Park Seo-Bo

Ecriture No. 2 - 06 (2006) Limited edition of 99 by Park Seo-Bo

2006

Park Seo-Bo Ecriture No. 1 - 06 ((2006). Edition 72/99 Print (casting with handmade paper), hand-coloring with acrylic Signed, titled, dated and numbered in pencil 76 x 55.5cm (shee...

Toko SHINODA (Japanese, 1913‐2021) Source n.7, (1965) ,Lithograph on cream BFK Rives Paper Artist Proof from an Edition of 16 25 x 19 in (sheet) 63.5 x 48.3 cm (sheet) 80 x 62 x 4 cm (framed) Executed in 1965 Signed, dated, and inscribed "A.P." PROVENANCE Private Collection United States A rare and historic print...

Abstract note 001 (Abstract Painting) Pencil and Acrylic on Canvas - Unframed. This artwork is inspired by the series Color as Adjective, a series of drawings and paintings that ar...

III by Kim Lim, 1991 Additional information: Medium: woodcut on paper 36 x 32.5 cm 14 1/8 x 12 3/4 in signed and dated in pencil verso Kim Lim was born in Singapore and spent much of her early childhood in Penang and Malacca. After her schooling in Singapore, Lim knew that she wanted to become an artist, and at eighteen, she enrolled at St. Martin's in London, where she spent two years concentrating mainly on wood carving. She then transferred to the Slade, where taught by the etcher Anthony Gross and lithographer Stanley Jones, she developed a strong commitment to print making. On journeys back to Singapore she stopped off in Europe and India, soaking up the art 'like a sponge'. These were the experiences that confirmed in her a lifelong predilection for things archaic, and for the flow and rhythm of Indian and South East Asian sculpture: " I found that I always responded to things that were done in earlier civilizations that seemed to have less elaboration and more strength." In Greece she was entranced by Cycladic sculpture. Of Chinese art she was moved most by early Shang bronzes, Han sculpture, Sung pottery...