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Patrick HeronJanuary 1973, Plate 1718973
18973
$7,451.71
£5,500
€6,435.55
CA$10,265.23
A$11,496.41
CHF 5,998.64
MX$140,423.66
NOK 76,320.11
SEK 71,940.85
DKK 48,027.75
About the Item
Patrick Heron
January 1973, Plate 17,
1973
Screen print, Artist’s Proof
Image: 68.0 x 93.2 cm
Frame: 88.0 x 111.0 cm
Signed and dated
Patrick Heron (30 January 1920 – 20 March 1999) was a British abstract and figurative artist, critic, writer, and polemicist, who lived in Zennor, Cornwall.
Heron was recognised as one of the leading painters of his generation. Influenced by Cézanne, Matisse, Braque and Bonnard, Heron made a significant contribution to the dissemination of modernist ideas of painting through his critical writing and primarily his art.
Heron's artworks are most noted for his exploration and use of colour and light. He is known for both his early figurative work and non-figurative works, which over the years looked to explore further the idea of making all areas of the painting of equal importance. His work was exhibited widely throughout his career and while he wrote regularly early in his career, notably for New Statesman and Arts New York, this continued periodically in later years.
- Creator:Patrick Heron (1920-1999, British)
- Creation Year:18973
- Dimensions:Height: 26.78 in (68 cm)Width: 36.7 in (93.2 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Bournemouth, GB
- Reference Number:1stDibs: LU1589216016832
Patrick Heron
Patrick Heron was a painter, textile designer and writer on art. He was born in January 1920 in Leeds, the son of T.M. Heron, founder of Cresta Silks and a Christian sociologist. From 1925 to 1930, Heron lived in St Ives. He studied at the Slade School from 1937 to 1939. The Second World War interrupted his painting, but in 1945 he settled in London and began to paint again. The Braque exhibition at the Tate Gallery deeply impressed him in 1946, and Heron had his first one-man exhibitions in 1947 at the London Redfern Gallery and in 1960 at the New York Bertha Schaefer Gallery. He became an art critic to the New Statesman and Nation in 1947, and the London correspondent to Arts (New York) in 1955. A retrospective exhibition was put on displaying Heron's work at the Wakefield Art Gallery in 1952, and he went on a northern tour that same year. Twelve paintings of his were held in the São Paulo Bienal from 1953 to 1954. Heron turned to abstract art under the influence of American abstract painting in 1956, and he moved to Zennor, Cornwall, in the same year. At the end of the 1950s, he was awarded First Prize in the John Moores Liverpool Exhibition. Heron was also a successful writer and was the author of The Changing Forms of Art (1955), Ivon Hitchens (1955) and Braque (1956). Heron's work is part of numerous public and private collections, including Deutsche Bank, the Courtauld and the Yale Center for British Art..
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