Osvaldo Mariscotti

Untitled (Red OM18-0302)

2018

"Rabbit Trial Proof 4" is a unique 2-color, trial-proof screen print on paper by AI artist Tom White. This piece was created using neural networks trained on images of real rabbits t...

Eduardo Chillida (Spain, 1924-2002) 'Bilbao – Mundial 1982', 1982 silkscreen on japanese paper 37.5 x 23.7 in. (95 x 60 cm.) Edition of 150. P/A: 25, H.C.: 50 Publisher: Maeght Unframed ID: CHI1038-010 Hand-signed by author ____________________________________________________ He began his career in 1943 studying architecture at the University of Madrid, but in 1947 he dedicated himself to drawing and sculpture, and in 1948 he moved to Paris, then the world capital of the arts. Although he abandoned his studies, his work betrays his architectural training, showing an underlying sense of structural organization, as well as discipline in materials, planning of spatial relationships, and scale of elements. Over the years, the artist turned to materials that showed his investigations into conceptual questions and metaphysical concerns. Chillida's first stone and plaster creations oscillated between the human world and the natural world using figures and images of landscapes. Consistently guided by the quality of space, density and rhythm, his works consider ways in which mass and volume contain space. His public works, which exist on a more massive scale, not only inhabit the space but also determine a qualifying space of their own. His monumental sculptures, designed for both urban and more secluded spaces, are permanently installed internationally and constitute an important facet of his artistic production. The main retrospectives of Chillida's graphic and sculptural work have been mounted by the Museum of Fine Arts in Houston (1966); Carnegie Institute, Pittsburgh (1979); National Gallery of Art, Washington, DC (1979); Guggenheim Museum (1980); Miramar Palace, San Sebastián (1992); and Museo Nacional Centro de Arte Reina Sofía, Madrid (1999). Chillida received numerous awards, including the Grand International Prize for Sculpture at the Venice Biennale (1958), the Kandinsky Prize (1960), the Carnegie Prize for Sculpture (1964), the Andrew Mellon...

"Flavio Garciandia (Cuba, 1954) 'Un salto en Madrid', 2004 silkscreen on paper 39.4 x 27.6 in. (100 x 70 cm.) Edition of 106 ID: GAR1570-001-106"

"Flavio Garciandia (Cuba, 1954) 'El camino de Santiago (de Cuba)', 2004 silkscreen on paper 27.6 x 39.4 in. (70 x 100 cm.) Edition of 106 ID: GAR157...

Flavio Garciandia (Cuba, 1954) 'Sin título V', 2004 silkscreen on paper 27.6 x 39.4 in. (70 x 100 cm.) Edition of 106 ID: GAR1570-005-106 Unframed

Flavio Garciandia (Cuba, 1954) 'Sin título III', 2004 silkscreen on paper 39.4 x 27.6 in. (100 x 70 cm.) Edition of 99 Unframed ID: GAR1570-003-106

"Flavio Garciandia (Cuba, 1954) 'Díptico', 2004 silkscreen on paper 39.4 x 55.2 in. (100 x 140 cm.) Edition of 106 ID: GAR1570-007-106"

José Niebla (Spain, 1945) Untitled, 1996 silkscreen on paper 15.8 x 11.9 in. (40 x 30 cm.) Edition of 150 ID: NIE1205-005-150_5 Hand-signed by author

Rafael Canogar (Spain, 1935) 'Carácter', 1989 silkscreen on paper 19.7 x 27.6 in. (50 x 70 cm.) Edition of 99 ID: CAN1205-010-001_1 Hand-signed by author

"Flavio Garciandia (Cuba, 1954) 'Sin título IV', 2004 silkscreen on paper 39.4 x 27.6 in. (100 x 70 cm.) Edition of 106 ID: GAR1570-004-106"