
Vision Antique
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Paul BerthonVision Antique1899
1899
About the Item
- Creator:Paul Berthon (1872-1909, French)
- Creation Year:1899
- Dimensions:Height: 12.875 in (32.71 cm)Width: 25.625 in (65.09 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Usual aging to the sheet of paper.
- Gallery Location:Fairlawn, OH
- Reference Number:Seller: FA11637.31stDibs: LU14014381072
About the Seller
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Signed and dated lower left in pencil (see photo)
The Print Club of Cleveland Publication No. 43 for 1965
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Condition: Mint
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Sheet dimensions: 18 1/8 x 13 7/8 inches
Original PCC label included (see photo)
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(1900-1983)
A major twentieth century abstract painter and printmaker, Adja Yunkers studied art in Leningrad, Berlin, Paris and London. His first solo exhibition took place in Hamburg in 1921. For a period of fourteen years, Yunkers lived and worked in Paris. At the outbreak of World War II (1939), he moved to Stockholm, Sweden, where he edited and published the arts magazines, ARS and Creation.
Adja Yunkers settled permanently in the United States in 1947. During the following years important exhibitions of his woodcuts, lithographs and paintings were held at the Smithsonian Institute, the Corcoran Gallery, the Art Institute of Chicago and the Los Angeles County Museum of Art.
The prints of Adja Yunkers are today included in the following collections: The Victoria and Albert Museum, London, the Hamburg Kunsthalle, the Stockholm National Gallery, the Rijksmuseum, Amsterdam, the Bibliotheque Nationale, Paris, the Museum of Fine Arts, Boston, the Corcoran Museum, Harvard University and the Museum of Modern Art, New York.
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Karel Appel was born on April 25, 1921, in Amsterdam. From 1940 to 1943 he studied at the Rijksakademie van Beeldende Kunsten, Amsterdam. In 1946 his first solo show was held at Het Beerenhuis, Groningen, Netherlands, and he participated in Jonge Schilders (Young painters) at the Stedelijk Museum, Amsterdam. About this time, Appel was influenced first by Pablo Picasso and Henri Matisse, then by Jean Dubuffet. He was a member of the Nederlandse Experimentele Groep (Dutch Experimental Group, 1948) and established the Cobra group (1948–51) with Constant (Constant Nieuwenhuys), Corneille (Guillaume Cornelis Beverloo), and other painters from Copenhagen, Brussels, and Amsterdam. The style distinguished itself through bold, expressive compositions inspired by folk and children's art, as well as by the work of Paul Klee and Joan Miró. In 1949 Appel completed a fresco for the cafeteria of the city hall in Amsterdam, which created such controversy that it was covered for ten years.
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