a.muse

Chance Encounter, Blue Abstract Art on Design Work on Paper

2017

In the artist's original print series Overlapping Ji, 2017 by a.muse, a 12.5" x 10.5" Unique Print, dated, titled, and signed by the artist. The work on paper is on the subject of la...

In the artist's Art and Design original print series, Fragments I, 2017 by a.muse is a visual study of space, design, and movement. A work on paper with colorful geometric shapes r...

The work on paper by a.muse is a study in negative and positive space. Bold colors and geometric shapes float weightlessly in space in an imaginary constellation. The viscosity inke...

A portrait of the Japanese geisha Madame Butterfly dressed in a colorful kimono this is a (one-of-a-kind) mono-print, Geisha Walking, 2017 by a.muse. 12.5" x 10.25 the print is dated...

This contemporary embossed white mono print was inspired by nature. Susan Collett is a masterful printmaker and an award-winning ceramic artist whose work is collected international...

This contemporary embossed white mono print was inspired by nature. Canadian artist Susan Collett is a masterful printmaker and an award-winning ceramic artist whose work is collect...

They Are Always With Me, by Melanie Yazzie, Monotype, unique, Navajo, bear green They Are Always With Me, Monotype, unique, Navajo, by Melanie Yazzie bear green framed Melanie Yazz...

Jennifer Losch Bartlett Rhapsody (hand signed and inscribed), 1985 Hardback monograph with dust jacket (hand signed and inscribed to Nadine) Hand signed and inscribed in black marker "for Nadine" by Jennifer Bartlett on the half title page 12 × 12 × 1 inches Provenance signed for the present owner at Paula Cooper Gallery on January 21, 2016 This substantial, lavishly illustrated hardback monograph with dust jacket, was hand signed by Jennifer Bartlett for the present owner at Paula Cooper Gallery on January 21, 2016. Makes an excellent gift Book information: Publisher‏: ‎ Harry N Abrams (November 1, 1985) English; Hardcover; 108 pages with color illustrations Editorial Review: Rhapsody'' is Bartlett's multi-part, multi-theme epic, a statement of the coming of age of an artist. A portable mural extended over 987 one-foot steel plates requiring 153 running feet of wall space, it is an enormous and infrequently mastered challenge to install and exhibit. In 1985-86, however, it will be on view in Minneapolis, Kansas City, Brooklyn, La Jolla, and Pittsburgh, and well worth a trip. In book form it becomes more available, with Smith's guided tour through sections, with Bartlett's notes giving conceptual coherence, and the opportunity to move from close-up to long view by turning a page. Rhapsody'' and this book afford a glimpse of a mind and art in action, a discovering and ordering process, an exciting demonstration of ways of growing and expressing the self and the world. Highly recommended. About Jennifer Bartlett: By the mid-1970s, Jennifer Bartlett (1941-2022, b. Long Beach, California) had emerged as a leading American artist of her time—particularly following the landmark presentation at Paula Cooper Gallery of Rhapsody (1976), Bartlett’s magnum opus, now in the collection of the Museum of Modern Art, New York. Bartlett’s first survey exhibition was held in 1985 at the Walker Art Center, Minneapolis, and traveled to the Brooklyn Museum, New York, and the Carnegie Museum of Art, Philadelphia, among others. In 2006, the Addison Gallery of American Art surveyed Bartlett’s early enameled steel plate paintings in the period from 1968–76. In 2013-14, Klaus Ottmann curated her second traveling survey, which visited the Pennsylvania Academy of the Fine Arts and the Parrish Art Museum, New York. In 2014, the Cleveland Museum of Art united her three monumental plate...