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Paul Guiramand(tariff free*) Le port de New York, Prints from the Mourlot Press1964
1964
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About the Item
Lithograph on vélin d'Arches paper. Paper Size: 10 x 7.5 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Prints from the Mourlot Press, exhibition sponsored by the French Embassy, circulated by the Traveling Exhibition Service of the National Collection of Fine Arts, Smithsonian Institution 1964-1965, 1964. Published by Fernand Mourlot, Paris, in collaboration with the Embassy of France, Washington, D.C., and the Smithsonian Institution, Washington D.C.; printed by Mourlot Frères, Paris, October 27, 1964. Excerpted from the album, This exhibition is a manifestation of Franco-American friendship and we would be very happy if it is of interest to all those who visit it. I wish to thank Mrs. Annemarie Pope for proposing and organizing this exhibition of the work of the artists who have used our press. We are honored that Mr. Hervé Alphand, Ambassador of France to the United States, and Mr. Edouard Morot-Sir, Cultural Counsellor at the French Embassy in New York, will sponsor this exhibition. I express to them my thanks and appreciation. As for the artists themselves, who executed the originals contained in this catalogue, I can only say simply, "Thank you."
They are all friends. We would have liked to include not just the twenty-four illustrations in this small book, but many more. During the year 1963, we lost three great artists who were faithful friends of our press. Thanks to Mrs. Georges Braque, Mr. Louis Carré, and Mr. Edouard Dermit, who have
been able to pay our respects to Georges Braque, Jacques Villon and Jean Cocteau. The great Henri Matisse is also with us, since Mrs. Du-thuit-Matisse and her brothers have allowed us to use an unpublished original lithograph. Thanks to them all for their generosity. —Fernand Mourlot. The lithography at Mourlot printing press by Jean Adhémar, Curator of prints at the Bibliothèque nationale. Acknowledgments, Fernand Mourlot has long been the acknowledged master printer of France in every field, from lithographs to fine books to posters. The unfailing quality of his work commands the respect of museums, collectors, and most important of all, the artists themselves. Every product of his workshop bears the mark of Mourlot's discipline and craft and can truly be called an ideal collaboration between artist and artisan. The result of years of thoughtful planning, this special exhibition presents an accurate portrait of the Mourlot Press. We are greatly indebted to Fernand Mourlot, who made the selection, supervised the production of the catalogue, and gave endless time and energy to the details of preparation. This album was finished in Paris on 27th october 1964. The original lithographs and the reproductions were printed on the presses of Mourlot. The Imprimerie Nationale, Director André Brignole, was responsible for the typography. The edition has been limited to MM examples on Vélin d'Arches and CC on Vélin de Rives, reserved for the artists, the staff and the friends of the Imprimerie Mourlot.
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PAUL GUIRAMAND (1926-2007) was a French artist. In the early thirties Guiramand moved to Paris and became a witness to the violence of war-torn France. Two years later he began to study design at the Ville de Paris. Under the guidance of Professor Maurice Brianchon, Guiramand continued his studies at the L'Ecole des Beaux- Arts School in 1943. Brianchon was most influential to Guiramand in his career, as were Picasso and Matisse, both were breaking artistic barriers in 1944 during the Liberation of Paris. During 1948 Guiramand supported himself with a night shift position at the National Weather Center. During this time he afforded himself the luxury to travel to Spain and Italy where in Florence and Arrezo he was introduced to and subsequently inspired by the works of Masaccio and Piero della Francesca. Guiramand was also a set designer, most noted for his designs for the theater production by Federico Garcia Lorca at the Kantsallisteatteris in Helsinki that ran during the 1950's. In 1952 Guiramand served in the Military Service. His Professional presence was first noted when he was Awarded the "Prix de Rome" in 1953. His first exhibition was premiered at Marlborough Fine Art, in London. At this time Guiramand was living at the Villa Medicis, sharing the residence with honored artists such as Tilson, Francis Bacon and Corpora. Many of the famous Italian Cinema artists of that era were also in residence. In 1954 he began a series of lithographs at the Atelier of Fernand Mourlot under the council of Charles Sorlier. Mourlot's Atelier was a popular gathering place for such noted artists of the epoch: Miro, Chagall, Estève, Rebeyrolle, Manessier, Cueco, and Cottavoz. Many of these artists became Guiramand's life long friends. Two years later in 1956, The Herzog Gallery in Houston, Texas was the site for Guiramand's first one-man exhibition. In 1959 his next one-man show was at Stanley Johnson's International Gallery of Chicago. Other exhibitions during 1961 included Hammer Galleries in New York, International Gallery of Chicago and Marlborough Fine Art in London.
- Creator:Paul Guiramand (1926 - 2008, French)
- Creation Year:1964
- Dimensions:Height: 10 in (25.4 cm)Width: 7.5 in (19.05 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Southampton, NY
- Reference Number:1stDibs: LU1465216974692
Paul Guiramand
Guiramand, painter, sculptor and lithographer, was born in 1926 in Saint-Quentin in northern France. In 1943, he entered the École des Beaux-Arts. In 1951, Guiramand, with a painting entitled l’Olympia, (Homage à Manet) won the prestigious Prix de Rome. There followed a period of studies in Rome (1953-1957) after which his career was enhanced with personal exhibitions in London, Geneva, Paris, Chicago and Tokyo.
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