Max Epstein

Resurrection, Psychedelic Screenprint Exhibition Poster by Max Epstein

1972

Exhibition at Brewster Gallery Paul Reynard, French / American (1927–2005) Date: circa 1975 Screenprint Poster Size: 45 in. x 26 in. (114.3 cm x 66.04 cm)

Max Epstein, Canadian (1932 - 2002) - Growing Tall, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 295, Image Size: 28 x 18.5 inches, Size: 35 in. x 23...

Max Epstein, Canadian (1932 - 2002) - Whitney, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 99, Image Size: 18 x 28 inches, Size: 23 in. x 35 in. (58...

Max Epstein, Canadian (1932 - 2002) - The Other Side of Me, Year: 1977, Medium: Screenprint, Signed and Numbered in pencil, Edition: 50, Image Size: 23 x 16 inches, Size: 30 in....

Deborah Kass (born 1952) Limited edition geometric abstract lithograph in colors on artist paper. Hand signed and dated in pencil to lower right. 1973. Edition: 102/120 to lower left. Dimensions: sight: 16-3/4" W x 21-1/4" H. Frame: 24-5/8" W x 28-7/8" H. Finding inspiration in pop culture, political realities, film, Yiddish, art historical styles, and prominent art world figures, Deborah Kass uses appropriation in her work to explore notions of identity, politics, and her own cultural interests. She received her BFA in painting at Carnegie Mellon University and studied at the Whitney Museum Independent Study Program and the Art Students League of New York. Deborah Kass (born 1952) is an American artist whose work explores the intersection of pop culture, art history, and the construction of self. Deborah Kass works in mixed media, and is most recognized for her paintings, prints, photography, sculptures and neon lighting installations. Kass's early work mimics and reworks signature styles of iconic male artists of the 20th century including Frank Stella, Andy Warhol, Jackson Pollock, and Ed Ruscha. Kass's technique of appropriation is a critical commentary on the intersection of social power relations, identity politics, and the historically dominant position of male artists in the art world. Deborah Kass was born in 1952 in San Antonio, Texas. Her grandparents were from Belarus and Ukraine, first generation Jewish immigrants to New York. Kass's parents were from the Bronx and Queens, New York. Her father did two years in the U.S. Air Force on base in San Antonio until the family returned to the suburbs of Long Island, New York, where Kass grew up. Kass’s mother was a substitute teacher at the Rockville Centre public schools and her father was a dentist and amateur jazz musician. At age 14, Kass began taking drawing classes at The Art Students League in New York City which she funded with money she made babysitting. In the afternoons, she would go to theater on and off Broadway, often sneaking for the second act. During her high school years, she would take her time in the city to visit the Museum of Modern Art, where she would be exposed to the works of post-war artists like Frank Stella and Willem De Kooning. At age 17, Stella’s retrospective exhibition inspired Kass to become an artist as she observed and understood the logic in his progression of works and the motivation behind his creative decisions. Kass received her BFA in Painting at Carnegie Mellon University (the alma mater of artist Andy Warhol), and studied at the Whitney Museum Independent Study Program Here, she created her first work of appropriation, Ophelia’s Death After Delacroix, a six by eight foot rendition of a small sketch by the French Romantic artist, Eugène Delacroix. At the same time Neo-Expressionism was being helmed by white men in the late Reagan years, women were just beginning to create a stake in the game for critical works. “The Photo Girls...

Orignal poster for Max Bill's exhibition "Grafiken aus 30 Jahren" at Galerie Design 1 in Hamburg in 1970.

Marco Tirelli - Poster is a vintage offset poster realized for the exhibition by Marco Tirelli at Galerie Di Meo in 2006. The artwork is represented in a well-balanced composition.

Vintage Exhibition Poster is a Offset print realized for the exhibition of Marco Tirelli in 2006. Good condition, no signature. The exhibition was held in Galerie de Meo in Paris i...