Michel Haas - Vintage Exhibition Poster Galerie Di Meo - 2003

2003

Arte Povera Exhibition - Galerie Di Meo, Paris is an offset realized for the exhibition in 2005. Good condition, no signature. The exhibition is in Galerie Di Meo in Paris from Ma...

Vintage offset poster realized after Lucio Del Pezzo for the Artist's Exhibition at Galleria Rondanini, Rome. Excellent condition.

XIV Winter Olympics games is a vintage poster realized by the artist Yozo Hamaguchi, in occasion of the XIV Winter Olympics games in Sarajevo, in 1984. Very good condition. Yozo Ha...

Vintage offset poster realized after Lucio Del Pezzo for the Artist's Exhibition at Galleria Rondanini, Rome. Excellent condition.

Rare collectors' item: Anish Kapoor Venice Biennale: XLIV Esposizione Internazionale D'arte Biennale Di Venezia (Hand signed and inscribed by Anish Kapoor), 1990 HISTORIC signed poster published on the occasion of Kapoor representing Great Britain at the Venice Biennale Offset lithograph poster (Hand signed, inscribed to Nadine and dated 2016) Boldly signed, inscribed and dated by Anish Kapoor on the lower right front 33 × 23 inches Unframed Boldly signed and inscribed by Anish Kapoor on the lower right front for the present owner, Nadine, so provenance is direct. Accompanied by gallery issued Certificate of Guarantee This offset lithograph poster was published on the occasion of Anish Kapoor's exhibition "XLIV Esposizione Internazionale D'Arte" at the Biennale Di Venezia from May 27 to September 30, 1990. Hand signed posters by Kapoor are quite elusive. The poster is two sided as it was published on the occasion of the artist's participation in the 1990 Venice Biennale (the verso has his lengthy biography), and it bears the original folds as issued. British-Indian sculptor Anish Kapoor was chosen to represent Britain at the first Biennale of the 1990s. He had been exhibiting since 1980 but it was this show that brought him widespread recognition on the international stage. Sixteen huge sandstone blocks dominated the Pavilion’s main room; they were so heavy that the floor had to be reinforced with supports. Kapoor had started working in stone in the late 1980s and each block in Void Field (1989) has a hole filled with another motif in his work, the powdered blue pigment used in Indian religious ceremonies. The same vibrant tones, which was also inspired also by Yves Klein’s statement bold blue colour, were used in his low-lying slate sculpture, A Wing at the Heart of Things (1990), in the back gallery of the Pavilion; this work is now part of Tate’s collection. “Venice is an interchange of East and West, reflecting the way Kapoor borrows from both cultures” said Henry Meyric Hughes, British Council. Kapoor’s exhibition also wove together references to spiritualism and eroticism, with the red slit in the Pavilion's wall, entitled The Healing of St. Thomas (1989), alluding to the saint that doubted Jesus’ resurrection...

Jean Dubuffet Ustensiles Utopiques 1966: Hand-signed Jean Dubuffet lithographic poster published on the occasion of: "Jean Dubuffet, Recent Pa...

The Easy Dark poster for Julie Mehretu’s exhibition at the Louisiana Museum of Modern Art is a remarkable piece that embodies the energy and complexity of Mehretu’s work. Printed in ...

This exhibition poster for "Image after Image" at the Louisiana Museum of Modern Art, held from February 4 to May 29, 2005, was originally printed by Verlag der Buchhandlung Walter K...