Modern Art, the Musée d’Art Moderne de la Ville de Paris, and the Museum Ludwig in Cologne, among others. His films have been screened in prestigious venues such as the Cannes Film Festival and the Whitney Museum. Barney currently lives and works in New York.
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