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Michael Rothenstein, RA1967 Woodcut Signed Limited Edition1967
1967
$640
$80020% Off
£486.54
£608.1720% Off
€567.95
€709.9420% Off
CA$898.60
CA$1,123.2520% Off
A$1,019.48
A$1,274.3620% Off
CHF 533.84
CHF 667.3020% Off
MX$12,577.72
MX$15,722.1520% Off
NOK 6,619.48
NOK 8,274.3520% Off
SEK 6,333.57
SEK 7,916.9620% Off
DKK 4,236.36
DKK 5,295.4520% Off
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About the Item
Michael Rothenstein
RIP - 1967
Print - woodcut 25'' x 30''inches
Edition: signed in pencil and marked sixteen / thirty five
Michael Rothenstein (1908-1993) Painter of figurative and abstract subjects in oils, water colours, collage and mixed media; maker of assemblages, printmaker and writer on art.
In 1946, after an early career as a landscape water colourist, Michael Rothenstein embarked upon his career as a printmaker. He was dedicated to the art of printmaking from this moment onwards and explored working with lithographs, monotypes, etchings, linocuts, woodcuts, screen prints and mixed media In 1957 he worked with Hayter at Atelier 17. From this time onwards printmaking became his main field of activity and a prolific output of colour linocuts, woodcuts. Screen prints and mixed media prints followed over the next four decades. His major contribution to printmaking was the development of the relief print using found objects and materials, a subject on which he wrote three books
Michael Rothenstein (1908–1993) was a pioneering British printmaker whose work significantly expanded the possibilities of printmaking in the 20th century. Known for his innovative techniques and experimental approach, Rothenstein explored linocut, woodcut, screenprint, and particularly relief printing, often incorporating found objects and unconventional materials. His prints are celebrated for their dynamic compositions, bold colours, and abstracted forms that bridge figuration and abstraction. He was deeply inspired by the rural English landscape, which features prominently in many of his works. As a teacher and advocate for printmaking, Rothenstein played a key role in revitalizing the medium in post-war Britain, especially through his work at the Curwen Studio and the founding of the Printmakers Council. His prints remain influential for their expressive freedom and technical daring.
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